Edited one year ago
wow.
A2 and B are great for their own reasons. the former being quite unique in its right by being one of those rare house tracks that are not only more jazzy than housey, but are actually fucking good! time and time again i find myself hearing jazzy house tracks that are more along the lines of either being cheap elevator music or tunes you would hear when paying for an overpriced cocktail, so yea very refreshing. it's very coffeeshop-esque with the warm synths and bubbly baseline that permeate throughout, very pretty piano melodies sprinkled in as well; overall very solid.
the latter, which for me at the start at least and up to the halfway point, was the weakest track here. the pounding bass and drums that occupy the start of the track don't really sit with me and makes it out to be quite flat and average when looking at the entire umbrella of house. however, i must say that once again the presence of those gorgeous piano melodies throughout not only this track, but the entirety of this record makes it unlike any other records in the genre; Classic Man really is in a league of their own in that regard and an artist that executes this element flawlessly. nevertheless, the disappointing start is soon to became an afterthought as the track started to win me over at around the 5:40 mark, where it evolves from being quite flat and barren, to being surprisingly lush and upbeat. sounds of waves washing over the ever-growing and evolving trancey, new agey, and tropical atmosphere makes it to be quite a brilliant turnaround to close out the record. definitely a track that heeds patience for it to unwrap and flood over you.
with that being said however, and as great as those two tracks are, Gentle Morning Rain might be one of the greatest house tracks ever; no hyperbole. the first half of the track squelches through with acidic sounds, funky baselines, lush and soulful keys and aggressive kickdrums that present the song in a relentless and tireless tempo. it's a solid start, however at around the 3:00 mark the track really starts to come into its own. the tireless trek tires, the toll of thunder tears through, everything stops for a second, then the rain; the rain starts, meditative synths start to shimmer through the light downfall; then the track starts again, the kickdrums come back and seem even more vigorous this time in unison with this lively, bubbly baseline. what makes this track special however, (going back to it for the third time now) are the piano melodies. these in particular are by far the prettiest and most expressive on the record; they are subtle and are sprinkled throughout, improvised but calculated. another incredible inclusion is the sound of a saxophone that lightly paints it way midway through the track, brushing its way meandering in a chaotic (one that is not abrasive, but calm), but again calculated fashion. all the sounds that are brought into the soundscape work, i say free improv. but like all great improvisation it feels natural. it's quite simply a stunning and beautiful triumph within the deep house realm. fucking brilliant.
personally one of the reasons why music is such an important tool in my life is its ability to soundtrack. while i have enjoyment in the present moment, the strongest feelings that a sound can bring out of a person's psyche is the sound of nostalgia. for this song transports me back to tokyo 6am the sun is bright outside however there is rain but it is light and warm the sound of house creeps in and out of the revolving night-club doors the smell of morning rain and burnt cigarettes laughter solace peace
timeless and a classic from the man. cop the fuck outta this one when you can cuz the price is justified.