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LoveForever Changes

Label:

Elektra – 8122-73537-2, Warner Strategic Marketing – 8122-73537-2

Series:

Elektra Traditions

Format:

CD, Album, Reissue, Remastered

Country:

Europe

Released:

Genre:

Rock

Style:

Folk Rock, Psychedelic Rock

Tracklist

1Alone Again Or
Arranged ByDavid Angel (3)
Arranged By, Lead Vocals, Written-ByBryan Maclean
3:17
2A House Is Not A Motel3:31
3Andmoreagain
BassCarol Kaye
DrumsHal Blaine
GuitarBilly Strange
PianoDon Randi
3:18
4The Daily Planet
BassCarol Kaye
DrumsHal Blaine
GuitarBilly Strange
PianoDon Randi
3:31
5Old Man
Lead Vocals, Written-ByBryan Maclean
3:02
6The Red Telephone4:46
7Maybe The People Would Be The Times Or Between Clark And Hilldale3:34
8Live And Let Live5:26
9The Good Humor Man He Sees Everything Like This3:08
10Bummer In The Summer2:24
11You Set The Scene6:57
Bonus Tracks
12Hummingbirds (Demo)
ProducerJac Holzman
2:43
13Wonder People (I Do Wonder)3:28
14Alone Again Or (Alternate Mix)2:55
15You Set The Scene (Alternate Mix)7:01
16Your Mind And We Belong Together (Tracking Sessions Highlights)8:16
17Your Mind And We Belong Together4:27
18Laughing Stock2:31
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Companies, etc.

  • Phonographic Copyright ℗Elektra Entertainment Group
  • Copyright ©Elektra Entertainment Group
  • Manufactured ByRhino Entertainment Company
  • Marketed ByRhino Entertainment Company
  • Made ByWarner Music Manufacturing Europe
  • Pressed ByWMME Alsdorf
  • Published ByTrio Music Co., Inc.
  • Published ByGrass Roots Productions
  • Published ByThree Wise Boys Music LLC
  • Published ByBreadcrust
  • Recorded AtSunset Sound Recorders
  • Remastered AtDigiPrep

Credits

  • Arranged ByArthur Lee (tracks: 2 to 4, 6 to 13, 15)
  • Art Direction [Reissue Package], Design [Reissue Package]Rachel Gutek
  • Artwork [Front Cover Art, Original Album Package]Bob Pepper
  • BassKen Forssi
  • CelloJesse Ehrlich (tracks: 1 to 11, 13 to 15)
  • Design [Cover, Original Album Package]William S. Harvey
  • Double Bass [String Bass]Chuck Berghofer (tracks: 1 to 11, 13 to 15)
  • Drums, PercussionMichael Stuart*
  • EngineerBruce Botnick (tracks: 1 to 11, 13 to 15), John Haeny (tracks: 16 to 18)
  • Executive-ProducerGary Stewart (4)
  • Illustration [Collage On Back Inlay]Bob Pepper
  • Lead GuitarJohn Echols
  • Liner NotesAndrew Sandoval, Ben Edmonds
  • Liner Notes [A&r Editorial Coordination]Shawn Amos
  • Liner Notes [Booklet]Andrew Sandoval, Ben Edmonds
  • Liner Notes [Discographical Annotation]Andrew Sandoval, Gary Peterson (2)
  • Liner Notes [Editorial Research]Daniel Goldmark
  • Liner Notes [Editorial Supervision]Sheryl Farber
  • Management [Licensing]Wendi Cartwright
  • Management [Project Assistance]Amy Utstein, Randy Perry
  • Orchestrated ByDavid Angel (3) (tracks: 1 to 11, 13 to 15)
  • Photography By [Back Cover Photo]Ronnie Haran
  • Photography By [Booklet]Bryan Maclean, MichaelOchsArchives.com*, Ronnie Haran
  • Photography By [Photo On Back O-card]MichaelOchsArchives.com*
  • ProducerArthur Lee (tracks: 1 to 11, 13 to 18)
  • Producer [With]Bruce Botnick (tracks: 1 to 11, 13 to 15)
  • Reissue ProducerAndrew Sandoval, Bill Inglot
  • Remastered By [Remastering]Bill Inglot, Dan Hersch
  • Rhythm Guitar, VocalsBryan Maclean
  • Supervised By [Production Supervisor]Jac Holzman (tracks: 1 to 11, 13 to 15)
  • TromboneRichard Leith (tracks: 1 to 11, 13 to 15)
  • TrumpetBud Brisbois (tracks: 1 to 11, 13 to 15), Ollie Mitchell (tracks: 1 to 11, 13 to 15), Roy Caton (tracks: 1 to 11, 13 to 15)
  • ViolaNorman Botnick (tracks: 1 to 11, 13 to 15)
  • ViolinArnold Belnick (tracks: 1 to 11, 13 to 15), Darrel Terwilliger (tracks: 1 to 11, 13 to 15), James Getzoff (tracks: 1 to 11, 13 to 15), Marshall Sosson (tracks: 1 to 11, 13 to 15), Robert Barene (tracks: 1 to 11, 13 to 15)
  • Vocals, GuitarArthur Lee
  • Written-ByArthur Lee (tracks: 2 to 4, 6 to 18)

Notes

Similar to Love - Forever Changes but different code in the front covers of the booklet and O-card (8122-73537-2 in this one vs. R2 73537 in the other one).
See also the later reissue glass mastered at Cinram GmbH Love - Forever Changes.

Issued in jewel case with clear tray and 24-page booklet.

Track 13 is an outtake.

Tracks 1 to 11 recorded at Sunset Sound Recorders, Hollywood, CA (6/9/67, 6/10/67, 6/12/67, 8/11/67, 8/12/67, 9/10/67, 9/21/67 & 9/25/67).
Track 12 recorded at Sunset Sound Recorders, Hollywood, CA (6/17/66)
Tracks 16 to 18 recorded at Sunset Sound Recorders, Hollywood, CA (1/30/68)

This reissue/compilation ℗ & © 1987 & 2001 Elektra Entertainment Group. Manufactured & marketed by Rhino Entertainment Company.
Made in Germany by Warner Music Manufacturing Europe.

All tracks published by Trio Music Company, Inc. (BMI) and Grass Roots Productions (BMI) (admin. by Trio Music Company, Inc.) except
track 1 by Three Wise Boys Music LLC/Breadcrust (BMI)

Barcode and Other Identifiers

  • Barcode (Text): 0 8122-73537-2 8
  • Barcode (String): 081227353728
  • Rights Society: GEMA / BIEM
  • Rights Society: BMI
  • Label Code: LC 00192
  • Price Code: EW835
  • Matrix / Runout (Variants 1 to 22): [Warner Music logo] 812273537-2 01/01
  • Mastering SID Code (Variants 1 to 22): IFPI L012
  • Mould SID Code (Variant 1): IFPI 05F3
  • Mould SID Code (Variant 2): IFPI 05A8
  • Mould SID Code (Variant 3): IFPI 0598
  • Mould SID Code (Variant 4): IFPI 0519
  • Mould SID Code (Variant 5): IFPI 05M1
  • Mould SID Code (Variant 6): IFPI 0502
  • Mould SID Code (Variant 7): IFPI 05A3
  • Mould SID Code (Variant 8): IFPI 0574
  • Mould SID Code (Variant 9): IFPI 05M8
  • Mould SID Code (Variant 10): IFPI 0570
  • Mould SID Code (Variant 11): IFPI 05N5
  • Mould SID Code (Variant 12): IFPI 0576
  • Mould SID Code (Variant 13): IFPI 0587
  • Mould SID Code (Variant 14): IFPI 05N0
  • Mould SID Code (Variant 15): IFPI 05M6
  • Mould SID Code (Variant 16): IFPI 0591
  • Mould SID Code (Variant 17): IFPI 0544
  • Mould SID Code (Variant 18): IFPI 05R2
  • Mould SID Code (Variant 19): IFPI 0511
  • Mould SID Code (Variant 20): IFPI 05N9
  • Mould SID Code (Variant 21): IFPI 05R3
  • Mould SID Code (Variant 22): IFPI 0588

Other Versions (5 of 168)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Forever Changes (LP, Album, Stereo, Allentown Pressing)ElektraEKS-74013US1967
New Submission
Forever Changes (LP, Album)ElektraEKS 74013Canada1967
Recently Edited
Forever Changes (LP, Album, Stereo, Monarch Pressing)ElektraEKS 74013US1967
Recently Edited
Forever Changes (LP, Album, Mono, Allentown Pressing)ElektraEKL-4013US1967
New Submission
Forever Changes (LP, Album, Stereo)ElektraEKS-74013New Zealand1967

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Reviews

  • miss.erica's avatar
    miss.erica
    remastered with wanting to sound more contemporary - yuk - so more bass in the foreground. such a shame
    • WoodyCAFC's avatar
      WoodyCAFC
      My version came with a slipcase, but it definitely isn’t the US slipcase version.
      • eoooghan's avatar
        eoooghan
        The opening to this album is incredible. The first 3 tracks are so good. Alone again or is really uplifting, and also a bit sad. A house is not a motel keeps it moving, and is a lively anthem. At this point it feels like this is gonna be an album full of anthems. Andmoreagain keeps the momentum going, but sadly the album takes a dip afterwards in my eyes, with the rest of it being fine, but not especially memorable. Worth it for those 3 though. I could be wrong. I often am.
        • dlgale1974's avatar
          dlgale1974
          Interesting listen, but I think this is a little over rated; it has some decent Folk Rock sounding numbers, but a lot of the material is a bit dry.
          • _TheBeatles's avatar
            _TheBeatles
            Simply one of the finest albums ever made.
            • skritchy's avatar
              skritchy
              Edited 19 years ago
              Absolute timeless classic masterpiece of pure pop goodness. The music is much less "psychedelic" than you'd expect. Likely because the focus is on honest-to-goodness songs instead of jams or freakouts, and songwriting is so strong. Cuts like opener Alone Again Or and The Daily Planet are earworms, plain and simple. Most of the bonus tracks on this release are inessential, but the 1968 single is a hidden gem buried near the end. The remastering is crisp and clear. Overall, a total winner.

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