Maja S. K. Ratkje / Kristian Skylstad – It Still Haunts Me Like A Good Nightmare, And I Try In Vain To Recover The Impression
Label: | Lydbilde – none |
---|---|
Format: | Lathe Cut, 10", 45 RPM, Limited Edition, Numbered |
Country: | Norway |
Released: | |
Genre: | Electronic, Classical |
Style: | Contemporary, Noise |
Tracklist
A | It Still Haunts Me Like A Good Nightmare, And I Try In Vain To Recover The Impression | 7:57 | |
B | It Still Haunts Me Like A Good Nightmare, And I Try In Vain To Recover The Impression | 6:36 |
Companies, etc.
- Phonographic Copyright ℗ – Lydbilde
- Copyright © – Maja S. K. Ratkje
- Copyright © – Kristian Skylstad
- Made By – Peter King Lathe Cut Records
- Printed By – Drid Machine
Credits
- Artwork [Visual Art] – Kristian Skylstad
- Composed By, Performer, Producer, Recorded By [Sound Art] – Maja S. K. Ratkje
- Design [Certificates] – Bjørn Kjetil Johansen
- Executive-Producer [Curator] – Bjørn Hatterud, Knut Blomstrøm, Petter Flaten Eilertsen
Notes
Limited to only 24 copies, each set of this special art edition consists of an acid-free, lignin-free museum grade tape reel box measuring 11-3/8 x 11-3/8 x 7/8 inches with metal reinforced corners, with unique artwork applied directly to each box by Kristian Skylstad. The box is protected by a sleeve made from high-clarity, virgin polyethylene that has passed the Photo Activity Test as being safe for long-term storage.
Inside the box is an archival record envelope made from 10pt. thick, acid-free buffered folder stock, housing a lathe cut 10 inch clear polycarbonate plastic record without labels, manufactured by Peter King in New Zealand, with assistance from Antony Milton. It features a new composition by Maja S. K. Ratkje that is exclusive to this release and will not be reissued elsewhere ever.
Also included is a numbered and signed certificate designed by Bjørn Kjetil Johansen in Oslo and screen printed by Kjetil Brandsdal at Drid Machine in Stavanger. The record, sleeve and certificate are protected by a museum grade archival sleeve made from high-clarity mylar (polyester) that has passed the Photo Activity Test and has been approved by the Library of Congress as being safe for long-term storage.
Exhibited at Trafo Kunsthall in Asker Norway, October 25 – November 16, 2014.
Released with financial support from the Audio and Visual Fund and the Norwegian Cultural Fund.
Inside the box is an archival record envelope made from 10pt. thick, acid-free buffered folder stock, housing a lathe cut 10 inch clear polycarbonate plastic record without labels, manufactured by Peter King in New Zealand, with assistance from Antony Milton. It features a new composition by Maja S. K. Ratkje that is exclusive to this release and will not be reissued elsewhere ever.
Also included is a numbered and signed certificate designed by Bjørn Kjetil Johansen in Oslo and screen printed by Kjetil Brandsdal at Drid Machine in Stavanger. The record, sleeve and certificate are protected by a museum grade archival sleeve made from high-clarity mylar (polyester) that has passed the Photo Activity Test and has been approved by the Library of Congress as being safe for long-term storage.
Exhibited at Trafo Kunsthall in Asker Norway, October 25 – November 16, 2014.
Released with financial support from the Audio and Visual Fund and the Norwegian Cultural Fund.
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission | It Still Haunts Me Like A Good Nightmare, And I Try In Vain To Recover The Impression (Lathe Cut, 10", 45 RPM, Limited Edition, Promo) | Lydbilde | none | Norway | 2014 |
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