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Bob DylanLive 1966 (The "Royal Albert Hall" Concert)

Label:Columbia – COL 491485 2, Legacy – 491485 2
Series:The Bootleg Series (2) – Vol. 4
Format:
2 x CD, Album
Country:Europe
Released:
Genre:Rock, Blues, Folk, World, & Country
Style:Folk Rock, Acoustic, Rhythm & Blues

Tracklist

1-1She Belongs To Me3:27
1-2Fourth Time Around4:37
1-3Visions Of Johanna8:08
1-4It's All Over Now, Baby Blue5:45
1-5Desolation Row11:31
1-6Just Like A Woman5:52
1-7Mr. Tambourine Man8:53
2-1Tell Me, Momma5:10
2-2I Don't Believe You (She Acts Like We Never Have Met)6:07
2-3Baby, Let Me Follow You Down
Arranged ByBob Dylan
3:46
2-4Just Like Tom Thumb's Blues6:50
2-5Leopard-Skin Pill-Box Hat4:50
2-6One Too Many Mornings
Backing VocalsRick Danko
4:22
2-7Ballad Of A Thin Man
PianoBob Dylan
7:55
2-8Like A Rolling Stone8:01
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Companies, etc.

Credits

Notes

The "Royal Albert Hall" Concert.

All songs performed May 17, 1966 at Free Trade Hall, Manchester, England.

© 1998 Sony Music Entertainment Inc. / Originally recorded 1966 Sony Music Entertainment Inc. / Originally released 1985 Sony Music Entertainment Inc.

Made in Austria.

Jewel case with a clear tray inside a cardboard slipcase with a 56-page booklet.

Catalog number on slipcase/CD spines and slipcase back is "COL 491485 2 ".
Catalog number on CD labels is "491485 2".
Catalog number on slipcase/CD back covers and booklets is "01-491485-10".

Liner notes: St. Paul, May 1998

"It's All Over Now, Baby Blue" originally released 1985 on Biograph.

No track durations.

Barcode and Other Identifiers

  • Barcode (String): 5099749148529
  • Barcode (Text): 5 099749 148529
  • Label Code: LC 0162
  • Price Code: CB 772
  • Rights Society (Boxed): SACEM SDRM SACD SGDL
  • Rights Society: BIEM
  • Other (Sony format code): DCF
  • Other (Sony format code): 2CDC
  • Other (Manufacturing code): 01-491485-10
  • Matrix / Runout (CD 1 label): 01-491485-10/1
  • Matrix / Runout (CD 2 label): 01-491485-10/2
  • Matrix / Runout (CD 1, variant 1): Sony Music S0149148510-0102 22 A5
  • Mastering SID Code (CD 1, variant 1): IFPI L552
  • Mould SID Code (CD 1, variant 1): IFPI 945S
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  • Mastering SID Code (CD 2, variant 1): IFPI L552
  • Mould SID Code (CD 2, variant 1): IFPI 946S
  • Matrix / Runout (CD 1, variant 2): Sony Music S0149148510-0102 22 C1
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  • Mould SID Code (CD 1, variant 13): IFPI 941T
  • Matrix / Runout (CD 2, variant 13): Sony Music S0149148510-0202 12 A5
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  • Mastering SID Code (CD 2, variant 16): IFPI L551
  • Mould SID Code (CD 2, variant 16): IFPI 94W7
  • Matrix / Runout (CD 1, variant 17): Sony Music S0149148510-0102 12 B1
  • Mastering SID Code (CD 1, variant 17): IFPI L552
  • Mould SID Code (CD 1, variant 17): IFPI 941T
  • Matrix / Runout (CD 2, variant 17): Sony Music S0149148510-0202 22 A1
  • Mastering SID Code (CD 2, variant 17): IFPI L552
  • Mould SID Code (CD 2, variant 17): IFPI 94Z3

Other Versions (5 of 24)

View All
Title (Format)LabelCat#CountryYear
New Submission
Royal Albert Hall 1966 (2×LP, Unofficial Release, Gate fold sleeve)Toasted Records (2)TRW 1925Australia1985
Recently Edited
Guitars Kissing And The Contemporary Fix (2×CD, Unofficial Release)Scorpio (3)51766A/EItaly1995
New Submission
Guitars Kissing & The Contemporary Fix (2×CD, Unofficial Release)Scorpio (3)51766A/EItaly1995
New Submission
Guitars Kissing & The Contemporary Fix (2×CD, Album, Unofficial Release)Scorpio (3)51766A / 51766EItaly1995
New Submission
Guitars Kissing & The Contemporary Fix (2×CD, Unofficial Release)DPPnoneYugoslavia1996

Reviews

  • davidjamesmartin23's avatar
    This is one of the best live rock recordings of the 60s. The original bootleg album was also Jimmy Page’s favourite album at that time.
    • dlgale1974's avatar
      dlgale1974
      You really think this stands up as a piece of music?
      • dlgale1974's avatar
        dlgale1974
        This is of more interest as a document with some historical significance to Dylan fans, than as a stand alone piece of music. The acoustic set is OK, and live, acoustic renditions of these songs are rare, but Dylan's very nasally, he sounds disinterested and is much better on earlier acoustic sets. The second disk's the electric set, it opens with "Tell me Momma" which doesn't appear anywhere else, which is followed by electric versions of "I Don't Believe You" and "Baby Let me Follow You Down". The crowd applaud, but there's also jeering and heckling, especially the famous Judus incident, they grow impatient as the band get in tune and Dylan sounds stoned as he mumbles between songs. I wouldn't recommend this to anyone who wasn't a hardcore Dylan fan and even then, only for novelty value really.

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