Deep Purple – Come Taste The Band
Label: | Purple Records – TPSA 7515, Purple Records – OC 064 ○ 97044 |
---|---|
Format: | Vinyl, LP, Album, Stereo, Gatefold |
Country: | UK |
Released: | |
Genre: | Rock, Funk / Soul |
Style: | Hard Rock |
Tracklist
A1 | Comin' Home | 3:52 | |
A2 | Lady Luck | 2:45 | |
A3 | Gettin' Tighter | 3:36 | |
A4 | Dealer | 3:49 | |
A5 | I Need Love | 4:22 | |
B1 | Drifter | 4:01 | |
B2 | Love Child | 3:05 | |
B3 | This Time Around / Owed To 'G' (Instrumental) | 6:07 | |
B4 | You Keep On Moving | 5:18 |
Companies, etc.
- Record Company – EMI Records Ltd.
- Phonographic Copyright ℗ – Deep Purple (Overseas) Ltd.
- Copyright © – Purple Records Ltd.
- Published By – Deep Purple Music (Overseas) Ltd.
- Published By – Intersong Music Ltd.
- Recorded At – Musicland Studios
- Mastered At – Kendun Recorders
Credits
- Bass Guitar, Vocals – Glenn Hughes
- Design [Cover] – Castle, Chappell & Partners Limited
- Drums, Mixed By – Ian Paice
- Keyboards – Jon Lord
- Lead Guitar, Vocals – Tommy Bolin
- Photography By [Cover] – Peter Williams (17)
- Photography By [Group, Inside Spread] – Dieter Zill*
- Photography By [Inside Spread] – Fin Costello
- Producer – Deep Purple
- Producer, Mixed By, Engineer – Martin 'The Wasp' Birch*
- Vocals – David Coverdale
Notes
First pressing.
Gatefold laminated sleeve with printed inner sleeve.
Made and printed in Great Britain.
Gatefold laminated sleeve with printed inner sleeve.
Made and printed in Great Britain.
Barcode and Other Identifiers
- Matrix / Runout (Stamped Runout Side A variant 1): KENDUN 1 TPSA 7515 A3 U
- Matrix / Runout (Stamped Runout Side B variant 1): KENDUN TPSA 7515 B-10
- Matrix / Runout (Etched Runout Side A variant 1): PR-2895-4!!84-RE-1 -B- THE -WASP-
- Matrix / Runout (Etched Runout Side B variant 1): 21 Rc_________c 5-1-B
- Matrix / Runout (Side A runout stamped variant 2): TPSA 7515 A-1U KENDUN LT A
- Matrix / Runout (Side B runout stamped variant 2): TPSA 7515 B-1U KENDUN AR
- Matrix / Runout (Side A+B runout etched variant 2): 1-2 R-----------R(Upside Down) 5-1 A
- Matrix / Runout (Side A runout stamped variant 3): 2 KENDUN TPSA 7515 A-1U II O
- Matrix / Runout (Side A runout etched variant 3): 1-2 R-----------R(Upside Down) 5-1 A A
- Matrix / Runout (Side B runout stamped variant 3): 2 KENDUN TPSA 7515 B-1U O II
- Matrix / Runout (Side B runout etched variant 3): 1-2 R-----------R(Upside Down) 5-1-B
- Matrix / Runout (Side A runout stamped variant 4): TPSA 7515 A-1U KENDUN LA A
- Matrix / Runout (Side A runout etched variant 4): 1-2 R-----------R(Upside Down) 5-1 A
- Matrix / Runout (Side B runout stamped variant 4): 3 KENDUN TPSA 7515 B-1U O O
- Matrix / Runout (Side B runout etched variant 4): 1-2 R-----------R(Upside Down) 5-1-B
- Matrix / Runout (Side A runout stamped variant 5): KENDUN TPSA 7515 A-1U L II
- Matrix / Runout (Side A runout etched variant 5): 1-2 R-----------R(Upside Down) 5-1 A
- Matrix / Runout (Side B runout stamped variant 5): KENDUN TPSA 7515 B-1U V II
- Matrix / Runout (Side B runout etched variant 5): 1-2 R-----------R(Upside Down) 5-1-B
- Matrix / Runout (Side A runout stamped variant 6): KENDUN TPSA 7515 A-1U A G 1
- Matrix / Runout (Side A runout etched variant 6): 1-2 R-----------R(Upside Down) 5-1
- Matrix / Runout (Side B runout stamped variant 6): KENDUN TPSA 7515 B-1U G U 1
- Matrix / Runout (Side B runout etched variant 6): 1-2 R-----------R(Upside Down) 5-1-
- Matrix / Runout (Side A runout stamped variant 7): TPSA 7515 A-1U A KENDUN
- Matrix / Runout (Side A runout etched variant 7): RC 1-2 R-----------R(Upside Down) 5-1 A
- Matrix / Runout (Side B runout stamped variant 7): TPSA 7515 B-1U 2 KENDUN
- Matrix / Runout (Side B runout etched variant 7): >C A 1-2 R-----------R(Upside Down) 5-1 B
- Matrix / Runout (Side A runout etched variant 8): TPSA 7515 A-1U A KENDUN T A M 1-2 5-1 A
- Matrix / Runout (Side B runout etched variant 8): TPSA 7515 B-1U 2 KENDUN T H 1-5 5-1 B
- Matrix / Runout (Side A runout stamped variant 9): TPSA 7515 A-1U KENDUN DAM 2
- Matrix / Runout (Side A runout etched variant 9): 1-2 R-----------R(Upside Down) 5-1· A
- Matrix / Runout (Side B runout stamped variant 9): TPSA 7515 B-1U KENDUN HA 1
- Matrix / Runout (Side B runout etched variant 9): 1-2 R-----------R(Upside Down) 5-1· B
- Matrix / Runout (Side A, label): TPSA.7515A
- Matrix / Runout (Side B, label): TPSA.7515B
Other Versions (5 of 197)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Come Taste The Band (LP, Album, Stereo) | Purple Records, Purple Records | 2C 068-97044, 2C 068-97.044 | France | 1975 | ||
Recently Edited | Come Taste The Band (Cassette, Album) | Purple Records | 1J 244-97044 | Spain | 1975 | ||
Recently Edited | Come Taste The Band (LP, Album) | Purple Records | 8E 064-97 044 | Portugal | 1975 | ||
Recently Edited | Come Taste The Band (LP, Album, Santa Maria Press, Gatefold) | Warner Bros. Records, Purple Records | PR 2895 | US | 1975 | ||
Recently Edited | Come Taste The Band (LP, Album, Stereo, Gatefold) | Purple Records | 3C 064 - 97044 | Italy | 1975 |
Recommendations
- Released1974 — UKVinyl —LP, Album
- Released1970 — UKVinyl —LP, Album, Stereo
- Released1973 — UKVinyl —LP, Album, Stereo
- Released1971 — UKVinyl —LP, Album, Stereo
- Released1972 — UKVinyl —LP, Album, Stereo
- Released1974 — UKVinyl —LP, Album
- Released1975 — UKVinyl —LP, Album, Stereo
- Released1975 — UKVinyl —LP, Album, Stereo
- Released1976 — UKVinyl —LP, Album
- Released1977 — UKVinyl —LP, Album, Stereo
Reviews
- Edited 3 months agoTheir best album. Way ahead of its time.
It has to be listened several times and after each listening it gets better and better... and finally You realize that is fantastic album. - The Man in Black had left the building! In the spring of 1975, after a European tour, founding member and mercurial guitarist Ritchie Blackmore left Deep Purple, dissatisfied with the band's current musical direction. How to replace such an iconic and dominating figure? American Tommy Bolin, formerly of the James Gang and also currently embarking on a solo career, had intrigued David Coverdale when he heard Bolin play on a record by jazz musician Billy Cobham, so he was offered an audition for Purple. While impressed enough with the young Yank’s improvisational skills to offer him the gig, Coverdale, Lord and Paice had no idea the depths of Bolin’s soon to be fatal substance abuse. Glenn Hughes was also in a well documented struggle with his own personal demons and whether or not that was the reason, the singer-bassist and new hot shot guitar player bonded over funk and R&B influences. While many Purple enthusiasts seem to be irked about the record that was produced in Miami in the summer of 1975, ‘Come Taste the Band’ is, in my humble opinion, a very good record. Some parts sound like the Deep Purple of old but it definitely marks a change in the overall sound of the band. I also think Bolin puts a sizable stamp on the LP and I think his playing is brilliant, very different from Blackmore’s, but enjoyable all the same. ‘Coming Home’ is the lead track and many have commented on the pre-Whitesnake qualities of the song which I can definitely see but I also feel like it seems to be saying - “here’s a new era for Deep Purple and this is the hard rock opener you’ve come to expect from us.” “Love Child”, “Lady Luck”, “Dealer” and “Drifter” are all solid heavy rock tunes - much of what you’d expect from a band now led by Coverdale as he came to be the dominant personality in Purple after Ritchie left. Glenn and Bolin create their own magic on “Getting Tighter” which is probably the album’s best song, a perfect funk - rock blend that I guess was quite the workout in concert. It was actually on stage that the Mark IV of Deep Purple sowed their eventual downfall and led the dissolution of the band (and dormancy for the next eight years). Bolin’s problems drastically affected his live work and the band more often than not had disastrous shows. By Spring of 1976, Coverdale supposedly offered his resignation to Lord only to be told that there was no band to leave! Bolin would die later that year but luckily Glenn Hughes survived. ‘Come Taste the Band’ has grown on me but is it a favorite? No, but for the people who just disregard it due to Blackmore’s absence, they’re missing out on some inspired mid-70s hard rock. Everyday, wheels are turning…
- Edited 6 months agoI dont understand why this album gets all of the hate it does, especially with it sometimes being called "not a real Deep Purple album" when in reality it's just as much as Deep Purple album as Fireball and Burn were. Yes while you can't replace the likes of Ritchie Blackmore, Tommy didn't really replace him. He just came simply in his own style and ways, and if anything you could call this album an experimental album. While this was a difficult time for the band, the album is phenomenal in my opinion and is possibly one of my favorite albums.
- Deep Purple did the right thing, they led new blood in the band and yes, that changed the band. And please don't rate it, it is different, I like it because I don't want to listen to 10 version of Machine Head, or in Rock. Taste something new here, Bolin is up the Richie, just different.
- It's not Deep Purple as some people say, but for me (who loves funk and Glenn Hughes, this may explain it!), it's a great album, very groovy and punchy.
- I think this is a great album, in fact one of my favourite DP records. I'm just sad it was the only one with the Bolin/Hughes combination, as they injected a new style and interest for me. I think it stands up better today than some of the previous releases.
- Let’s be honest this isn’t Deep Purple so suffers by comparison. If the remainders of Purple had formed a group with Coverdale and Bolin under a new name and direction we could have had a great band on our hands, certainly more contemporary. Instead we got endless inferior versions of Deep Purple and Whitesnake . What more is there to say.