Lassigue Bendthaus – Matter
Label: | Dark Entries – DE-060 |
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Format: | Vinyl, LP, Album, Reissue, Remastered Vinyl, 7" |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Industrial, Electro, New Beat |
Tracklist
A1 | Automotive | |
A2 | Circulat [Hertz] | |
A3 | Transitory | |
B1 | Lanternslide | |
B2 | Mortal/Immortal | |
B3 | Rotation Mecanique | |
B4 | Velocity Life | |
B5 | Static | |
C1 | Inured | |
D1 | Relate |
Companies, etc.
- Copyright © – Dark Entries Records (2)
- Recorded At – Studio Besser
- Published By – TYR Musikverlag
- Remastered At – The Bowman Suite
- Mastered At – Fantasy Studios
- Lacquer Cut At – Fantasy Studios
Credits
- Engineer – Max Wanko, Tobias Freund
- Mastered By, Lacquer Cut By – George Horn
- Mixed By – Atom™, Olaf Finkbeiner, Tobias Freund
- Remastered By – Atom™
- Vocals [Additional] – Susanne Romeikat
- Words By, Music By, Vocals, Programmed By, Arranged By, Edited By [Tape Editing] – Atom™
Notes
Recorded 1988-1990 at Besser Tonstudio, Frankfurt/M.
Equipment: Moog Prodigy, Yamaha RX5, Yamaha QX5, Oberheim Matrix 1000, Casio FZ-1. Recorded onto analogue 16 track tape (Tascam 1/2"). Arranged, edited and mastered on analogue stereo tape (Studer 1/4").
Tracks A1-A3, B1-B5 originally released by Parade Amoureuse in 1991.
Tracks C1 & D1 previously unreleased on vinyl.
All tracks remastered and restored from original tapes.
Remastered at the Bowman Suite, Santiago de Chile, May 2012.
Final EQ and lacquer cut at Fantasy Studios, Berkeley, CA 2013.
Photography with kind permission of DESY (Deutsches Elektronen-Synchroton) / Hamburg.
Includes A4 insert with media clippings and credits.
Equipment: Moog Prodigy, Yamaha RX5, Yamaha QX5, Oberheim Matrix 1000, Casio FZ-1. Recorded onto analogue 16 track tape (Tascam 1/2"). Arranged, edited and mastered on analogue stereo tape (Studer 1/4").
Tracks A1-A3, B1-B5 originally released by Parade Amoureuse in 1991.
Tracks C1 & D1 previously unreleased on vinyl.
All tracks remastered and restored from original tapes.
Remastered at the Bowman Suite, Santiago de Chile, May 2012.
Final EQ and lacquer cut at Fantasy Studios, Berkeley, CA 2013.
Photography with kind permission of DESY (Deutsches Elektronen-Synchroton) / Hamburg.
Includes A4 insert with media clippings and credits.
Other Versions (5 of 17)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Matter (LP, Album, Clear) | Parade Amoureuse | phoe 019 | Germany | 1991 | ||
Matter (CD, Album) | Parade Amoureuse | phoe 19/cd | Germany | 1991 | |||
Recently Edited | Matter (LP, Album, Promo, White Label) | Parade Amoureuse | PHOE 19 | Germany | 1991 | ||
New Submission | Matter (LP, Album) | Parade Amoureuse | phoe 019 | Germany | 1991 | ||
Recently Edited | Matter (CD, Album, Reissue) | Contempo Records | Contedisc 204 | Italy | 1992 |
Recommendations
Reviews
- Uwe Schmidt is basically the Dumbledore of programming and sequencing, as good as (if not better than) Richard D James of Aphex Twin. The meticulous detail of the synths, drums, and effects on Matter was so far ahead of the trash that EBM counterparts like Frontline Assembly were throwing out in 1991 that it's not even funny.
This re-release from Dark Entries captures that production talent in timeless wax. The remastering job is perfect; noticeably richer and deeper than my old CD. The vinyl itself is pristine; zero surface noise, and not even a hint of crackle. The stereo field is wide and appreciable. And the artwork is an elegant refresh from the original's boring postcard on a green field. Compliments to Dark Entries for knocking it out of the park on all levels.
If you have any interest in early 90s genre-establishing EBM, this is right up there with Front 242.