Global Communication76:14

Label:Discotheque (2) – DQFDD014
CD, Album, Reissue, Remastered
CD, Remastered
Style:Ambient, Downtempo, Deep House


76:14 Remastered
1-1Global Communication4:024:02
1-2Global Communication14:3114:31
1-3Global Communication9:259:25
1-4Global Communication9:399:39
1-5Global Communication7:397:39
1-6Global Communication0:540:54
1-7Global Communication8:078:07
1-8Global Communication5:235:23
1-9Global Communication4:144:14
1-10Global Communication12:1812:18
Singles And Bonus Tracks
2-1Global CommunicationThe Groove (Instrumental)8:10
2-2Global CommunicationThe Way (Secret Ingredients Remix)11:51
2-3Global CommunicationThe Deep11:10
2-4ReloadThe Biosphere (Global Communication Remix)9:05
2-5Global CommunicationIncidental Harmony8:33
2-6Global CommunicationSublime Creation11:50
2-7SensoramaAspirin (Global Communication Remix)12:57

Companies, etc.



Originally released in 1994. Packaged in 'Super Jewel Box' with cardboard slipcase.

Track 1-2 originally released as "Ob-Selon Mi-Nos (Repainted by Global Communication)" on the Cyberdon EP by "Mystic Institute" That version is approx 37 seconds longer, having a slow fade-in at the beginning and slightly longer fade out at the end.

Track 1-4 was originally titled "Deep Space", according to Tom, from his discussion/listening event "Classic Album Sundays: Music for Exoplanets".

Track 1-5 is also known as "7:39 (Mark's Birthday Re-Take)" as the original demo went missing when they went to finalize the album and so a "re-take" was done attempting to recreate it. That "Original Cassette Demo" is now available on the 2020 Transmissions Sampler and The “Curated Singles & Remixes” Disc in the Transmissions CD Boxset.

Tracks 1-7 and 1-8 are also known as "Maiden Voyage I and II" respectively as per the "Maiden Voyage" EP. The "Maiden Voyage (Original 8:07>5:23 Edit)" on that release being the same track as "5:23" except that it starts with a fade-in from the last 30 seconds of "8:07" playing into "5:23" eliminating the the hard bass/beat start it has on the album when played individually.

Remix titles on CD2 do not appear on release. Track 2-7 is titled "Sensorama" and no main artist beyond Global Communication in tracklist.

Barcode and Other Identifiers

  • Barcode: 5050441401428
  • Matrix / Runout (CD1): deluxe DQFDD014/1 01
  • Matrix / Runout (CD2): deluxe DQFDD014/2 01
  • Mastering SID Code (CD1 - Var. 1 & 2): IFPI L135
  • Mastering SID Code (CD2 - Var. 1 & 2): IFPI L136
  • Mould SID Code (CD1 - Var.1 - Outer Ring): IFPI 04AP
  • Mould SID Code (CD1 - Var.1 - Inner Ring): IFPI 0439
  • Mould SID Code (CD2 - Var.1): IFPI 0462
  • Mould SID Code (CD1 - Var.2): IFPI 0459
  • Mould SID Code (CD2 - Var.2): IFPI 0463
  • Rights Society: MCPS
  • Label Code: LC 6448

Other Versions (5 of 29)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
76:14 (CD, Album)DedicatedDEDCD 014UK1994
Recently Edited
76 14 (2×LP, 12", 33 ⅓ RPM, All Media, Album, Limited Edition, Embossed Gatefold)Dedicated, Dedicated, DedicatedDEDLP 014, DEDLP 014S, 08-56201-20UK & Europe1994
76:14 (CD, Album, Limited Edition, Digipak)DedicatedDEDCD 014SUK1994
Recently Edited
76:14 (2×LP, Album)DedicatedDEDLP 014UK1994
76:14 (CD, Album)Logic RecordsLOC 015 CDGermany1994


  • zeebianco's avatar
    This is the edition to get as you get the classic album plus The Deep! it doesn't really get any better
    • jedi4q2's avatar
      Edited 15 years ago
      This is by far my favorite album of all time. When originally released, it may have been lost in the heyday of ambient albums, but it truly stands the test of time. This version, remastered by Mark Pritchard, sounds amazing; samples that were buried before emerge like hidden gems, and the warmth of the vinyl version finally comes through to be archived for future generations of chillers. Absolutely essential.
      • Risingson's avatar
        Edited 16 years ago
        Milestone in ambient music, yes. Perfect timing in every sound. Perfect echoing melodies. Pure soul in it that makes it timeless. It's not Brian Eno: it's futuristic, electronic, alive, gathering every influence from the ambient music before in a sinergistic manner. And not in the same league as "The Orb", but those like Jonah Sharpe (in his first days), Irresistible Force or Biosphere, but lighter, brighter and much more beautiful than those.
        • JonnieDarko's avatar
          Edited 16 years ago
          Another landmark in the Ambient era of 1993.This album simply is stunning. Nocturnal listening of the highest order with angelic soothing pads,ticking clocks,mutterings of different languages etc. The album opens like Close encounters' Opening credits,eerie,dissonant chords,heralding one of many nameless tracks(all tracks titled by their running times...GENIUS)Allowing the listener to make his/her own envisions of a truly better place 'No Matter where you are!'...A truly beautiful Aural painting..PRICELESS!
          • Gecks's avatar
            Edited 16 years ago
            Milestone in ambient music? Sign me up!, it's crap. Don't get me wrong, I love my ambience, but this is almost completely devoid of quality. The only good track is the Orbital-style 9:25 which, by the way, is not ambient in the slightest. The rest of it seems to isolate the most annoying things about Eno (dated synth pads, overly crisp production), and ditch all the good stuff (interesting melodies, emotion). I read somewhere that 14:31 is regarded as one of the greatest, most original ambient tunes. Didn't Aphex Twin do almost the exact same track a few months previous on SAW II, complete with metronome/clock ticking? Now there's a quality ambient album, despite it's random noise interludes.

            I can only assume that people who like this haven't heard the true pioneers of the genre - Eno, Stars Of The Lid, Aphex, and so forth. The sounds in 76:14 convey no emotion to keep you occupied when you are awake, and the percussive tracks make it impossible to sleep to. Pish.

            Oh and it has a bonus disc full of what I imagine the chillout room sounds like at club hell. Boring.



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