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Contributors
Max Richter, Vivaldi*, Daniel Hope · Konzerthaus Kammerorchester Berlin · André de Ridder – Recomposed By Max Richter: Vivaldi · The Four Seasons
| Label: | Deutsche Grammophon – 479 3337 |
|---|---|
| Series: | Recomposed |
| Format: | 2 x Vinyl, LP, Album, Reissue, Gatefold |
| Country: | Europe |
| Released: | |
| Genre: | Electronic, Classical |
| Style: | Modern, Baroque, Ambient |
Tracklist
| A1 | Spring 0 | 0:42 | |
| A2 | Spring 1 | 2:31 | |
| A3 | Spring 2 | 3:19 | |
| A4 | Spring 3 | 3:09 | |
| A5 | Summer 1 | 4:11 | |
| A6 | Summer 2 | 3:59 | |
| A7 | Summer 3 | 5:01 | |
| B1 | Autumn 1 | 5:42 | |
| B2 | Autumn 2 | 3:08 | |
| B3 | Autumn 3 | 1:45 | |
| B4 | Winter 1 | 3:01 | |
| B5 | Winter 2 | 2:51 | |
| B6 | Winter 3 | 4:39 | |
| Electronic Soundscapes By Max Richter | |||
| C1 | Shadow 1 | 3:55 | |
| C2 | Shadow 2 | 2:32 | |
| C3 | Shadow 3 | 3:34 | |
| C4 | Shadow 4 | 2:33 | |
| C5 | Shadow 5 | 3:00 | |
| Remixes | |||
| D1 | Spring 1 (Remixed By Max Richter) | 5:02 | |
| D2 | Summer 3 (Robot Koch Remix) | 3:26 | |
| D3 | Autumn 3 (Fear Of Tigers Remix) | 4:06 | |
| D4 | Winter 3 (NYPC Remix) | 5:01 |
Companies, etc.
- Phonographic Copyright ℗ – Deutsche Grammophon GmbH
- Copyright © – Deutsche Grammophon GmbH
- Published By – Mute Song Ltd.
- Pressed By – Optimal Media GmbH – BE46525
- Lacquer Cut At – Optimal Media GmbH
Credits
- Art Direction – Double Standards
- Cello – Alexander Kahl (tracks: A1 to B6), David Drost (tracks: A1 to B6), Nerina Mancini (tracks: A1 to B6), Ying Guo (tracks: A1 to B6)
- Composed By, Producer, Mixed By – Max Richter (tracks: A1 to B6)
- Concept By [Original Concept (Recomposed)] – Christian Kellersmann
- Concertmaster – Sayako Kusaka (tracks: A1 to B6)
- Conductor – André de Ridder (tracks: A1 to B6)
- Double Bass – Georg Schwärsky (tracks: A1 to B6), Jorge Villar Paredes (tracks: A1 to B6), Sandor Tar (tracks: A1 to B6)
- Edited By – Jenni Whiteside (tracks: A1 to B6)
- Engineer, Mastered By – Götz-Michael Rieth (tracks: C1 to D4)
- Engineer, Mixed By – Neil Hutchinson (tracks: A1 to B6)
- Executive-Producer – Christian Badzura
- Harp – Ronith Mues (tracks: A1 to B6)
- Harpsichord – Raphael Alpermann (tracks: A1 to B6)
- Lacquer Cut By – MK (11)
- Liner Notes – Nick Kimberley
- Management [Creative Management] – Oliver Kreyssig (2)
- Management [Project Management] – Burkhard Bartsch
- Management [Project] – Matthias Schneider (tracks: A1 to B6)
- Mastered By – Mandy Parnell (tracks: A1 to B6)
- Orchestra – Konzerthaus Kammerorchester Berlin (tracks: A1 to B6)
- Photography By [Photos] – Erik Weiss
- Product Manager [Product Management] – Felix Feustel (tracks: A1 to B6)
- Synthesizer [Moog] – Max Richter (tracks: A1 to B6)
- Viola – Ernst-Martin Schmidt (tracks: A1 to B6), Felix Korinth (tracks: A1 to B6), Katja Plagens (tracks: A1 to B6), Matthias Benker (tracks: A1 to B6)
- Violin [First] – Alicia Lagger (tracks: A1 to B6), Christoph Kulicke (tracks: A1 to B6), Karoline Bestehorn (tracks: A1 to B6), Sayako Kusaka (tracks: A1 to B6)
- Violin [Second] – Cornelia Dill (tracks: A1 to B6), Jana Krämer (tracks: A1 to B6), Johannes Jahnel (tracks: A1 to B6), Ulrike Töppen (tracks: A1 to B6)
- Violin [Solo Violin], Soloist – Daniel Hope (tracks: A1 to B6)
Notes
180g pressing, including voucher for free download.
Issued in a die-cut gatefold sleeve with printed inner sleeves.
Reverse side of gatefold cover is colored.
Total time: 77 Min.
℗ 2012 (Sides A+B), 2013 (Side D, Tracks 1+3), 2014 Deutsche Grammophon GmbH, Berlin.
Artwork: © 2014 Deutsche Grammophon GmbH, Berlin A Universal Music Company.
Made in the EU.
Published by Mute Song Limited.
Issued in a die-cut gatefold sleeve with printed inner sleeves.
Reverse side of gatefold cover is colored.
Total time: 77 Min.
℗ 2012 (Sides A+B), 2013 (Side D, Tracks 1+3), 2014 Deutsche Grammophon GmbH, Berlin.
Artwork: © 2014 Deutsche Grammophon GmbH, Berlin A Universal Music Company.
Made in the EU.
Published by Mute Song Limited.
Barcode and Other Identifiers
- Barcode (Printed): 0028947933373
- Label Code: 1073
- Rights Society: BIEM/SDRM
- Matrix / Runout (Runout side A, etched): BE46525-01 A1 MK 479 3337
- Matrix / Runout (Runout side B, etched): BE46525-01 B1 MK 479 3337
- Matrix / Runout (Runout side C, etched): BE46525-02 C1 MK 479 3337
- Matrix / Runout (Runout side D, etched): BE46525-02 D1 MK 479 3337 V=+
- Other (Squared): G H2
Other Versions (5 of 22)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Recomposed By Max Richter: Vivaldi - The Four Seasons (CD, Album, Digipak) | Universal Music Classics & Jazz, Deutsche Grammophon | 476 5040 | Germany | 2012 | ||
Recently Edited | Recomposed By Max Richter: Vivaldi - The Four Seasons (LP, Album, 180 gram) | Deutsche Grammophon | 476 5041 | Germany | 2012 | ||
| The Four Seasons (CD, Album, Digipak) | Deutsche Grammophon | B001748602 | USA & Canada | 2012 | |||
New Submission | Recomposed By Max Richter: Vivaldi - The Four Seasons (CD, Album) | Universal Music Classics & Jazz, Deutsche Grammophon | 481 0044 | Europe | 2012 | ||
New Submission | Recomposed By Max Richter: Vivaldi - The Four Seasons (13×File, WAV, Album, 24-bit, 96 kHz) | Deutsche Grammophon | none | US | 2012 |
Recommendations
Reviews
Edited one year ago
Quite fantastic sounding.
This cut has lots of likable qualities, the bass is very hefty when needed, the tone is mostly accurate and the dynamics quite substantial. If you like this album then the vinyl wont leave you dissatisfied sound wise. There was a subtle low freqiency distortion on the very last powerful note of Side A but hard to spot if not looked for, at least given that you have a quality Micro type stylus, I cant speak for lesser profiles currently.
It would have been preferrable for most I think, to use the second disc as extra space for the main album as its running long at roughly 22 minutes per side. Perhaps increasing the speed to 45 as well to really mitigate any tracking issues.
As some have pointed out this is not the finest of pressings. In my case its fully tolerable though, my main gripe comes with the shoddy jackets which easily get seamsplits and with lack of plastic lining no doubt contribute to some of the noise complaints. The color gimmick is nice but only deserved if the rest holds up.
Equipment Used:
Technics SL-1210GR with ATVM95ML
iFi iPhono 2 RIAA
Cyrus 2 Amplifier
System Fidelity SF-3050 Tower Speakers
This cut has lots of likable qualities, the bass is very hefty when needed, the tone is mostly accurate and the dynamics quite substantial. If you like this album then the vinyl wont leave you dissatisfied sound wise. There was a subtle low freqiency distortion on the very last powerful note of Side A but hard to spot if not looked for, at least given that you have a quality Micro type stylus, I cant speak for lesser profiles currently.
It would have been preferrable for most I think, to use the second disc as extra space for the main album as its running long at roughly 22 minutes per side. Perhaps increasing the speed to 45 as well to really mitigate any tracking issues.
As some have pointed out this is not the finest of pressings. In my case its fully tolerable though, my main gripe comes with the shoddy jackets which easily get seamsplits and with lack of plastic lining no doubt contribute to some of the noise complaints. The color gimmick is nice but only deserved if the rest holds up.
Equipment Used:
Technics SL-1210GR with ATVM95ML
iFi iPhono 2 RIAA
Cyrus 2 Amplifier
System Fidelity SF-3050 Tower Speakers
Very nice sound overall; but there is occasional distortion in 3-4 places on Side A Left channel. It’s very brief. Does anyone else notice this?
Sounds awfull, especially side C with a lot of background noises. The mastering and the pressing are very bad. If you really want this music, take a digital edition...
So am I right in thinking that the first two sides of this are just the Four Seasons by Vivaldi ? and the other is re-mix/composed material using the origional Four Seasons ? If this is so then why ? Surely there are enough pressings of The Four Seasons out there already, right ?
Beautiful record. Unfortunately, copy did not include a download voucher.
My Copy has C&D Labels on both records. The recomposed recording will be still timeless in 30 years same with the electronic soundscapes on Side C, the remixe go in the bin next year ...
Wonderful package and pressing. Side C is ambient/environmental remixes of a selection of tracks from A & B.