BBC Radiophonic Workshop – The Soundhouse: Music From The BBC Radiophonic Workshop
Label: | BBC Records – REC 467 |
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Format: | Vinyl, LP, Album |
Country: | UK |
Released: | |
Genre: | Electronic, Stage & Screen |
Style: | Soundtrack, Abstract, Theme, Experimental |
Tracklist
A1 | Howell*, Limb*, Gibbs*, Clarke*, Parker* & Mills*– | Radiophonic Rock |
A2 | Peter Howell– | Lascaux |
A3 | Jonathan Gibbs– | Computers In The Real World |
A4 | Dick Mills– | Seascape |
A5 | Paddy Kingsland– | The Whale |
A6 | Roger Limb– | Rallyman |
A7 | Dick Mills– | Catch The Wind |
A8 | Malcolm Clarke– | Believe It Or Not |
A9 | Elizabeth Parker– | Planet Earth |
A10 | Jonathan Gibbs– | Dawn |
B1 | Peter Howell– | Mainstream |
B2 | Malcolm Clarke– | The Unseeing Eye |
B3 | Peter Howell & Dick Mills– | Fancy Fish |
B4 | Paddy Kingsland– | Brighton Pier |
B5 | Dick Mills– | Armagiddean War Games |
B6 | Roger Limb– | Yellow Moon |
B7 | Elizabeth Parker– | Radio Blackburn |
B8 | Dick Mills– | Macrocosm |
B9 | Peter Howell– | Land And People |
B10 | Jonathan Gibbs– | Houdin's Musical Box |
B11 | Roger Limb– | Ghost In The Water |
B12 | Malcolm Clarke– | The Milonga |
Credits
- Compiled By – Roger Limb
Notes
Recordings produced by The BBC Radiophonic Workshop.
From sleeve notes, Roger Limb April 1983:
"From time to time, the BBC Radiophonic Workshop and BBC Records have issued L.P. compilations presenting a cross-section of output of the Workshop. The last retrospective album was released in 1979 on the occasion of the Workshop's 21st anniversary. Here nowise a new collection of tracks illustrating some of the work that has been completed at the Workshop in the 4 years since then. The most significant advances in technique since 1979 have been in the field of computer technology and at the Workshop we are now using the Fairlight Computer Synthesizer examples of which can be heard on this record. There a couple of other new departures here too. We have, of course, for many years incorporated into our work, when appropriate, musicians playing conventional instruments. There are 4 examples of blending of electronic and conventional music in this collection. We have also have a rather unique Radiophonic event. Each composer has taken a rhythmic percussive sequence from the Fairlight, and written about half a minute of their own music around it. This musical 'autograph album' is the track 'Radiophonic Rock' [Track 1].
Despite technological process, the Radiophonic Workshop is still what it was when it first came into existence 25 years ago, a creative service department supplying special sound and music to BBC programme makers. In 25 years from now, who knows what sounds will be heard coming from behind the doors of our corridor in BBC's Maida Vale studios? One thing is certain, the new technology makes the road ahead an interesting one."
Matrix / Runout (Etchings side 1): REC-467-A2 DAMONT MT
Matrix / Runout (Etchings side 2): REC-467-B1 DAMONT MT
From sleeve notes, Roger Limb April 1983:
"From time to time, the BBC Radiophonic Workshop and BBC Records have issued L.P. compilations presenting a cross-section of output of the Workshop. The last retrospective album was released in 1979 on the occasion of the Workshop's 21st anniversary. Here nowise a new collection of tracks illustrating some of the work that has been completed at the Workshop in the 4 years since then. The most significant advances in technique since 1979 have been in the field of computer technology and at the Workshop we are now using the Fairlight Computer Synthesizer examples of which can be heard on this record. There a couple of other new departures here too. We have, of course, for many years incorporated into our work, when appropriate, musicians playing conventional instruments. There are 4 examples of blending of electronic and conventional music in this collection. We have also have a rather unique Radiophonic event. Each composer has taken a rhythmic percussive sequence from the Fairlight, and written about half a minute of their own music around it. This musical 'autograph album' is the track 'Radiophonic Rock' [Track 1].
Despite technological process, the Radiophonic Workshop is still what it was when it first came into existence 25 years ago, a creative service department supplying special sound and music to BBC programme makers. In 25 years from now, who knows what sounds will be heard coming from behind the doors of our corridor in BBC's Maida Vale studios? One thing is certain, the new technology makes the road ahead an interesting one."
Matrix / Runout (Etchings side 1): REC-467-A2 DAMONT MT
Matrix / Runout (Etchings side 2): REC-467-B1 DAMONT MT
Other Versions (4)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Sound House Music From The BBC Radiophonic Workshop (Cassette, ) | BBC Cassettes | ZCM 467 | UK | 1983 | ||
New Submission | The Soundhouse • Music From The BBC Radiophonic Workshop (CD, Compilation, Reissue, Remastered) | Silva Screen | SILCD1511 | UK | 2016 | ||
New Submission | The Soundhouse: Music From The BBC Radiophonic Workshop (LP, Compilation, Reissue, Remastered, Yellow Edge Glow) | Silva Screen | SILLP1511 | UK | 2016 | ||
New Submission | The Soundhouse: Music From The BBC Radiophonic Workshop (LP, Compilation, Reissue, Remastered, Test Pressing) | Silva Screen | SILLP1511 | UK | 2016 |
Recommendations
Reviews
- Edited 9 years ago80s digital sampler era, great use of space. Theres meant to be a lot of the Fairlight Computer Synthesizer here, a synth beloved of the later and final members of the BBC Radiophonic workshop. I can hear PPG in Elizabeth Parkers tracks. Dick Mills - Macrocosm, to my ears features the Yamaha DX7 or at least FM synth.