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CanTago Mago

Label:

Spoon Records – XSPOON6/7, Mute – 9519-1

Format:

2 x Vinyl, LP, Album, Reissue, Remastered, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Krautrock, Experimental, Avantgarde

Tracklist

A1Paperhouse7:29
A2Mushroom4:08
A3Oh Yeah7:22
BHalleluwah18:22
CAumgn17:22
D1Peking O.11:35
D2Bring Me Coffee Or Tea6:47
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Companies, etc.

  • Published BySpoon Music
  • Published ByMesser Music
  • Phonographic Copyright ℗Spoon Records
  • Copyright ©Spoon Records
  • Licensed FromSpoon Records
  • Licensed ToMute Artists LLC
  • Pressed ByRainbo Records – S-91658
  • Pressed ByRainbo Records – S-91659
  • Pressed ByRainbo Records – S-91660
  • Pressed ByRainbo Records – S-91661
  • Recorded AtInner Space Studio
  • Remastered AtSonopress
  • Lacquer Cut AtThe Soundmasters
  • Manufactured BySchallplattenfabrik Pallas GmbH – 21603
  • Manufactured BySchallplattenfabrik Pallas GmbH – 21604

Credits

  • BassHolger Czukay
  • DesignIntro (11)
  • Design [Cover Design]U. Eichberger*
  • DrumsJaki Liebezeit
  • GuitarMichael Karoli
  • Lacquer Cut By [Vinyl Cut]Kevin Metcalfe
  • Liner NotesBobby Gillespie, David Stubbs
  • Music By, Lyrics BySuzuki*, Czukay*, Schmidt*, Liebezeit*, Karoli*
  • Organ, Electric PianoIrmin Schmidt
  • Producer, Composed By, Arranged ByCan
  • Remastered ByAndreas Torkler
  • Remastered By [Attendance]Holger Czukay, Irmin Schmidt, Jono Podmore
  • Supervised By [Vinyl Mastering]Jono Podmore
  • VocalsDamo Suzuki

Notes

℗ & © 2014 Spoon Records under exclusive license to Mute Artists Limited.

Remastered Edition appears on spine.

Gatefold cardboard jacket with two printed cardboard inner sleeves, download card/voucher and round red hype sticker with black font.

Barcode and Other Identifiers

  • Barcode (Text): 7 24596 95191 0
  • Barcode (Scanned): 724596951910
  • Matrix / Runout (Side A, stamped): X SPOON 6-A -21603-
  • Matrix / Runout (Side A, etched): S-91658
  • Matrix / Runout (Side B, stamped): X SPOON 6-B -21603-
  • Matrix / Runout (Side B, etched): S-91659
  • Matrix / Runout (Side C, stamped): X SPOON 7-A -21604-
  • Matrix / Runout (Side C, etched): S-91660
  • Matrix / Runout (Side D, stamped): X SPOON 7-B -21604-
  • Matrix / Runout (Side D, etched): S-91661 THE SOUNDMASTERS

Other Versions (5 of 118)

View All
Title (Format)LabelCat#CountryYear
Tago Mago (2×LP, Album, Stereo, Gatefold)United Artists RecordsUAS 29 211/12 XGermany1971
Recently Edited
Tago Mago (2×LP, Album)United Artists Records, United Artists RecordsUAD 60009, UAD 60010UK1971
Recently Edited
Tago Mago (2×LP, Album, Stereo)United Artists RecordsUAS 29 211/12 XFrance1971
New Submission
Tago Mago (2×LP, Album)United Artists Records, United Artists RecordsUAD 60009, UAD 60010UK1971
New Submission
Tago Mago (2×LP, Album, Promo, Gatefold)LibertyLP-93025BJapan1971

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Reviews

  • RudyBanes's avatar
    RudyBanes
    I purchased this in 2024. The hype sticker incorrectly labels it as orange vinyl. It is black vinyl. I know there are orange versions, but mine, sadly, is incorrectly promoted on the sticker.
    • jb8190's avatar
      jb8190
      Bought this 5 years ago, gave it a few listens and put it on the shelf. Don't think my musical tastes were ready back then, but just gave this a spin and its fantastic all the way through. Musically, its an experimental fusion of crunchy guitar work, spacy effects and jazz-funk style drumming. The pressing is top notch and it really sings on my set up. Highly recommended!
      • GenoCyboPunx's avatar
        GenoCyboPunx
        Have to give it 5 stars since it knocks the freaking socks off the CD version. Super dynamic with a full range of separation of sounds. Mastered loud. Sounds hot and bright in certain areas but I really can't detract from that as it seems that's what they were going for with this remastering. Definitely a must own on vinyl and I'm glad that I finally got it.
        • satchidanandian's avatar
          Get this to have the album, but if you ever come across an Original or 1981 pressing, BUY IT!
          • theyungcujo's avatar
            theyungcujo
            Have to agree that this pressing is on fire. Loving it.
            • El_Jefe_651's avatar
              El_Jefe_651
              Edited 4 years ago
              I think this pressing sounds great, especially for a lo-fi recording. Soundstage is holographic and absolutely three dimensional. I heard sounds go in a circle in my two-channel system! Rarely do I hear that. Great imaging. Highly recommended.
              • BethesdaMD's avatar
                BethesdaMD
                Edited 4 years ago
                Worst inner sleeve of all time. Be sure to replace it with a much better one. Otherwise this isn't a bad reissue IMHO.
                • mcphranklee's avatar
                  mcphranklee
                  Bought brand new/sealed but has a 3/4" scratch straight across A1. Skipped the 1st time but seems ok on successive plays. Never seen anything cosmetically that bad/obvious on a brand new record.
                  • sam.r.smith's avatar
                    sam.r.smith
                    I think it's interesting when people say a record "sounds digital" and make other statements along those lines. The sampling rate on a CD (for example) is 44.1 kHz. That's each second divided by 44,100. I'm not saying there's no difference; rather, I don't know whether my ears (or anyone's) are sensitive enough to identify a "digital" source with absolute confidence. Undoubtedly, people will argue they can, and maybe so, but I have my doubts.

                    Now, a bad pressing is another thing. Too much compression or a bad mix can ruin an LP. But these are problems that plague LPs pressed from analog sources, too. I was really disappointed by Dinosaur Jr. - Give A Glimpse Of What Yer Not (for example) and that was recorded and pressed in 2016! The compression is horrible on the LP and I think the digital formats are superior.

                    As people often write on Discogs, no record sounds bad in isolation. The question is whether this pressing sounds superior to other pressings. I have only heard this particular pressing (plus CDs, back in the day). It sounds good to me: quiet, and reasonably dynamic. Not shrill, and not muddy. Most of us have not heard a pristine copy of the 1971 German Can - Tago Mago. If anybody here owns or has heard both a first pressing and this 2014 remaster side-by-side, I would be very interested in reading a comparison. (Actually, I would love to hear the 1971 LP and compare the two myself!) I can't say this pressing is "as dynamic" as a 1971 pressing. I can't say it's "more (or less) quiet." I certainly can't say it sounds "digital." Taken in isolation, I think this is a pretty good sounding pressing, especially if you're not inclined to spend a lot more for an original LP.
                    • fatdogrecords's avatar
                      fatdogrecords
                      sounds like a mp3, shocking pressing, thought i had a damaged needle

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                      • Median:$28.00
                      • High:$43.60

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