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Problem Kids – I Will Lead
| Label: | Paper Recordings – PAP 036 |
|---|---|
| Format: | Vinyl, 12", 45 RPM |
| Country: | UK |
| Released: | |
| Genre: | Electronic |
| Style: | House, Tech House |
Tracklist
| A | I Will Lead (Hollway & Eastwick Mix) | |
| B | I Will Lead (Crazy Penis Mix) |
Credits
- Engineer – Mark McGuire
- Vocals – Steve Edwards
Notes
Written by Rock, Wilkinson, Edwards & Classen. Produced and arranged by the Problem Kids @ Rocksteady, London
Engineered by Mark Maguire. Vocal by Steve Edwards.
A. Remix and additional production by Hollway, Eastwick and Merlin.
B. Remix and additional production by Todd, Baron and Davies.
Engineered by Mark Maguire. Vocal by Steve Edwards.
A. Remix and additional production by Hollway, Eastwick and Merlin.
B. Remix and additional production by Todd, Baron and Davies.
Barcode and Other Identifiers
- Barcode: 5 016554 49366 8
Other Versions (3)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | I Will Lead (Original Mix) (12", 45 RPM) | Paper Recordings | PAP 037 | UK | 1999 | ||
| I Will Lead (12", 45 RPM, Promo) | Paper Recordings | PAP 036 | UK | 1999 | |||
Recently Edited | I Will Lead (Original Mix) (12", White Label) | Paper Recordings | PAP 037 | UK | 1999 |
Recommendations
Reviews
Some copies have a small sticker on the front cover saying "due to extreme slackness by paperecordings designer, paul cleary this release has the labels on the round way wrong".
The Hollway & Eastwick Mix is an interesting and milestone piece of club music as it announces and predates the whole trend of what was to be called 'minimal' and would dominate the worldwide club scene of the 10 years to follow.
What you have here is a quite stripped-down and sinister drugged down house-music for the deeper, darker and later hours of the night, taking its roots in Murk or Mood II Swing's most hypnotic and smokey moments, but reduced and stripped down way further in an almost 'experi-mental' approach (especially for the times).
Not much happens on here then (super deep bassline, sexual techy tension, beyond-the-grave, devilishly seducing vocal intrusion), but like every genre-defining moment, it is a quite mesmerizing, brain-seizing and somehow warming 'not much'.
For the better and the worse, this tune was pivotal in setting a tone that is still copied and inspiring today's house productions over 10 years after, from big room druggy hazes to more intimate, anxious-yet-deep underground productions.
What you have here is a quite stripped-down and sinister drugged down house-music for the deeper, darker and later hours of the night, taking its roots in Murk or Mood II Swing's most hypnotic and smokey moments, but reduced and stripped down way further in an almost 'experi-mental' approach (especially for the times).
Not much happens on here then (super deep bassline, sexual techy tension, beyond-the-grave, devilishly seducing vocal intrusion), but like every genre-defining moment, it is a quite mesmerizing, brain-seizing and somehow warming 'not much'.
For the better and the worse, this tune was pivotal in setting a tone that is still copied and inspiring today's house productions over 10 years after, from big room druggy hazes to more intimate, anxious-yet-deep underground productions.