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Primitive Radio GodsRocket

Label:Columbia – CK 67600, Ergo Records (2) – CK 67600
Format:
CD, Album, Stereo, DADC Pressing
Country:US
Released:
Genre:Rock
Style:Alternative Rock

Tracklist

1Women4:18
2Motherfucker
Vocals [Sings]Mary Kay Fishell
5:19
3Standing Outside A Broken Phone Booth With Money In My Hand
Vocals [Sings]Mary Kay Fishell
5:39
4Who Say3:24
5The Rise And Fall Of Ooo Mau3:50
6Where The Monkey Meets The Man
DrumsTim Lauterio
Guitar [Additional Guitar]Jeff Sparks (2)
Written ByO'Connor, Sparks
4:17
7Are You Happy
DrumsTim Lauterio
Guitar [Additional Guitar]Jeff Sparks (2)
Written ByO'Connor, Sparks
5:35
8Chain Reaction4:47
9Skin Turns Blue
BassDavid Vaught
4:27
10Rocket4:41
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Companies, etc.

  • Copyright ©Sony Music Entertainment (UK) Ltd.
  • Phonographic Copyright ℗Sony Music Entertainment (UK) Ltd.
  • Manufactured ByColumbia Records
  • Published ByFiction Songs, Inc.
  • Published ByMoonfood
  • Published ByBMG Songs, Inc.
  • Published ByModern Age Music
  • Recorded AtCamp David
  • Mixed AtCamp David
  • Mastered AtWhitfield Street Recording Studios
  • Glass Mastered AtDADC – DIDP-089015
  • Pressed ByDADC

Credits

  • Engineer [Engineered By]David Vaught
  • Mastered ByRay Staff
  • Performer [Performed By], Producer [Produced By], Songwriter [All Songs Written By]Chris O'Connor
  • Photography By [Album Front, Back And Insert Photos By]Valerie Phillips
  • Photography By [CD Photo By]Lisa Wright (3)

Notes

Parental Advisory label printed on cover.

Recorded and mixed at Camp David, Thousand Oaks, California. Mastered at Whitfield Street Recording Studios, London.

Songs © 1996 Fiction Songs, Inc. / Moonfood (ASCAP). All rights for the world controlled by BMG Music Publishing, Int'l. Ltd. All rights for the U.S. administered by BMG Songs, Inc. (ASCAP).

Release © & ℗ 1996 Sony Music Entertainment (UK) Ltd. Manufactured by Columbia Records. "Columbia" Reg. U.S. Pat. & Tm. Off. Marca Registrada.

"Standing Outside A Broken Phone Booth With Money In My Hand" contains elements of the song "How Blue Can You Get" by Leonard Feather and Jane Feather, published by Modern Age Music (BMI), performed by B.B. King, master used courtesy of MCA Records.

Barcode and Other Identifiers

  • Barcode (Text): 0 7464 - 67600 - 2 4
  • Barcode (Scanned): 074646760024
  • Rights Society: ASCAP
  • Barcode: BMI
  • Other (DADC Mastering Code): DIDP 089015
  • Matrix / Runout (Variant 1): DIDP-089015 6
  • Mastering SID Code (Variant 1): IFPI L324
  • Matrix / Runout (Variant 2): DIDP-089015 01
  • Mastering SID Code (Variant 2): IFPI L336
  • Mould SID Code (Variant 2): IFPI 5100

Other Versions (5 of 15)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Rocket (CD, Album, Stereo)Ergo Records (2)ERGO 421US1994
Rocket (CD, Album)Ergo Records (2), ColumbiaCK 67600Canada1996
New Submission
Rocket (CD, Album)Columbia, Ergo Records (2)483695 2Europe1996
New Submission
Rocket (Cassette, Album)Columbia, Columbia, ColumbiaCT 67600, CT67600, 67600US1996
New Submission
Rocket (CD, Advance, Promo)ColumbiaACK 67600US1996

Recommendations

Reviews

  • Andrew_Lawson's avatar
    This album sounds like it stuck between the sounds of mainstream 80's Rock and 90's counter-culture Rock. It almost works but frequently doesn't, "Phone Booth" will always be coming out of my speakers though.
    • dja4055's avatar
      dja4055
      Would love to see this forgotten gem on vinyl... Phone booth and the album tracks Motherfucker, Skin Turns Blue and Rocket are awesome
      • mike.g's avatar
        mike.g
        Can someone please press this already? Nearly every other 90's Alt. Rock album has already been cranked out over the last few years..
        • oblivion138's avatar
          oblivion138
          Edited 8 years ago
          Despite the success of the first single, this one flew sadly under the radar. The second single could have been an anthem, and should have been, but when your song is called Motherfucker, it limits your mainstream options. It's a pity, because it's a fantastic album, front to back.

          The lyrics consist of dreamy poetry, and O'Connor's imagery is truly inspired. The music is eclectic, often bluesy, but with unexpected injections of everything from hip-hop beats to Smiths-esque bridges. As a veritable one-man show (with guest performers scattered here and there), Rocket is as auspicious a debut as Trent Reznor's Pretty Hate Machine or Dave Grohl's Foo Fighters, and deserves more adherents.

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          Statistics

          • Have:775
          • Want:38
          • Avg Rating:3.25 / 5
          • Ratings:36

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