Fripp & Eno – (No Pussyfooting)
Label: | Discipline Global Mobile – DGMLP1, Opal Records – DGMLP1 |
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Format: | |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Experimental, Ambient |
Tracklist
A | The Heavenly Music Corporation | |
B | Swastika Girls |
Companies, etc.
- Recorded At – Eno's Studio
- Recorded At – Command Studios
- Mixed At – Air Studios
- Lacquer Cut At – Loud Mastering
- Phonographic Copyright ℗ – Opal Ltd.
- Phonographic Copyright ℗ – Robert Fripp
- Copyright © – Opal Ltd.
- Copyright © – Robert Fripp
- Published By – Universal Music Publishing MGB Ltd.
Credits
- Design [Cover], Photography – Willie Christie
- Lacquer Cut By – Jonz*
- Producer – Eno*, Robert Fripp
- Written-By – Brian Eno, Robert Fripp
Notes
"The Heavenly Music Corporation"
Recorded at Eno's Studio 8.9.72
Equipment: Gibson Les Paul, the Fripp Pedalboard, 2 modified Revox A77 tape recorders.
"Swastika Girls"
Recorded at Command Studios 4/5.8.73
Mixed at Air Studios 21/22.8.73
Equipment: Gibson Les Paul/Frizzbox/VCS3 synthesizer with digital sequencer/Modified Revox A77 tape recorder.
Pressed on 200-gram vinyl from masters approved by Fripp & Eno, described on hype sticker as "200-gram super-heavyweight vinyl".
John Dent and Loud Mastering were identified from the run-out grooves.
Recorded at Eno's Studio 8.9.72
Equipment: Gibson Les Paul, the Fripp Pedalboard, 2 modified Revox A77 tape recorders.
"Swastika Girls"
Recorded at Command Studios 4/5.8.73
Mixed at Air Studios 21/22.8.73
Equipment: Gibson Les Paul/Frizzbox/VCS3 synthesizer with digital sequencer/Modified Revox A77 tape recorder.
Pressed on 200-gram vinyl from masters approved by Fripp & Eno, described on hype sticker as "200-gram super-heavyweight vinyl".
John Dent and Loud Mastering were identified from the run-out grooves.
Barcode and Other Identifiers
- Barcode (Sticker On Shrinkwrap): 633367911612
- Matrix / Runout (Side A, Etched): DGMLP 01 A-1 JONZ
- Matrix / Runout (Side B, Etched): DGMLP 01 B-1 JONZ LOUD
Other Versions (5 of 58)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | (No Pussyfooting) (LP, Album, Stereo, Gatefold) | Island Records | ILPS 19239 | Italy | 1973 | ||
(No Pussyfooting) (LP, Album, Gatefold) | Island Records | HELP 16 | UK | 1973 | |||
Recently Edited | (No Pussyfooting) (LP, Album, Stereo, Gatefold Sleeve) | Island Records | 87 511 ET | Germany | 1973 | ||
New Submission | (No Pussyfooting) (LP, Album, Stereo, Gatefold) | Island Records, Island Records | 87.511-H, 87511 H | Spain | 1973 | ||
New Submission | (No Pussyfooting) (LP, Album) | Island Records | L 35067 | Australia | 1973 |
Recommendations
Reviews
- the surface noise issue is still prevalent on the 2023 repress, improved with a wet clean but still a little too noticeable with headphones on.
- It's a good pressing, the problem is the inner sleeve. When you wet clean it and change the inner sleeve with a clear one it is really sounding much better
- Great sounding press. Open, dynamic sound with well defined lingering trails that dissolves in shimmering and saturating pools of sound. Wash your vinyl before playing ! Any vinyl! I always read about "surface noise" and I feel like it is 99.9% due to static from unwashed vinyl. Not enough to sweep or brush it - you need to get it wet.
Also, just an observation, but this is not 200g. It clocked in at 186g . With sleeve it is a little over 200g. Does the sleeve count? - Full of static initially. Gave it a wet clean and it plays fine with a few pops here and there. Probably still some static. There is some discoloration or residue on the surface that cleaning would not remove. The edges of my copy are very sharp, as though the excess cutter on the press was misaligned. I almost dropped the record I was alarmed at how sharp the edge is. The sound is pretty good, though. Not a bad copy if you can get one at a reasonable price.
- My copy sounds fine so far, other than a couple of clicks. It's had a wet clean so that may have helped, though the record doesn't look any cleaner visually than it did beforehand.
Release
For sale on Discogs
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