Violent Femmes – Violent Femmes
Label: | Slash – 1-23845 |
---|---|
Format: | Vinyl, LP, Album |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Indie Rock |
Tracklist
A1 | Blister In The Sun | 2:23 | |
A2 | Kiss Off | 2:53 | |
A3 | Please Do Not Go | 4:15 | |
A4 | Add It Up | 4:44 | |
A5 | Confessions | 5:27 | |
B1 | Prove My Love | 2:37 | |
B2 | Promise | 2:48 | |
B3 | To The Kill | 3:59 | |
B4 | Gone Daddy Gone | 3:03 | |
B5 | Good Feeling | 3:49 |
Companies, etc.
- Copyright © – Slash Records
- Phonographic Copyright ℗ – Slash Records
- Recorded At – Castle Recording Company
- Mastered At – Greg Lee Processing – L-13107
- Published By – Gorno Music Publishing
Credits
- Bass, Xylophone, Vocals – Brian Ritchie
- Design – Geoff "Stinky" Worman*, Laurie Lindblom
- Design [Design-package] – Jeff Price (2)
- Drums, Vocals – Victor De Lorenzo*
- Engineer – Glen L. Lorbiecki*, John Tanner
- Guitar, Violin, Vocals – Gordon Gano
- Photography By – Ron Hugo
- Piano – Mark Van Hecke (tracks: B5)
- Producer – Mark Van Hecke
Notes
Recorded at Castle Recording Company, Lake Geneva, Wisconsin, July 1982.
© & ℗ 1982 Slash Records
Lyrics © 1983 Gorno Music Publishing ASCAP
With inner sleeve.
This first pressing was with different label artwork than the second pressing. First pressing is shown here with the "two-tone" style label, later pressings had the stock Slash labels.
© & ℗ 1982 Slash Records
Lyrics © 1983 Gorno Music Publishing ASCAP
With inner sleeve.
This first pressing was with different label artwork than the second pressing. First pressing is shown here with the "two-tone" style label, later pressings had the stock Slash labels.
Barcode and Other Identifiers
- Barcode: 0 7599-23845-1
- Matrix / Runout (Side A runout, etched): 1-23845-A RE L-13107
- Matrix / Runout (Side B runout, etched): 1-23845-B L-13107-X
- Rights Society: ASCAP
Other Versions (5 of 121)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Violent Femmes (Cassette, Album, Winchester, No Barcode) | Slash, Slash | 4-23845, 9 23845-4 | US | 1983 | ||
Violent Femmes (LP, Album) | Rough Trade, Slash | RTD 17 | Germany | 1983 | |||
Recently Edited | Violent Femmes (LP, Album) | Rough Trade | ROUGH 55 | UK | 1983 | ||
Recently Edited | Violent Femmes (LP, Album) | Slash, Warner Bros. Records | 92 38451 | Canada | 1983 | ||
New Submission | Violent Femmes (LP, Album) | Big Time | BT-7017 | Australia | 1983 |
Recommendations
Reviews
- Brilliant pressing! I got a copy that is in a bit of rough shape, but still, the detail comes out great with this pressing. There’s just something missing with the digital master that doesn’t capture the same magic. If somehow the tapes are randomly found, I hope it gets a full analog repress.
- You definitely want the analog 1st pressing or the 1983/1984 re-issue. The master tapes have been long gone. Anything after the the 1st re-issue is a digital format.
- Edited 4 years agoThis is one of the best albums of ALL TIME!!! Sound on the original pressing is outta sight! Timeless Masterpiece!
- Edited 7 years agoDig that crazy sound man...in a word, I'll choose spectacular. That is to say, spectacular in every way, from the moment the band started writing the songs, and all the way through the recording and mastering. I love the way it was produced, from the arrangements of the songs, to the timbre of the instruments and the separation in tone with equalization. The limited use of reverb and such gives me the feeling that the band is here in my living room playing for me. When I do hear obvious reverb, I get the impression it's from the source, not in the mix. It has a wide dynamic range, particularly in the snare drum, and vocals where it's most valuable for me, as well as in the overall mix. I am using a filter in the low mid at -3db for my preferred listening / audio system. There is some interesting panning involved, and again...I love the tones. I particularly like the bass tones, although everything is mixed and blended much to my liking.
To be clear, I'm referring to the 1983 first press on two tone label. I haven't heard other pressings recently, but I don't recall the sonic quality being so freggin awesome when I listened to this in my youth...and I didn't have this particular release then. I can however recall that the content and contributions from the band were epic, and all these years later, it's just an amazing to me. - I am going to review this album as it is not about the many forms that it has being released in. What other albums hold up to the greatest that it was when it came out in the eighties, I think only maybe The Cars first album or Van Halens (Though it was really late seventies it was released at) made a big impact. That raw sound that The Replacements, DB's or even R.E.M. took from to interject that kind of emotion into their songs that the main stay of arena rock wasn't getting at made it a really big boost to american music. It was the link that put back the garage rock of the bands from sixties from The Hombres, The Shadows of The Knights, and all of the D.Y.I. bands from that era in to the for-front and made it that this band could be your life.
Release
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