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DJ ShadowEndtroducing.....

Label:

Mo Wax – MW059

Format:

2 x Vinyl, LP, Album, Gatefold

Country:

UK & Europe

Released:

Genre:

Electronic, Hip Hop

Style:

Instrumental, Downtempo, Cut-up/DJ, Trip Hop

Tracklist

A1Best Foot Forward0:49
A2Building Steam With A Grain Of Salt6:40
A3The Number Song4:40
B1.aChangeling7:51
B1.b**Transmission 1
B2Stem/Long Stem9:21
C1.a**Transmission 2
C1.bMutual Slump4:02
C2Organ Donor1:57
C3Why Hip Hop Sucks In '960:43
C4Midnight In A Perfect World4:57
D1Napalm Brain/Scatter Brain9:23
D2.aWhat Does Your Soul Look Like (Part 1 - Blue Sky Revisit)5:08
D2.b**Transmission 3
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Companies, etc.

  • Pressed ByOrlake Records
  • Recorded AtThe Glue Factory
  • Published ByMCA Music Ltd.
  • Published ByMo Wax Music Ltd.
  • Phonographic Copyright ℗Mo Wax Recordings
  • Copyright ©Mo Wax Recordings
  • Phonographic Copyright ℗A&M Records Ltd.
  • Copyright ©A&M Records Ltd.
  • Licensed FromBMG Records
  • Published ByDaisy Loo Music Inc.
  • Published ByEnsign Music Corp.
  • Licensed FromPolygram Records
  • Published ByCreeping Death Music
  • Licensed FromVirgin Records Ltd.
  • Published ByEMI Virgin Music Publishing
  • Licensed FromIsland Records
  • Published ByBlue Mountain Music
  • Licensed FromOne Little Indian
  • Published ByWarner Chappell Music Publishing
  • Published ByFamous Music, Inc.
  • Published ByBMG Music Publishing
  • Licensed FromSony Records
  • Published ByMJQ Music, Inc.

Credits

  • A&R [Mowax International]James Lavelle
  • Engineer [Assistant]The Automator*
  • Photography ByB Plus*
  • Photography By [Gatefold Montage]Barney Bankhead
  • Producer, Mixed By, EngineerDJ Shadow
  • Sleeve [Sleeve Design], Design [Sleeve Design]Ben Drury
  • Sleeve [Sleeve Design], Design [Sleeve Design], Photography By [Gatefold Montage]Will Bankhead
  • Written-ByDJ Shadow, J. Davis*

Notes

Standard gatefold sleeve holding one disc in each panel and opening on the outside. Another version also exists DJ Shadow - Endtroducing..... with the opening inside the gatefold and both discs stored in the right panel.

Recorded at The Glue Factory, San Francisco.

"What Does Your Soul Look Like (Part 4)" which is on the CD version of this album, is omitted from this release.
Some of the track times listed do not match the actual length of the tracks. These include B2, which is actually 7:48, not 9:21, C1.a / C1.b which is 5:29, not 4:02 and D2.a / D2.b, which is 7:28, not 5:08.

BPM (not provided on the record):
A1: - | A2: 82 | A3: 102/107
B1.a: 87 | B1.b: - | B2: 106
C1a: - | C1b: 98 | C2: 106 | C3: 79 | C4: 80
D1: 73/146 | D2a: 78 | D2b: -

All tracks:

Published by MCA Music Ltd./Mowax Music Ltd.
(P) 1996 Mowax recordings/A&M Records Ltd. London.
(C) 1996 Mowax recordings/A&M Records Ltd. London.

Except:
A2 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Sample of "I Feel A New Shadow" used courtesy of BMG Records. Published by MCA Music Ltd./Mowax Music Ltd./Daisy Loo Music Inc./Ensign Music Corporation. (both c/o BMG Music Publishing).
A3 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Sample of "Orion" used courtesy of Polygram Records. Published by MCA Music Ltd./Mowax Music Ltd./Creeping Death Music. c/o Polygram Music Publishing.
B1 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Contains sample of "Invisible Limits" by Tangerine Dream. Licensed courtesy of Virgin Records Ltd. Published by MCA Music Ltd./Mowax Music Ltd./EMI Virgin Music Publishing.
B2 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Sample of "Love Suite" used courtesy of Island Records.
Published by MCA Music Ltd./Mowax Music Ltd./Blue Mountain Music c/o Polygram Music Publishing.
C1 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Sample of "Possibly Maybe" used courtesy of One Little Indian.
Published by MCA Music Ltd./Mowax Music Ltd./BMG Music Publishing/Warner Chappell Music/Famous Music Inc.
C4 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Contains sample of "The Madness Subsides" by Pekka Pohjola. Licensed courtesy of Virgin Records Ltd. Published by MCA Music Ltd./Mowax Music Ltd./EMI Virgin Music Publishing.
D2 (P) 1996 Mowax Recordings/A&M Records Ltd. London. Sample of "The Voice Of The Saxophone" used courtesy of Sony Records.
Published by MCA Music Ltd./Mowax Music Ltd./MJQ Music Inc.

Made in England.

Barcode and Other Identifiers

  • Barcode (Text): 7 31454 06071 4
  • Barcode (String): 731454060714
  • Matrix / Runout (Side A Etchings): MW 059 A
  • Matrix / Runout (Side B Etchings): MW 059 B1
  • Matrix / Runout (Side C Etchings): MW 059 C
  • Matrix / Runout (Side D Etchings): MW 059 D
  • Rights Society: BIEM / MCPS

Other Versions (5 of 74)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Endtroducing..... (CD, Album, Card Sleeve)Mo WaxMW059CDUK1996
Recently Edited
Endtroducing..... (CD, Album)Mo Wax, FFRR697-124 123-2US1996
Recently Edited
Endtroducing..... (2×LP, Album)Mo Wax, FFRR697-124 123-1US1996
Recently Edited
Endtroducing..... (CD, Album)Marlboro Music, Marlboro Music, Mo Wax74321563942, 0088332MROEurope1996
Recently Edited
Endtroducing..... (CD, Album, Promo)Mo WaxMW059PUK1996

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Reviews

  • Numanoid's avatar
    Numanoid
    If only all Trip-Hop album would sound as good as this. The big Metallica sample on The Number Song still takes me by surprise.
    • NeilSmallridge's avatar
      Gosh, this takes me back - I think I bought it from Piccadilly Records in Manchester.

      Napalm Brain / Scatter Brain is possibly my favourite with its building, epic, dynamic arrangement. Brilliant tune.

      The Number Song was always a stand out for me too - I can imagine Liam Howlett wishing he'd made that one!
      • tarwater3's avatar
        tarwater3
        I have owned this pressing of the masterpiece, have played it enough, yet have taken good care of it... one positive aspect is that the samples already have some noise, light pops and clicks, thus a copy in very good condition will work, if anyone is interested buying one at a better price, the production is intented to sound like that, the volume of sound is sufficient and the nostalgic feel is there, I like very much how it sounds, really!!!
        • Alain_Patrick's avatar
          Alain_Patrick
          Edited 17 years ago
          According to one of my best friend's wise words, "Endtroducing" was a quintessential release of 1996 - not only for the hi-level brekbeats it brought, but for the incredible melting pot of samples brilliantly used and their ensemble result - thanks to the author's very unique research that included Northern Soul, Rare Grooves & Old School Funk tunes from the sixties and seventies.

          The quality of the breakbeats present on this masterpiece suggests an abyssal disparity between the musical backgrounds of the contemporary and the old school artists ("Endtroducing" suggests something like the 'introduction of something from the past', already ended - like something brought from the old times, though through a nowadays bold perspective.

          It can be easily figured out on the comparison between the old breakbeats formed by instrumental kicks, snares and hi-hats, created by those Funk bands with the more recent drum machine sequences used since the eighties with the purpose of simulating the original ones. It's not difficult to realize the higher complexity and the artistic level of the older ones.

          "Endtroducing" is a sort of a testament of these ancient habilities those rare grooves & Soul-Funk bands had whose fragments were re-constructed magnificently by the multi-talented DJ Shadow.

          While the contemporary tecnologies seems to offer an unimaginable amount of possibilities, we realize more than ever the importance of the very essential aspect of our environment: the musical culture.

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