The Chemical Brothers – Come With Us
Label: | Freestyle Dust – XDUSTCD5, Virgin – 7243 8 11682 2 6 |
---|---|
Format: | CD, Album |
Country: | Europe |
Released: | |
Genre: | Electronic |
Style: | Big Beat, Leftfield |
Tracklist
1 | Come With Us | 4:57 | |
2 | It Began In Afrika | 6:16 | |
3 | Galaxy Bounce | 3:27 | |
4 | Star Guitar | 6:27 | |
5 | Hoops | 6:31 | |
6 | My Elastic Eye | 3:41 | |
7 | The State We're In | 6:26 | |
8 | Denmark | 5:07 | |
9 | Pioneer Skies | 4:04 | |
10 | The Test | 7:46 |
Companies, etc.
- Phonographic Copyright ℗ – Virgin Records Ltd.
- Copyright © – Virgin Records Ltd.
- Mastered At – The Exchange
- Recorded At – Miloco Studios
- Glass Mastered At – EMI Uden
- Pressed By – EMI Uden
- Published By – Universal/MCA Music Ltd.
- Published By – Copyright Control
- Published By – Ardmore & Beechwood Ltd.
- Published By – Editions Musicales Sforzando
- Published By – BMG Music Publishing Ltd.
- Published By – EMI Music Publishing Ltd.
Credits
- Art Direction – Blue Source, The Chemical Brothers
- Artwork [Art Screenprints] – Kate Gibb
- Edited By – Cheeky Paul
- Engineer – Steve Dub
- Engineer [Assistant] – Greg Fleming
- Mastered By – Mike Marsh
- Musician [Additional Musician] – Beverley Skeete, Greg Fleming, James Hunt*, Shovell
- Performer [The Players] – Ed Simons, Tom Rowlands
- Producer – The Chemical Brothers
- Vocals – Beth Orton, Richard Ashcroft
- Written-By – Simons*, Rowlands*
Notes
Recorded at Miloco Studios, South London
Edited in the basement
Beth Orton appears courtesy of Heavenly Recordings.
Richard Ashcroft appears courtesy of Hut Recordings.
Track 1 'Come With Us' contains a sample from the recording 'The Evidence' licensed courtesy of G. Chemouny and J. Claudel.
Track 2 'It Began In Afrika' contains a sample from 'Drumbeat' performed by Jim Ingram, courtesy of Stax Records/Fantasy Inc.
Track 5 'Hoops' features samples from The Association recording 'Round Again' (Alexander). Produced under license from Warner Bros. Records. By arrangement with Warner Special Projects.
Track 6 'My Elastic Eye' contains elements sampled from 'Tic Tac Nocturne' (Estardy). Tele Music Records (1973). Used by permission. All rights reserved.
Track 9 'Pioneer Skies' contains elements sampled from 'Yellow Train' (Camison/Bacheler), Sirocco Records (1973). Used by permission. All rights reserved.
Track 10 'The Test' contains part of the improvisation performed by C. Niemen in the recording 'Pielgrzym', originally released on the LP 'Niemen Aerolit' (1974), catalogue number SX 1192, by Polskie Nagrania Muza.
All tracks published by Universal/MCA Music Limited except Track 1/2 published by Universal/MCA Music Limited/Copyright Control, Track 5 published by Universal/MCA Music Limited/Ardmore & Beechwood Ltd, Track 6/9 published by Universal/MCA Music Limited/Editions Musicales Sforzando/BMG Music Publishing Ltd and Track 10 published by Universal/MCA Music Limited/EMI Music Publishing Ltd (ZAIKS).
℗&© 2002 Virgin Records Limited. © 2002 Virgin Records Limited. The copyright in this sound recording is owned by Virgin Records Limited.
Printed in the E.U.
Made in the E.U.
Released in a standard jewel case, includes an 8-page booklet.
Edited in the basement
Beth Orton appears courtesy of Heavenly Recordings.
Richard Ashcroft appears courtesy of Hut Recordings.
Track 1 'Come With Us' contains a sample from the recording 'The Evidence' licensed courtesy of G. Chemouny and J. Claudel.
Track 2 'It Began In Afrika' contains a sample from 'Drumbeat' performed by Jim Ingram, courtesy of Stax Records/Fantasy Inc.
Track 5 'Hoops' features samples from The Association recording 'Round Again' (Alexander). Produced under license from Warner Bros. Records. By arrangement with Warner Special Projects.
Track 6 'My Elastic Eye' contains elements sampled from 'Tic Tac Nocturne' (Estardy). Tele Music Records (1973). Used by permission. All rights reserved.
Track 9 'Pioneer Skies' contains elements sampled from 'Yellow Train' (Camison/Bacheler), Sirocco Records (1973). Used by permission. All rights reserved.
Track 10 'The Test' contains part of the improvisation performed by C. Niemen in the recording 'Pielgrzym', originally released on the LP 'Niemen Aerolit' (1974), catalogue number SX 1192, by Polskie Nagrania Muza.
All tracks published by Universal/MCA Music Limited except Track 1/2 published by Universal/MCA Music Limited/Copyright Control, Track 5 published by Universal/MCA Music Limited/Ardmore & Beechwood Ltd, Track 6/9 published by Universal/MCA Music Limited/Editions Musicales Sforzando/BMG Music Publishing Ltd and Track 10 published by Universal/MCA Music Limited/EMI Music Publishing Ltd (ZAIKS).
℗&© 2002 Virgin Records Limited. © 2002 Virgin Records Limited. The copyright in this sound recording is owned by Virgin Records Limited.
Printed in the E.U.
Made in the E.U.
Released in a standard jewel case, includes an 8-page booklet.
Barcode and Other Identifiers
- Barcode (Text): 7 24381 16822 6
- Barcode (Scanned): 724381168226
- Label Code: LC03098
- Price Code: PM513
- Rights Society: bel BIEM
- Rights Society (Track 10): Zaiks
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Other Versions (5 of 83)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Chemical Four (Cassette, Album, Unofficial Release) | Invisible Halahup | MC-071-01 | Russia | 2001 | ||
New Submission | Chemical Four (CD, Album, Unofficial Release) | Astralwerks (2) | none | Russia | 2001 | ||
New Submission | Chemical Four (CDr, Album, Unofficial Release) | Records 2001 | none | 2001 | |||
New Submission | Chemical Four (CD, Album, Unofficial Release) | Astralwerks (2) | LXZ 05001 | Russia | 2001 | ||
New Submission | Chemical Four (CDr, Album, Unofficial Release) | Not On Label (The Chemical Brothers) | none | Russia | 2001 |
Recommendations
Reviews
- Edited 2 years agoIt must not have been easy for the Brothers to find a new range of sounds after the big beat demise back in the early 2000's.
Most of the acts that used this style (often symbolized with one or two LP's) simply disappeared (Cirrus, Propellerheads, The Wiseguys, Monkey Mafia, Lunatic Calm, Dirty Beatniks, Hardknox to name a few).
On the othe hand, most well-known bands such as The Crystal Method, Freestylers, Fatboy Slim and Junkie XL have maintained some recognition by adapting to newer trends and production methods which changed the way their music sounded.
The Prodigy is one remarkable exception, as they have kept the beats as hard as they were in the beginning.
As for the Chems, they are the group amongst all the others previously quoted that have been able to use creativity to the fullest. They also parted ways with the core roots of big beat but never lost their originality.
Now, concerning "Come With Us", it's definitely more than acceptable. "Dig Your Own Hole" was dark, "Surrender" began to bring more accessibility to the party and "Come With Us" definitely parted ways with darkness and intensity in favour of an upbeat atmosphere.
I never get tired of hearing the violins firing up the intro of "Come With Us", even if the rest of the track is not necessarily the most inspired tune crafted by the Brits.
"It Began In Afrika" is a nice tribal party starter that can be followed with Leftfield's "Afro Ride".
"Galaxy Bounce" features funky vibes and appeared in numerous commercial released, most notably the "Lara Croft: Tomb Raider" movie soundtrack as well as the PES 2010 game OST.
"Star Guitar" has a dreamful atmosphere, and has one of the best video clips ever made thanks to the work of Michel Gondry.
"Hoops" got serious Beatles vibes thanks to the use of a sample from The Association's "Round Again".
"The State We're In" is the traditional peaceful break featuring Beth Orton.
"Denmark" has a first third of funky bassline, a second third of build-up and a third one with crazy trumpets.
Very few songs feature level crossing sirens. The Brothers did it in "Pioneer Skies".
At last, "The Test" is the closest big beat sound we've got in this release. The outro progressively drifting away is lovely.
One of my favorites from 2002 along with "Burnin' Sneakers" from Bomfunk MC's, "Community Service" from The Crystal Method, Paul Oakenfold's "Bunkka" and Cirrus's "Counterfeit". - Последний, нормальный, непопсовый альбом от химических братьев!
Дальше пошло только хуже.
Last, normal, not a pop album from The Chemical Brothers!
Then it went worse. - Bit dull in parts, starts off alright with "Come With Us", "It Began in Afrika" and "Denmark" are my highlights. It's all OK, but just OK, nothing to get excited about.
- Edited 11 years agoNot obviously their best, but it has aged well. Nothing beats their Hanna soundtrack though.
- I really like this album. It is maybe not the best chemical brothers album of all time, but it has their best underground dancefloor track (it began in afrika) and star guitar which is one of the best chemical brothers song in this decade. And besides these we have a bunch of enjoyable tunes as well (galaxy bounce, denmark, the test - to name a few).
A very psychadelic release you could fall in love with forever. - a further recession by Simons and Rowlands in comparison to their old material. this album contains some good tracks, but uses an overdoing of juxtapositions to convey their message for this album - whatever that may be.
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