Can – Tago Mago
Label: | Spoon Records – XSPOON6/7, Mute – 9519-1 |
---|---|
Format: | 2 x Vinyl, LP, Album, Reissue, Remastered, Gatefold |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Krautrock, Experimental, Avantgarde |
Tracklist
A1 | Paperhouse | 7:29 | |
A2 | Mushroom | 4:08 | |
A3 | Oh Yeah | 7:22 | |
B | Halleluwah | 18:22 | |
C | Aumgn | 17:22 | |
D1 | Peking O. | 11:35 | |
D2 | Bring Me Coffee Or Tea | 6:47 |
Companies, etc.
- Published By – Spoon Music
- Published By – Messer Music
- Phonographic Copyright ℗ – Spoon Records
- Copyright © – Spoon Records
- Licensed From – Spoon Records
- Licensed To – Mute Artists LLC
- Pressed By – Rainbo Records – S-91658
- Pressed By – Rainbo Records – S-91659
- Pressed By – Rainbo Records – S-91660
- Pressed By – Rainbo Records – S-91661
- Recorded At – Inner Space Studio
- Remastered At – Sonopress
- Lacquer Cut At – The Soundmasters
- Manufactured By – Schallplattenfabrik Pallas GmbH – 21603
- Manufactured By – Schallplattenfabrik Pallas GmbH – 21604
Credits
- Bass – Holger Czukay
- Design – Intro (11)
- Design [Cover Design] – U. Eichberger*
- Drums – Jaki Liebezeit
- Guitar – Michael Karoli
- Lacquer Cut By [Vinyl Cut] – Kevin Metcalfe
- Liner Notes – Bobby Gillespie, David Stubbs
- Music By, Lyrics By – Suzuki*, Czukay*, Schmidt*, Liebezeit*, Karoli*
- Organ, Electric Piano – Irmin Schmidt
- Producer, Composed By, Arranged By – Can
- Remastered By – Andreas Torkler
- Remastered By [Attendance] – Holger Czukay, Irmin Schmidt, Jono Podmore
- Supervised By [Vinyl Mastering] – Jono Podmore
- Vocals – Damo Suzuki
Notes
℗ & © 2014 Spoon Records under exclusive license to Mute Artists Limited.
Remastered Edition appears on spine.
Comes with download card.
Remastered Edition appears on spine.
Comes with download card.
Barcode and Other Identifiers
- Barcode: 724596951910
- Barcode: 7 24596 95191 0
- Matrix / Runout (Side A Stamped): X SPOON 6-A -21603-
- Matrix / Runout (Side A Etched): S-91658
- Matrix / Runout (Side B Stamped): X SPOON 6-B -21603-
- Matrix / Runout (Side B Etched): S-91659
- Matrix / Runout (Side C Stamped): X SPOON 7-A -21604-
- Matrix / Runout (Side C Etched): S-91660
- Matrix / Runout (Side D Stamped): X SPOON 7-B -21604-
- Matrix / Runout (Side D Etched): S-91661 THE SOUNDMASTERS
Other Versions (5 of 109)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Tago Mago (2×LP, Album, Stereo, Gatefold) | United Artists Records | UAS 29 211/12 X | Germany | 1971 | |||
Recently Edited | Tago Mago (2×LP, Album) | United Artists Records, United Artists Records | UAD 60009, UAD 60010 | UK | 1971 | ||
Recently Edited | Tago Mago (2×LP, Album) | United Artists Records | UAS 29 211/12 X | France | 1971 | ||
New Submission | Tago Mago (2×LP, Album) | United Artists Records, United Artists Records | UAD 60009, UAD 60010 | UK | 1971 | ||
New Submission | Tago Mago (2×LP, Album, Promo, Gatefold) | Liberty | LP-93025B | Japan | 1971 |
Recommendations
Reviews
Show All 14 Reviews- Have to give it 5 stars since it knocks the freaking socks off the CD version. Super dynamic with a full range of separation of sounds. Mastered loud. Sounds hot and bright in certain areas but I really can't detract from that as it seems that's what they were going for with this remastering. Definitely a must own on vinyl and I'm glad that I finally got it.
- Edited 2 years agoI think this pressing sounds great, especially for a lo-fi recording. Soundstage is holographic and absolutely three dimensional. I heard sounds go in a circle in my two-channel system! Rarely do I hear that. Great imaging. Highly recommended.
- Edited 2 years agoWorst inner sleeve of all time. Be sure to replace it with a much better one. Otherwise this isn't a bad reissue IMHO.
- Bought brand new/sealed but has a 3/4" scratch straight across A1. Skipped the 1st time but seems ok on successive plays. Never seen anything cosmetically that bad/obvious on a brand new record.
- I think it's interesting when people say a record "sounds digital" and make other statements along those lines. The sampling rate on a CD (for example) is 44.1 kHz. That's each second divided by 44,100. I'm not saying there's no difference; rather, I don't know whether my ears (or anyone's) are sensitive enough to identify a "digital" source with absolute confidence. Undoubtedly, people will argue they can, and maybe so, but I have my doubts.
Now, a bad pressing is another thing. Too much compression or a bad mix can ruin an LP. But these are problems that plague LPs pressed from analog sources, too. I was really disappointed by Dinosaur Jr. - Give A Glimpse Of What Yer Not (for example) and that was recorded and pressed in 2016! The compression is horrible on the LP and I think the digital formats are superior.
As people often write on Discogs, no record sounds bad in isolation. The question is whether this pressing sounds superior to other pressings. I have only heard this particular pressing (plus CDs, back in the day). It sounds good to me: quiet, and reasonably dynamic. Not shrill, and not muddy. Most of us have not heard a pristine copy of the 1971 German Can - Tago Mago. If anybody here owns or has heard both a first pressing and this 2014 remaster side-by-side, I would be very interested in reading a comparison. (Actually, I would love to hear the 1971 LP and compare the two myself!) I can't say this pressing is "as dynamic" as a 1971 pressing. I can't say it's "more (or less) quiet." I certainly can't say it sounds "digital." Taken in isolation, I think this is a pretty good sounding pressing, especially if you're not inclined to spend a lot more for an original LP. - My pressing is a disgrace. Bought it brand new but left channel completely compromised with a lot of noise. Buyers beware.
- All these Can reissues are brilliant, some of the best pressings and mastering/remix from tapes.......BOOM!
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