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Herbert*Secondhand Sounds: Herbert Remixes

Label:

Peacefrog Records – PFG021CD

Format:

2 x CD, Compilation, EMI Swindon

Country:

UK

Released:

Genre:

Electronic

Style:

Deep House, Downtempo, Experimental

Tracklist

1-1Nils Petter Molvaer*Merciful (Herbert's We Mix)
Producer, Written-ByNils Petter Molvaer*, Sidsel Endresen
Remix, Producer [Additional]Matthew 'Flat Tyre' Herbert*
6:13
1-2MotorbassEzio (Herbert Remix)
Producer, Written-ByEtienne De Crecy*, Philippe Zdar
Remix, Producer [Additional]Matthew 'Tight Pants' Herbert*
7:41
1-3Two Banks Of FourStreet Lullaby (Herbert Gutter Dub)
ProducerTwo Banks Of Four
Remix, Producer [Additional]Matthew '7 Days' Herbert*
Written-ByRob Gallagher
5:54
1-4MonoHighlife (Remember Herbert's Mix)
Producer, Written-ByMartin Virgo
Remix, Producer [Additional]Matthew 'Stereo' Herbert*
6:40
1-5Herbert*The Last Beat (House Dub)
Electric Piano [Rhodes]M.Herbert*
PianoP.Parnell*
Producer, Written-ByMatthew "Mechanic" Herbert*
Remix, Producer [Additional]Matthew "Of" Herbert*
VocalsDani Siciliano
4:55
1-6Herbert*Banquet (Herbert Remix)
Electric Piano [Rhodes]M.Herbert*
Producer, Written-ByMatthew "Mayor" Herbert*
Remix, Producer [Additional]Matthew "Hog" Herbert*
7:09
1-7Doctor RockitTape Measure (Herbert's Metric Mix)
Producer, Written-ByMatthew "Imperial" Herbert*
Remix, Producer [Additional]Matthew "Bog" Herbert*
5:38
1-8PresenceFuture Luv (Herbert "Did This" Mix)
ProducerCharles Webster
Remix, Producer [Additional]Matthew 'Done That' Herbert*
VocalsSteve Edwards
5:58
1-9Furry Phreaks Featuring Terra DevaWant Me Like Water (Herbert's Tension Dub)
ProducerC.Webster*
Remix, Producer [Additional]Matthew 'Like Milk' Herbert*
Vocals [Featuring]Terra Deva
Written ByC.Webster / T.Deva
Written-ByC.Webster*, T.Deva*
6:14
1-10Herbert*Thoughts (Herbert Remix)
Producer, Written-ByMatthew "W" Herbert*
Remix, Producer [Additional]Matthew "M" Herbert*
VocalsDani Siciliano
5:04
1-11Terra DevaFresh Start (Searching For Herbert's Mix)
Producer, Written-ByD.Biegel*, T.Deva*
Remix, Producer [Additional]Matthew 'Stale' Herbert*
Written ByT.Deva / D.Biegel
5:53
2-1ReclooseCan't Take It (Herbert's Some Dumb Dub)
ProducerMatt Chicoine*
Remix, Producer [Additional]Matthew "Outgoing" Herbert*
VocalsDwele
Written ByChicoine / Dwele
Written-ByDwele, Chicoine*
7:12
2-2MolokoSing It Back (Herbert's Tasteful Dub)
ProducerMoloko
Remix, Producer [Additional]Matthew 'Milkman' Herbert*
Written-ByMark Brydon, Roisin Murphy*
6:00
2-3DimbimanKoppchen (Herbert's D-D-D-Dazzle Dub)
Producer, Written-ByZip
Remix, Producer [Additional]Matthew 'Zoltaire' Herbert*
6:30
2-4Louie AustenHoping (Herbert's High Dub)
Producer, Written-ByM. Neugebauer*, P.Pulsinger*
Remix, Producer [Additional]Matthew 'Can't Remember' Herbert*
6:37
2-5Blaze Presents Cassioware* Featuring SajaedaFantasy (Herbert's Reality Dub)
ProducerBlaze
Remix, Producer [Additional]Matthew 'Hot Water' Herbert*
Vocals [Featuring]Sajaeda
Written-ByC.Ware*, J.Milan*, K.Hedge*
8:00
2-6Herbert*Suddenly (Herbert's Dub)
BassDave Green
PianoPhil Parnell
Remix, Producer [Additional]Matthew Herbert
VocalsDani Siciliano
6:29
2-7MolokoThe Flipside (Herbert's Surround Sound Mix)
ProducerMoloko
Remix, Producer [Additional]Matthew '3D' Herbert*
Written-ByMark Brydon, Roisin Murphy*
7:19
2-8dZihan & KamienBefore (Herbert's After Dub Remix)
PianoP.Parnell*
Producer, Written-BydZihan & Kamien
Remix, Producer [Additional]Matthew 'J+M' Herbert*
VocalsD.Siciliano*
7:43
2-9Serge GainsbourgBonnie & Clyde (Herbert's Fred & Ginger Mix)
Producer, Written-BySerge Gainsbourg
Remix, Producer [Additional]Matthew 'Anything' Herbert*
7:35
2-10WishmountainAerosoul (Herbert Remix)
Producer, Written-ByMatthew "Destruction" Herbert*
Remix, Producer [Additional]Matthew 'Tired' Herbert*
5:58
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Companies, etc.

  • Licensed FromUniversal Music
  • Licensed FromMotorbass
  • Licensed FromSirkus Recordings (2)
  • Licensed FromThe Echo Label Ltd.
  • Licensed FromSoundslike
  • Licensed FromLifelike
  • Licensed FromArk 21 Records
  • Licensed FromPagan
  • Licensed FromTrue
  • Licensed FromN.E.W.S.
  • Licensed FromPlanet E Communications, Inc.
  • Licensed FromPerlon
  • Licensed FromCheap
  • Licensed FromPlayhouse
  • Licensed From!K7 Records
  • Licensed FromCouch Records
  • Licensed FromMercury
  • Licensed FromUniversal France
  • Licensed FromAccidental Records Ltd.
  • Copyright ©Peacefrog Records
  • Copyright ©Sirkus
  • Copyright ©Ark 21
  • Copyright ©Pagan
  • Copyright ©Planet E Communications, Inc.
  • Copyright ©Cheap
  • Copyright ©Playhouse
  • Copyright ©Couch Records
  • Phonographic Copyright ℗Peacefrog Records
  • Phonographic Copyright ℗ECM Records
  • Phonographic Copyright ℗Molvær Music A/S
  • Phonographic Copyright ℗Motorbass
  • Phonographic Copyright ℗Justice (5)
  • Phonographic Copyright ℗Sirkus
  • Phonographic Copyright ℗The Echo Label Ltd.
  • Phonographic Copyright ℗Soundslike
  • Phonographic Copyright ℗Lifelike
  • Phonographic Copyright ℗Ark 21
  • Phonographic Copyright ℗Pagan
  • Phonographic Copyright ℗OM Records
  • Phonographic Copyright ℗Planet E Communications, Inc.
  • Phonographic Copyright ℗Perlon
  • Phonographic Copyright ℗Cheap
  • Phonographic Copyright ℗Playhouse
  • Phonographic Copyright ℗Couch Records
  • Phonographic Copyright ℗Mercury
  • Phonographic Copyright ℗Universal France
  • Phonographic Copyright ℗Accidental
  • Manufactured ByImpress (2)
  • Pressed ByEMI Swindon
  • Published ByMolvær Music A/S
  • Published ByChrysalis Music Ltd.
  • Published ByChrysalis Music Publishing
  • Published BySoundslike Music
  • Published ByBucks Music
  • Published ByPerfect Songs
  • Published ByCopyright Control
  • Published BySherlock Holmes Music
  • Published ByB. Suga Music
  • Published ByPlanet E Communications, Inc.
  • Published ByDwele Music
  • Published ByMusic Of Nia Songs
  • Published ByCouch Records
  • Published ByÉditions Bagatelle
  • Published ByÉditions Sidonie
  • Published ByMelody Nelson Publishing
  • Recorded AtSwingtime (2)
  • Recorded AtThe Croft On The Hill

Notes

℗2002 Peacefrog
©2002 Peacefrog

Issued in a 6-panel double Digipak with clear trays. Barcode on back cover (sticker). This version was pressed by EMI Swindon (derived from matrix and SID codes). There is also a version pressed by Universal M&L, as indicated in the mould area.

All remixes recorded in Swingtime except "The Last Beat (House Dub)" recorded at the Croft on the Hill.

1-3: Mix title is "Herbert's Gutter Dub" on rear sleeve.
2-6: Mix title is "Herbert's Redub" on rear sleeve.
2-8: Mix title is "Herbert's After Dub" on rear sleeve.

Thanks should go to: Pete, Mark and Jim for their patience, to the labels for asking me to do the mixes in the first place.
The artists for letting me go near their work.
Dani for her ears, Anna for her garlic bread, to sarah for her font of good thoughts, to Martin H for his extra help, Eddie and James for their efficient minds, and Jotter for his continued enthusiasm in face of adversity.

Thanks don't go to president Tony Blair and UK parliament for bombing a poor and hungry people, nor to Bush for deifying our democratic way of life, yet failing to adhere to its most basic principles.
Thanks also goes neither to the CIA for arming and training our so called enemies, nor to western companies that sell anthrax and arms to whoever wishes to buy it.

Track 1-1 ℗2000 ECM Records/Molvaer Music A/S, published by Molvaer Music A/S. Licensed courtesy of Universal Music
Track 1-2 ℗1996 Motorbass/Justice. Licensed courtesy of Motorbass.
Track 1-3 ℗©2001 Sirkus, published by Chrysalis Music Ltd. Licensed courtesy of Sirkus Recordings.
Track 1-4 ℗The Echo Label Limited 1998, published by Chrysalis Music Publishing. Licensed courtesy of The Echo Label Limited.
Track 1-5 ℗2000 Soundslike, published by Soundslike Music/Bucks Music. Licensed courtesy of Soundslike.
Track 1-6 ℗2001 Soundslike, published by Soundslike Music/Bucks Music. Licensed courtesy of Soundslike.
Track 1-7 ℗1996 Lifelike, published by Soundslike Music/Bucks Music. Licensed courtesy of Lifelike
Track 1-8 ℗©1998 Ark 21/Pagan, published by Perfect Songs/copyright control. Licensed courtesy of Ark 21/Pagan.
Track 1-9 ©Peacefrog 2000, published by Perfect Songs/Sherlock Holmes Music + B.Suga (BMI). Licensed courtesy of Peacefrog
Track 1-10 Recorded in Swingtime 2001. ℗2001 Soundslike, published by Soundslike Music/Bucks Music. Licensed courtesy of Soundslike.
Track 1-11 ℗OM 1998, C News 1998, published by copyright control. Licensed courtesy of True Records/News (Belgium)

Track 2-1 ℗©Planet E Communications Inc., published by Planet E Communications Inc. (Ascap)/Dwele Music (Ascap). Licensed courtesy of Planet E Communications Inc.
Track 2-2 ℗The Echo Label Limited 1999, published by Chrysalis Music Publishing. Licensed courtesy of The Echo Label Limited.
Track 2-3 ℗Perlon 1998, published by copyright control. Licensed courtesy of Perlon.
Track 2-4 ℗©2001 Cheap Records. Licensed courtesy of Cheap Records.
Track 2-5 ℗©2001 Playhouse, published by Music of Nia Songs (BMI). Licensed courtesy of Playhouse.
Track 2-6 ℗2001 Soundslike, published by Soundslike Music/Bucks Music. Licensed courtesy of !K7 Records.
Track 2-7 ℗The Echo Label Limited 1998, published by Chrysalis Music Publishing. Licensed courtesy of The Echo Label Limited.
Track 2-8 ℗©2001 Couch Records, published by Couch Records. Licensed courtesy of Couch Records.
Track 2-9 ℗Mercury/Universal France 2001, published by Bagatelle (Sidonie)/Melody Nelson Publishing. Licensed courtesy of Mercury/Universal France
Track 2-10 Recorded in Swingtime 1997. ℗1997 Accidental, published by Soundslike Music/Bucks Music. Recorded in Swingtime 1997. Licensed courtesy of Accidental Records.

Barcode and Other Identifiers

  • Barcode (Text): 5 050294 117125
  • Barcode (Scanned): 5050294117125
  • Matrix / Runout (CD1 variant 1): PFG021CD1 IMPRESS 1:1:2
  • Matrix / Runout (CD2 variant 1): PFG021CD2 IMPRESS 1:1:3
  • Mastering SID Code (CD1 & CD2 variant 1 & 2): IFPI L042
  • Mould SID Code (CD1 variant 1 & 2): ifpi 1462
  • Mould SID Code (CD2 variant 1 & 2): IFPI 1429
  • Matrix / Runout (CD1 variant 2): PFG021CD1 IMPRESS 1:1:3
  • Matrix / Runout (CD2 variant 2): PFG021CD2 IMPRESS 1:1:2

Other Versions (5 of 7)

View All
Title (Format)LabelCat#CountryYear
Secondhand Sounds: Herbert Remixes (3×LP, Compilation)Peacefrog RecordsPFG021:02UK2002
Secondhand Sounds: Herbert Remixes (3×LP, Compilation)Peacefrog RecordsPFG021:01UK2002
Recently Edited
Secondhand Sounds: Herbert Remixes (2×CD, Compilation, UML UK)Peacefrog RecordsPFG021CDUK2002
New Submission
Secondhand Sounds: Herbert Remixes (CDr, Compilation, Promo)Peacefrog RecordsnoneUK2002
New Submission
Secondhand Sounds: Herbert Remixes (2×CD, Compilation, Unofficial Release)Peacefrog Records (2)PFG021CDRussiaUnknown

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Reviews

  • Max1's avatar
    Max1
    I've had this since it came out, so it was interesting to listen again now, several years later and to see others' views.
    It stands up very well. The Motorbass remix (CD1, track 2) is excellent, simpler than the original, several leagues cooler. A sensational track.
    • phaks's avatar
      phaks
      Alltogether very boring, perhaps he had to do the remixes for money. Rather uninspired use of loops, tracks stretched/extended to maximum. One of the weaker publications of Matthew Herbert.
      • scoundrel's avatar
        scoundrel
        Edited 20 years ago
        Secondhand Sounds, a collection of remixes by Herbert, showcase his unique and fascinating skills. While all of the tracks skew housewards, the differences in mood are wonderful. On the first disc, Mono gets “Highlife” taken to a new club high, while Two Banks of Four and Nils Petter Molvaer receive more jazzy mixes. Herbert also reworks himself, putting a beat behind “The Last Beat” and using those found sounds from a tape measure to enhance his Doctor Rockit track “Tape Measure.” The second disc really displays Herbert’s versatility: from the tech-stomp of Recloose’s “Can’t Take It” to the clattering of Moloko’s “Sing It Back,” these are a few of the reasons why Herbert has become such a big name. The stuttering on “Koppchen” or on the sleazy listening of “Hoping” showcase Herbert’s interest in the management of individual sounds. It’s this attention to sound and detail that makes his work memorable.

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