Linda Perhacs – Parallelograms
| Label: | Anthology Recordings – ARC001, Anthology Recordings – arc001 |
|---|---|
| Format: | |
| Country: | US |
| Released: | |
| Genre: | Rock, Folk, World, & Country |
| Style: | Folk Rock, Acoustic, Psychedelic Rock, Ethereal, Folk |
Tracklist
| A1 | Chimacum Rain | 3:25 | |
| A2 | Paper Mountain Man | 3:15 | |
| A3 | Dolphin | 2:54 | |
| A4 | Call Of The River | 3:47 | |
| A5 | Sandy Toes | 2:58 | |
| A6 | Parallelograms | 4:34 | |
| B1 | Hey, Who Really Cares? | 2:38 | |
| B2 | Moons And Cattails | 4:03 | |
| B3 | Morning Colors | 4:35 | |
| B4 | Porcelain Baked-Over Cast-Iron Wedding | 4:02 | |
| B5 | Delicious | 4:08 | |
| C1 | If You Were My Man (Demo) | 3:31 | |
| C2 | If You Were My Man (Alternate Take) | 2:59 | |
| C3 | Hey, Who Really Cares? (With Intro) | 3:03 | |
| C4 | Chimacum Rain (Demo) | 3:46 | |
| D1 | Spoken Intro To Leonard Rosenman | 2:21 | |
| D2 | Chimacum Rain (Demo With Sounds) | 4:17 | |
| D3 | I Would Rather Love (Unreleased) | 3:06 |
Companies, etc.
- Copyright © – Kemado Records, Inc.
- Phonographic Copyright ℗ – Kemado Records, Inc.
- Published By – Universal Music Publishing
- Mastered At – Salt Mastering
- Remastered At – Elysian Masters
- Pressed By – Rainbo Records – S-73392
- Pressed By – Rainbo Records – S-73393
- Pressed By – Rainbo Records – S-73394
- Pressed By – Rainbo Records – S-73395
Credits
- Arranged By – Leonard Rosenman, Linda Perhacs, Steve Cohn*
- Design [Original Album Design] – Virginia Clark
- Effects [Amplified Shower Hose For Horn Effects] – Brian Ingoldsby (tracks: A1)
- Electric Bass, Guitar [Fender Guitar] – Reinie Press
- Electronics [Electronic Effects] – Leonard Rosenman
- Engineer – Brian Ingoldsby, Terry Brown (9)
- Flute, Saxophone – John Neufield*
- Harmonica – Tommy*
- Layout [Packaging Layout] – Brett Erickson
- Lead Guitar, Guitar [6-String], Twelve-String Guitar, Electric Guitar – Steve Cohn*
- Percussion – Milt Holland, Shelley Mann*
- Photography By – Bob Flick (2)
- Producer – Leonard Rosenman
- Reissue Producer [Project Produced By] – Keith Abrahamsson
- Remastered By – Dave Cooley
- Songwriter – Linda Perhacs, Oliver Nelson (tracks: B1, C3)
- Vocals, Guitar, Electronics [Electronic Effects] – Linda Perhacs
Notes
Heavy card gate fold sleeve. Printed inner sleeves. Contains download code and 11" double folded insert.
Sticker with LP's details on outer polybag.
"The 1970 L.A. folk/psych masterpiece expanded with unreleased and demo material"
© ℗ 2014 Kemado Records, Inc., D/B/A Anthology Recordings
Remastered at Elysian Studios.
The booklet has a guitar credit for 'Fleetfoot' of Laurel Canyon for side 4, track 4 (which does not exist on the release).
Sticker with LP's details on outer polybag.
"The 1970 L.A. folk/psych masterpiece expanded with unreleased and demo material"
© ℗ 2014 Kemado Records, Inc., D/B/A Anthology Recordings
Remastered at Elysian Studios.
The booklet has a guitar credit for 'Fleetfoot' of Laurel Canyon for side 4, track 4 (which does not exist on the release).
Barcode and Other Identifiers
- Matrix / Runout (Side-A, etched): MEX-042-A S-73392
- Matrix / Runout (Side-B, etched): MEX-042-B S-73393 Salt
- Matrix / Runout (Side-C, etched): MEX-042-C S-73394
- Matrix / Runout (Side-D, etched ): MEX-042-D S-73395 Salt
- Barcode (Sticker on poly sleeve): 184923600117
- Rights Society: BMI
Other Versions (5 of 32)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Parallelograms (LP, Album, Stereo) | Kapp Records | KS-3636 | US | 1970 | ||
New Submission | Parallelograms (8-Track Cartridge, Album) | Kapp Records | K8-3636 | US | 1970 | ||
New Submission | Parallelograms (LP, Album) | Kapp Records | KS-3636 | US | 1970 | ||
New Submission | Parallelograms (LP, Album, Promo, Stereo) | Kapp Records | KS-3636 | US | 1970 | ||
Recently Edited | Parallelograms (CD, Album, Reissue) | The Wild Places | WILD005 | US | 1998 |
Recommendations
Released2013 — UKVinyl —LP, Album
Released2013 — UKVinyl —LP, Album, Reissue, Repress
Released2015 — USA & EuropeVinyl —LP
Released2013 — UKVinyl —LP, Album
Released2013 — UK, Europe & USVinyl —LP, Album, Compilation, Stereo
Released2014 — USA & EuropeVinyl —12", 33 ⅓ RPM, Album
Released2004 — USVinyl —LP, Album, Reissue, Stereo
Released2015 — UKVinyl —LP, Album, Reissue
Released2013 — UKVinyl —LP
Released2015 — USVinyl —LP, Album
Reviews
Edited 7 months agoJesus Christ, what a piss-poor job they did on side 1. The grooves don't have enough room to accommodate the dynamics, I guess, because if you're listening to a quiet part and a louder part is about to happen, you'll get the "ghost" of it before it happens. (Tested on multiple turntables.)
Just did a shoot-out with a Sundazed version that Kevin Gray cut (that unfortunately isn't mine) and the Sundazed played *beautifully*.
Side 2 played fine. The bonus disc is nice but again, pressing quality is a little iffy. What a shame.
It's true, this is a bad pressing. Mastered too quiet first off, so you have to crank it twice as loud as the average record thus bringing up any noise from your amp/phono stage, and then it's full of loud pops and ticks that are extra annoying because the music is pressed so quietly. It will have to do until I come across a better pressing that isn't super expensive.
My Anthology Recordings copy is crystal clear. No pops, no surface noise at all (played on a Rega Plannar 2 with a Goldring Elektra cartridge).
My copy is fine. Pretty clear and smooth. Also bought it used, which makes me surprised it turned out this good despite the comments below. A lovely album altogether. Hopefully some others who purchased it had similar reactions.
As per the 2015 comment below, this is a terrible pressing. Inexcusable flaws throughout, the kind of distortion that lasts a full revolution and is easily visible with a wave editor. Avoid at all costs.- Edited 8 years agomy copy is very badly pressed. full of surface noise, pops and so many other bad sounds.
Release
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