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Stetsasonic – Talkin' All That Jazz
Tracklist
| A1 | Talkin' All That Jazz (Extended Vocal) | 7:00 | |
| A2 | Talkin' All That Jazz (Bob-ty-rodd-db-dad Dub) | 7:34 | |
| B1 | Talkin' All That Jazz (Radio Version) | 3:50 | |
| B2 | Talkin' All That Jazz (Dominoes Vocal) | 3:50 | |
| B3 | Talkin' All That Jazz (Dominoes Instrumental) | 4:30 |
Companies, etc.
- Phonographic Copyright ℗ – Tommy Boy Music, Inc.
- Copyright © – Tommy Boy Music, Inc.
- Manufactured By – Tommy Boy
- Distributed By – Tommy Boy
- Recorded At – Calliope Studios
- Mixed At – Chung King Studios
- Mastered At – Frankford/Wayne Mastering Labs
- Pressed By – Specialty Records Corporation
- Published By – Tee Girl Music
- Published By – Blue Brothers Music
Credits
- Design – Steven Miglio
- Edited By [On Point Edits] – "Oh Oh" Santana*
- Engineer [Stetgineer] – Bob Coulter
- Mastered By – Herb Powers, Jr.*
- Photography By [Black And White] – Steven Miglio
- Photography By [Color] – Dorothy Low
- Producer – Delite*
- Tracking By [Keyboard Overdubs] – Donald "Kid Wonder" Newkirk*
- Written-By – G. Bolton* (tracks: A1 to B1), H. Jackson (tracks: B2, B3), Mbaji (tracks: B2, B3), Sigidi (tracks: B2, B3)
Notes
© ℗1988 Tommy Boy Music, Inc./Manufactured & distributed by Tommy Boy
Recorded at Calliope, New York
Mixed at Chung King House Of Metal, New York
Edited at Sanctuary, New York
Mastered at Frankford-Wayne, NY
From the Stetsasonic album In Full Gear (TB 1017).
BPM: 108
Recorded at Calliope, New York
Mixed at Chung King House Of Metal, New York
Edited at Sanctuary, New York
Mastered at Frankford-Wayne, NY
From the Stetsasonic album In Full Gear (TB 1017).
BPM: 108
Barcode and Other Identifiers
- Barcode (Scanned): 016998091807
- Barcode (Text): 16998-0918-0
- Matrix / Runout (Label side A): TB 918 A
- Matrix / Runout (Label side B): TB 918 B
- Matrix / Runout (Etchings side A): TB-918-A F/W HERbIE JR :>) SRC
- Matrix / Runout (Etchings side B): TB-918-B F/W HERbIE JR :>) SRC
- Rights Society: BMI
Other Versions (5 of 24)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Talkin' All That Jazz (12", 45 RPM, Single) | BCM Records | BCM 12001 | Germany, Austria, & Switzerland | 1988 | |||
Recently Edited | Talkin' All That Jazz (12") | Breakout | USAT 640 | UK | 1988 | ||
Recently Edited | Talkin' All That Jazz (CD, Single) | BCM Records | BCM RECORDS 20001 | Germany, Austria, & Switzerland | 1988 | ||
Recently Edited | Talkin' All That Jazz (12", 45 RPM) | A&M Records, A&M Records, Breakout, Breakout | USAF 640, Usaf 640 | UK | 1988 | ||
Recently Edited | Talkin' All That Jazz (12", Promo, 33 ⅓ RPM) | Tommy Boy | TB 918 | US | 1988 |
Recommendations
Reviews
Obviously an all time classic. Kind of slammed the doors open for anyone who was remotely interested with the soul, funk, jazz, rare groove, rock samples many Hip Hop artists were implementing in their productions. Admittedly it was happening for a while before this one came out. Loops of snippets were standard by acts such as BDP, J.V.C. Force, EPMD, Public Enemy, Eric B & Rakim etc (won't go as far back as the late '70s, early '80s when the original Hip Hop DJs were playing the records live). But samples of whole sections of backing tracks weren't as common. Both of the main mixes are classics in their own right. I think the swingier breaks version was probably the most popular with the masses, but I think my firm preference is the smoother and rather timeless classic jazz-funk Dominoes Mixes. Perhaps I'm biased, but this is one of several records which brings back a time when Hip Hop seemed very positive for me.