The Consort Of Musicke – Musicke Of Sundrie Kindes
Label: | L'Oiseau-Lyre – 12BB 203-6 |
---|---|
Series: | Florilegium Series |
Format: | 4 x Vinyl, LP |
Country: | UK & Europe |
Released: | |
Genre: | Classical |
Style: | Renaissance, Baroque |
Tracklist
Ars Perfecta (An Internationally Unified Language C. 1500) | |||
Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés | |||
A1 | Pater Noster | 4:25 | |
A2a | Ich Draghe De Mütse Clütse | 1:30 | |
A2b | La La Hö Hö | 1:25 | |
A2c | Mijn Morken Gaf | 1:20 | |
A3 | Pour Ung Jamais | 2:15 | |
A4a | Je Ne Fay | 5:35 | |
A4b | Mille Regretz | 6:15 | |
A5 | Caeciliam Cantate | 2:50 | |
The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) | |||
Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music | |||
B1a | Tastar De Corde / Recercar | 4:40 | |
B1b | Calata | ||
B1c | Ave Maria | 2:10 | |
B2a | Ostinato Vo' Seguire | 1:05 | |
B2b | Suite Regina | 2:20 | |
B2c | Chui Dicese E Non L'amare | 1:35 | |
B2d | Pavana Venetiana | 1:05 | |
B2e | Se Mai Per Maraveglia | 3:10 | |
B2f | Suite Ferrarese | 2:45 | |
B2g | Hor Che'l Ciel E La Terra | 2:20 | |
B3a | Palle, Palle | 2:10 | |
B3b | Ne Più Bella Di Queste | 1:10 | |
B3c | Quis Dabit Pacem | 3:40 | |
Les Cris De Paris (One Hundred Years Of French Musical Fashion) | |||
Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety | |||
C1a | Virgo Celesti | 1:30 | |
C1b | Belle, Tenés Moy / La Triquotée | 2:45 | |
C1c | Celle Qui M'a Demandé | 1:20 | |
C1d | La, La, La, L'Oysillon Du Bois | 1:10 | |
C2a | Las, Je M'y Plains | 1:10 | |
C2b | Content Désir | 3:10 | |
C2c | Content Désir Basse Danse | ||
C3 | Les Cris De Paris | 6:20 | |
C4 | Hélas, Hélas, Que De Mal | 3:35 | |
C5a | Fière Cruelle | 2:20 | |
C5b | Fantasia | 2:00 | |
C5c | Mignonne Allons | 3:55 | |
C5d | Las, Je N'eusse | ||
C5e | Prince La France Te Veut | 1:45 | |
Fa La Li Le La | |||
The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century | |||
D1a | Sentomi La Formicula | 0:45 | |
D1b | Quando La Sera | 1:00 | |
D2a | Pavana De La Mortè De La Ragione | 2:05 | |
D2b | L'e Pur Morto Feragù | 2:05 | |
D2c | Saltarello De La Morte De La Ragione | 0:55 | |
D3a | La Bella Franceschina | 3:35 | |
D3b | Girometta | 3:25 | |
D4a | Pavana El Todescho | 1:05 | |
D4b | Mi Stare Pone Totesche | 1:50 | |
D4c | Matona Mia Cara | 2:20 | |
D5a | Passamezzo Commun | 6:25 | |
D5b | Recercada | ||
D5c | Padoana Commun | ||
D6 | Cathalina, Apra Finestra | 3:35 | |
Quodlibet | |||
Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century | |||
Germany: | |||
E1a | Christ Der Ist Erstanden | 1:45 | |
E1b | O Rosa Bella / Hastu Mir | 1:20 | |
E1c | Der Ratten Schwanz | 1:40 | |
E1d | Die Katzenpföte | 0:55 | |
E1e | Elslein, Liebstes Elselein | 2:00 | |
E2a | Bruder Konrad | 1:55 | |
E2b | Nach Willen Dein | 4:40 | |
E2c | Vitrum Nostrum Gloriosum | 1:15 | |
Spain: | |||
E3a | La Spagna | 1:10 | |
E3b | Adoramos Te, Señor | 2:05 | |
E4a | Fantasia | 1:10 | |
E4b | Dulces Exuviae | 3:40 | |
E5a | E Qui La Dira | 1:50 | |
E5b | Doulce Memoire | 3:15 | |
E5c | Lindos Ojos Aveys, Señora | 1:10 | |
Per Cantare E Sonare | |||
The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved | |||
F1a | Recercare A 4 | 2:00 | |
F1b | Madonna, Qual Certezza | 4:30 | |
F2a | Ricercare A 3 | 2:00 | |
F2b | De La Belle Contrade | 2:45 | |
F3a | Canzona Francese | 4:45 | |
F3b | Occhi Lucenti | 2:25 | |
F4a | Canzona Francese | 4:45 | |
F4b | O Voi Che Sospirate | 3:40 | |
F5a | Canzona Francese | 2:20 | |
F5b | Mille Volte Il Dio Moro | 3:00 | |
F6 | Sanctus Dominus Deus | 2:05 | |
The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) | |||
Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent | |||
G1a | Thatt Was My Woo | 2:00 | |
G1b | I Love, Loved | 2:55 | |
G2a | In Nomine | 2:15 | |
G2b | Blame Not My Lute | 1:55 | |
G2c | Lady WynkFyldes Rownde | 1:20 | |
G2d | Where Griping Griefs | 1:05 | |
G3a | Shooting Of The Guns Pavan | 2:35 | |
G3b | Wand'ring In This Place | 3:00 | |
G3c | Dolorosa Pavan | 3:50 | |
G4a | Now Each Flowery Bank | 3:15 | |
G4b | The Leaves Be Greene | 3:30 | |
G4c | Le Rossignol | 1:30 | |
G4d | Musick And Mirth | 2:00 | |
The Wind Of Change (The Changes Which Led European Society Into A New Age) | |||
They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe | |||
H1 | La Brillantina | 3:00 | |
H2 | Sta Notte | 2:25 | |
H3 | Sonata | 6:30 | |
H4 | Nerinda Bella | 3:25 | |
H5 | Toccata | 5:15 | |
H6 | Lamento D'Olimpia | 6:00 | |
H7 | Thus Sang Orpheus | 3:20 |
Companies, etc.
- Printed By – Mundoprint B.V.
- Phonographic Copyright ℗ – The Decca Record Company Limited
Credits
- Bass Vocals – David Thomas (9)
- Chorus Master [Vocal Conductor] – Andrew Parrott
- Countertenor Vocals – John York Skinner, Kevin Smith (11)
- Engineer [Sound Engineer] – Philip Wade
- Ensemble – The Consort Of Musicke
- Executive-Producer – Raymond Ware
- Harpsichord – Nicholas Kraemer
- Illustration, Cover [Booklet] – Lucas van Leyden
- Lute [Bass Lute], Bandura – Michael Hunt (4)
- Lute [Tenor Lute], Lute [Bass Lute], Lute – Julian Creme*
- Lute [Tenor Lute], Lute [Bass Lute], Lute [Great Bass Lute], Cittern, Viol [Tenor Viol], Gittern, Viol – Anthony Rooley
- Painting, Cover [Box] – Lorenzo Costa (2)
- Producer [Record Producer] – Peter Wadland
- Rebec [Treble Rebec] – Eleanor Sloan
- Recorder [Descant Recorder], Alto Recorder, Recorder [Tenor Recorder], Bagpipes, Rauschpfeife, Flute D'Amour [Tenor Flute], Bass Flute – Bernard Thomas (2)
- Research [Musical], Coordinator [Program Planning], Directed By, Liner Notes – Anthony Rooley
- Score Editor [Performing Edition] – Anthony Rooley, Julian Creme*, Trevor Jones (4)
- Soprano Vocals – Emma Kirkby
- Tenor Vocals – Martyn Hill, Paul Elliot*
- Viol [Bass Viol], Viol [Lyra Viol] – Jane Ryan
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Bass Rebec] – Ian Gammie
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Tenor Rebec], Rebec [Bass Rebec], Viola – Trevor Jones (4)
- Viol [Treble Viol], Viol [Tenor Viol], Violin, Viola – Polly Waterfield
- Violin [Treble Violin], Violin [Tenor Violin], Violin – Nicola Cleminson
- Violin [Treble Violin], Violin [Tenor Violin], Violin, Rebec [Treble Rebec], Rebec [Tenor Rebec] – Catherine Mackintosh
Notes
Ⓟ1975 The Decca Record Company Limited, London.
The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French and German.
It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV.
Box cover illustration: Lorenzo Costa (c.1460-1535) - 'The Court of Isabella d'Este' (Louvre, Paris).
Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam).
On the labels is the Decca logo displayed with key and musical notes.
Made in England (on box and labels).
The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French and German.
It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV.
Box cover illustration: Lorenzo Costa (c.1460-1535) - 'The Court of Isabella d'Este' (Louvre, Paris).
Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam).
On the labels is the Decca logo displayed with key and musical notes.
Made in England (on box and labels).
Barcode and Other Identifiers
- Matrix / Runout (Side A - label): ZTT 811
- Matrix / Runout (Side B - label): ZTT 812
- Matrix / Runout (Side C - label): ZTT 813
- Matrix / Runout (Side D - label): ZTT 814
- Matrix / Runout (Side E - label): ZTT 815
- Matrix / Runout (Side F - label): ZTT 816
- Matrix / Runout (Side G - label): ZTT 817
- Matrix / Runout (Side H - label): ZTT 818
- Matrix / Runout (Side A - runout): ZTT-811-3A
- Matrix / Runout (Side B - runout): ZTT-812-2A
- Matrix / Runout (Side C - runout): ZTT-813-1A
- Matrix / Runout (Side D - runout): ZTT-814-2A
- Matrix / Runout (Side E - runout): ZTT-815-1A
- Matrix / Runout (Side F - runout): ZTT-816-1A
- Matrix / Runout (Side G - runout): ZTT-817-3A
- Matrix / Runout (Side H - runout): ZTT-818-1A
- Other (Record 1 - Side A and B - labels): 12BB 203
- Other (Record 2 - Side C and D - labels): 12BB 204
- Other (Record 3 - Side E and F - labels): 12BB 205
- Other (Record 4 - Side G and H - labels): 12BB 206
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Musicke Of Sundrie Kindes (4×CD, Album, Reissue) | Decca | 480 2147 | Australasia | 2011 | ||
Recently Edited | Musicke Of Sundrie Kindes (4×LP, Club Edition, Box Set, ) | World Record Club, World Record Club, World Record Club, World Record Club | R-03283, R-03284, R-03285, R-03286 | Australia | Unknown |