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Venom (8)Welcome To Hell

Label:Neat Records – NEAT 1002, Neat Records – NEAT 1002 LP
Format:
Vinyl, LP, Album, Blue Labels
Country:UK
Released:
Genre:Rock
Style:Black Metal, Heavy Metal

Tracklist

A1Sons Of Satan
A2Welcome To Hell
A3Schizo
A4Mayhem With Mercy
A5Poison
A6Live Like An Angel (Die Like A Devil)
B1Witching Hour
B2One Thousand Days In Sodom
B3Angel Dust
B4In League With Satan
B5Red Light Fever
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Companies, etc.

  • Copyright ©Beware!
  • Copyright ©Neat Records (D.W.E. Ltd.)
  • Recorded ByNeat Records
  • Recorded ByNeat Records (D.W.E. Ltd.)
  • Recorded AtImpulse Studios, Newcastle
  • Mastered AtGedmal Galvanic Ltd.
  • Produced AtImpulse Studios, Newcastle
  • Printed BySleeveprint Ltd
  • Made BySleeveprint Ltd
  • Lacquer Cut AtUtopia Studios
  • Published ByNeat Music Publishers

Credits

  • ArtworkMagda (7)
  • Bass [Bulldozer Bass], Vocals, Artwork [Front Cover Artwork - Uncredited]Cronos
  • Drums [And Nuclear Warheads]Abaddon
  • Guitar [Chainsaw Guitar Dives]Mantas
  • ProducerKeith Nichol (tracks: A1 to A5, B1 to B3, B5), Mickey Sweeney (tracks: A6, B4), Steve Thompson (11) (tracks: A6, B4), Venom (8) (tracks: A1 to A5, B1 to B3, B5)
  • Written-By [All Titles]Bray*, Lant*, Dunn*

Notes

Side B Neat Records label, released on: Silver, Blue (this one), Green and Red variants.
Pink insert.
Poster.

Recorded Impulse Studios, Newcastle, England.
Produced by Keith Nichol and Venom (8) at Impulse Studios, Newcastle, England.
(except tracks 'In League With Satan' and 'Live Like An Angel' - produced by Steve Thompson (11) and Mickey Sweeney)
Printed and Made by Sleeveprint Ltd Bedford.

Lacquer Cut + Mastering plant are taken from the Matrix / Runout area.
Track A4: ''Mayhem With Mercy'' is listed as ''Instrumental Link No Words'' on the lyric insert.

All titles (Lant, Dunn, Bray) Neat Music Publishers.
Original sound recording by Neat Records © 1981 Beware!
Original Sound Recording made by Neat Records (D.W.E. Ltd.) © 1981.
Not forgetting Mike Lewis and David Wood.

''We're possessed by all that is evil
The death of you God we demand
We spit at the virgin you worship
And sit at Lord Satan's left hand
(To be continued)"

Barcode and Other Identifiers

  • Matrix / Runout (Side A Runout Etched): NEAT 1002 A1 ƱtopiA GG
  • Matrix / Runout (Side B Runout Etched): NEAT 1002 B2 GG
  • Rights Society: MCPS

Other Versions (5 of 85)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Welcome To Hell (LP, Album)Neat Records, Base RecordNEAT 1002Italy1981
New Submission
Welcome To Hell (LP, Picture Disc, Album)Neat RecordsNEAT 1002 LPUK1981
Recently Edited
Welcome To Hell (LP, Album, Limited Edition, Stereo, Purple)Neat RecordsNEAT 1002UK1981
New Submission
Welcome To Hell (Cassette, Album)Neat RecordsMC NEAT 1002Italy1981
New Submission
Welcome To Hell (LP, Album, Green Labels)Neat Records, Neat RecordsNEAT 1002, NEAT 1002 LPUK1981

Recommendations

Reviews

  • nwobhm's avatar
    nwobhm
    Remember that many of the hard rock and metal crowd in my local metal bar hated this calling it punk.
    Saw them in 82 in Poperinge Belgium and in 84(same venue) with support act Metallica.
    Welcome To Hell and Black Metal are classics.

    • singingintherain's avatar
      How do the Earmark pressings sound compared to Back on Black?
      • Powerviolenceog's avatar
        I purchased this when it originally came out on Neat records. Like Ravens first record this one was signed by the band. Not after the fact. Anybody heard of this?
        • buddysrecords's avatar
          buddysrecords
          Edited 4 years ago
          "What a pity the second album release on Neat had to be Venom's effort. "Welcome to Hell" is this music I ask? Rather a series of loud noises and hoarse croaks backed by no production at all. I don't like giving new bands a hard time, but what can you do when the product is so bad. As for your Satanic imagery lads - I'm frightened out of my wits (yawn)"- H. Johnson, Kerrang No 8, February 1982.
          Band replies...
          "Dear Mr Johnson. Regarding your comments on our LP "Welcome To hell" in Kershit No 8, we would like to thank you. But wait, what is this "thank you" you say. For if we wish to ask an opinion of our latest work, do we not go unto our fathers and say,"Verily, son, is a merry tune", do we not scrap the shit? But if he do say "Son, that's the biggest load of horse shit I've ever heard", we make merry and rejoice, for it will be our next single.
          Now you may ask yourself "what is the meaning of this crap". But there is a moral to this story, 'Don't feed old men heavy metal'
          We don't like giving old journalists a hard time, but we certainly are. Also may I suggest that Mr Johnson retire to his reclining wheelchair and seek comfort with his over-the-top Journey LPs" - Stan speaking for Venom. Kerrang No 11 letters page, March 1982.
          • psyclotron's avatar
            psyclotron
            This album was undoubtedly a vital and pivotal release in Heavy Metal history. Reviled and loved in equal measures upon its release, it would have to be seen as the first extreme metal album of all time, paving way for the deluge of metal sub genres that followed. Death metal, speed metal, thrash metal etc, this 1981 release was the first.
            At a time when most bands were seeking better production, this album sought to deconstruct Heavy Metal to its rawest state.
            "Sons of Satan" dives in with distorted guitars and flat bass lines in what could be seen as the precursor to early death metal. The title track is perhaps the most coherent old style heavy metal track on the album - but dirtied up.
            What follows through the rest of the album can be best described as metal mayhem. With tongue planted firmly in cheek lyrically, Venom deliver an album that goes from speed tracks like "Live like an Angel.." and "Witching Hour" to the slower tempo ones like "1000 days in Sodom" and In League with Satan" but all punctuated with same kind of twisted guitar riffs and rumbling bass lines. The album is fittingly ended with a track that descends into guitar chaos , has almost no audible direction in the middle and is held together only by a basic 4x4 drumbeat.

            Of course the terms "metal mayhem" and "raw" are extremely subjective but bearing in mind when this album was released, it is a must for every extreme metal fan to see exactly where it all started

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