John Oswald, The Grateful Dead – Grayfolded
Label: | Important Records (2) – IMPREC 399 |
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Format: | |
Country: | US |
Released: | |
Genre: | Electronic, Rock |
Style: | Psychedelic Rock, Experimental, Prog Rock |
Tracklist
Transitive Axes | |||
A1 | Novature (Formless Nights Fall) | ||
A2 | Pouring Velvet | ||
A3 | In Revolving | ||
B1 | Ash Light | ||
B2 | Clouds Cast | ||
B3 | Throu... | ||
C1 | ...ough | ||
C2 | Fault Forces | ||
C3 | The Phil Zone | ||
C4 | La Estrella | ||
D1 | Oscura | ||
D2 | Recedes (While We Can) | ||
Mirror Ashes | |||
D3 | Transilience | ||
D4 | 73rd Star Bridge Sonata | ||
E1 | Cease Tone Beam | ||
E2 | Foldback Time | ||
F1 | Dark Matter Problem / Every Leaf Is Turning | ||
F2 | The Speed Of Space |
Companies, etc.
- Copyright © – Grateful Dead Productions, Inc.
- Published By – Ice Nine Publishing Company, Inc.
- Published By – pitch (4)
- Produced For – Important Records (2)
Credits
- Composed By [Reproduced By], Design [Revision for LP], Artwork [Rose-Eyed Skull Collage] – John Oswald
- Design Concept – Vilip Mak
- Design Concept, Realization [Rose-Eyed Skull Collage] – Greg van Alstyne*
- Engineer [Multitrack Engineer] – John Cutler
- Executive-Producer – John Brien, Jr.
- Graphics [Time Cartography] – Phil Strong
- Lacquer Cut By – Kevin Parks*
- Liner Notes – Rob Bowman
- Other [Keeper Of The Vault] – Dick Latvala
- Performer – The Grateful Dead
- Typography [Text Editing] – Holly Small
- Written-By – Oswald*, Skjellyfetti*
Notes
Particular thanks to: David Gans, Phil Lesh, Jerry Garcia, Robert Hunter, Jim Paterson, Henry Kaiser, Greg Goodman, Tom Constanten, Bob Bralove, Jeff Rogers, Ray Brain, Mike Gregs, Gary Lambert, Steve Silberman, & Bob Wiseman.
First vinyl pressing. Included 6 time maps and a 10,000 word historical perspective & in-depth interviews with Robert Hunter, Phil Lesh, & Jerry Garcia.
From Important Records website (http://importantrecords.com/imprec/imprec399):
Here it is, Deadheads, the ultimate Dark Star is now on vinyl. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring exclusive interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six "time maps" which chart the source concerts of Dark Star.
Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishing Inc. Taken from over 100 performances of Dark Star recorded between 1968 and 1993. Built, layered and "folded" to produce one large, new re-composed Dark Star.
Original recordings of the Grateful Dead in performance have been processed using Plunderphonic techniques. John Oswald's nearly invisible hand creates the ultimate Dark Star that is even more than the sum of its parts.
Grayfolded is proudly pressed at Quality Record Pressing. Read Michael Fremer's review of a QRP pressing below:
"...all I can say is THIS IS INCREDIBLE!!!!!! The sonics are spectacular and the pressing quality is as good as has ever been pressed in my opinion. The backgrounds are dead, black, silent the way Japanese pressings used to come on JVC 'Supervinyl!' and believe me it doesn't get any better than that, though this may even be richer, darker and blacker." Music = 9/11; Sound = 11/11 – Michael Fremer, MusicAngle.com
First vinyl pressing. Included 6 time maps and a 10,000 word historical perspective & in-depth interviews with Robert Hunter, Phil Lesh, & Jerry Garcia.
From Important Records website (http://importantrecords.com/imprec/imprec399):
Here it is, Deadheads, the ultimate Dark Star is now on vinyl. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring exclusive interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six "time maps" which chart the source concerts of Dark Star.
Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishing Inc. Taken from over 100 performances of Dark Star recorded between 1968 and 1993. Built, layered and "folded" to produce one large, new re-composed Dark Star.
Original recordings of the Grateful Dead in performance have been processed using Plunderphonic techniques. John Oswald's nearly invisible hand creates the ultimate Dark Star that is even more than the sum of its parts.
Grayfolded is proudly pressed at Quality Record Pressing. Read Michael Fremer's review of a QRP pressing below:
"...all I can say is THIS IS INCREDIBLE!!!!!! The sonics are spectacular and the pressing quality is as good as has ever been pressed in my opinion. The backgrounds are dead, black, silent the way Japanese pressings used to come on JVC 'Supervinyl!' and believe me it doesn't get any better than that, though this may even be richer, darker and blacker." Music = 9/11; Sound = 11/11 – Michael Fremer, MusicAngle.com
Barcode and Other Identifiers
- Matrix / Runout (Side 1 (Etched)): IMPREC 399-A KP
- Matrix / Runout (Side 2 (Etched)): IMPREC 399-B KP
- Matrix / Runout (Side 3 (Etched)): IMPREC 399-C KP
- Matrix / Runout (Side 4 (Etched)): IMPREC 399-D KP
- Matrix / Runout (Side 5 (Etched)): IMPREC 399-E KP
- Matrix / Runout (Side 6 (Etched)): IMPREC 399-F KP
- Barcode: 7 93447 53991 1
- Rights Society: SOCAN
Other Versions (5 of 12)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Grayfolded: Transitive Axis (CD, Album) | Artifact Music, Swell (2) | S/A 1969-1996 | Canada | 1994 | ||
Recently Edited | Grayfolded (2×CD, Album, Stereo) | Artifact Music, Swell (2) | S/A 1969-1996 | Canada | 1996 | ||
Recently Edited | Grayfolded (2×CD, Album, Reissue) | Artifact Music, Swell (2) | S/A 1969-1996 | Canada | 1996 | ||
Recently Edited | Grayfolded (2×CD, Album, Reissue) | Original Masters | SMDCD 215 | Europe | 1999 | ||
New Submission | Grayfolded (2×CD, Album, Reissue) | Snapper Music | 142152 | US | 1999 |
Recommendations
Reviews
- At first listen, I wasn't in love with what this release offers in terms of the idea; slipcing a bunch of performances together in a collage didn't seem that impressive, at first. After a few listens, and giving up the idea of what I should expect from a live performance or the Dead completely, I now love this release. I listened to it recently on some great headphones and fell down the rabbit hole. This record is a lot of fun to listen to, especially in an altered state. ;) This pressing is also very good with little to no surface noise and very dynamic.
Release
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