Various – Grease (The Original Soundtrack From The Motion Picture)
Label: | RSO – RS-2-4002 |
---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Rock, Stage & Screen |
Style: | Soundtrack, Rock & Roll |
Tracklist
A1 | Frankie Valli– | Grease | 3:24 |
A2 | John Travolta & Olivia Newton-John– | Summer Nights | 3:36 |
A3 | Olivia Newton-John– | Hopelessly Devoted To You | 3:00 |
A4 | John Travolta & Olivia Newton-John– | You're The One That I Want | 2:47 |
A5 | John Travolta– | Sandy | 2:30 |
B1 | Frankie Avalon– | Beauty School Drop-Out | 4:02 |
B2 | Stockard Channing– | Look At Me, I'm Sandra Dee | 1:38 |
B3 | John Travolta– | Greased Lightnin' | 3:12 |
B4 | Cindy Bullens– | It's Raining On Prom Night | 2:57 |
B5 | (Instrumental)*– | Alone At A Drive-In Movie (Instrumental) | 2:22 |
B6 | Sha-Na-Na*– | Blue Moon | 2:18 |
C1 | Sha-Na-Na*– | Rock 'N' Roll Is Here To Stay | 2:00 |
C2 | Sha-Na-Na*– | Those Magic Changes | 2:15 |
C3 | Sha-Na-Na*– | Hound Dog | 1:23 |
C4 | Sha-Na-Na*– | Born To Hand-Jive | 4:39 |
C5 | Sha-Na-Na*– | Tears On My Pillow | 2:06 |
C6 | Louis St. Louis & Cindy Bullens– | Mooning | 2:12 |
D1 | Cindy Bullens– | Freddy, My Love | 2:40 |
D2 | Louis St. Louis– | Rock 'N' Roll Party Queen | 2:08 |
D3 | Stockard Channing– | There Are Worse Things I Could Do | 2:18 |
D4 | Olivia Newton-John– | Look At Me, I'm Sandra Dee (Reprise) | 1:20 |
D5 | John Travolta & Olivia Newton-John– | We Go Together | 3:14 |
D6 | (Instrumental)*– | Love Is A Many Splendored Thing (Instrumental) | 1:23 |
D7 | Frankie Valli– | Grease (Reprise) | 3:24 |
Companies, etc.
- Pressed By – Columbia Records Pressing Plant, Terre Haute
- Manufactured By – RSO Records, Inc.
- Marketed By – RSO Records, Inc.
- Designed At – Gribbitt!
- Distributed By – Phonodisc
- Phonographic Copyright ℗ – Paramount Pictures Corporation
- Phonographic Copyright ℗ – RSO Records, Inc.
- Copyright © – RSO Records, Inc.
Credits
- Arranged By – Albhy Galuten (tracks: A1, D7), Barry Gibb (tracks: A1, D7), John Farrar (tracks: A2 to D6), Louis St. Louis (tracks: A2 to D6), Michael Gibson (tracks: A2 to D6)
- Art Direction – Glenn Ross
- Backing Vocals – M. Ann White*, Beau Charles, Carol Chase, Curt Becher, Diana Lee, Gene Merlino, Gene Morford, Gerald Garrett, Jackie Ward, Jerry Whitman, Jim Gilstrap, Jim Haas, John Farrar, John Lehman, Kerry Chater, Lisa Roberts, Marti McCall, Maxayn Lewis, Melissa MacKay, Mitch Gordon, Myrna Matthews, Patty Henderson*, Paulette K. Brown*, Ron Hicklin, Sally Stevens, Loren Farber*, Venetta Fields, Zedrick Turnbough*
- Bass – Wm. J. Bodine*, William David Hungate*, David Allen Ryan*, Dean Cortez, Harold Cowart, Max Bennett, Mike Porcaro
- Compiled By – Bill Oakes
- Concertmaster – James Getzoff
- Contractor – Carl Fortina
- Copyist – Bob Borenstein*
- Design – George Corsillo, Tim Bryant (2)
- Drums – Carlos Vega, Cubby O'Brien, Ollie Brown, Ron Zeigler*
- Engineer [Recording] – David J. Holman, Eirik Wangberg*, Jay Lewis, Karl Richardson (tracks: A1, D7), Michael Carnevale
- Guitar – Bob Rose, Cliff Morris, Dan Sawyer, Dennis Budimir, Jay Graydon, Joey Murcia, John Farrar, Lee Ritenour, Thomas Tedesco*
- Harp – Dorothy Remsen, Gayle Levant
- Keyboards – Bhen Lanzarone*, George Bitzer, Greg Mathieson, Lincoln Majorca*, Louis St. Louis, Mike Land*, Thomas Garvin*
- Mastered By – Bernie Grundman
- Mixed By – Karl Richardson (tracks: A1, D7)
- Mixed By, Remix – David J. Holman (tracks: A2 to D6)
- Percussion – Antoine Dearborn, Eddie "Bongo" Brown, Larry Bunker, Victor Feldman
- Photography By – Lee Gross Assoc., Inc.
- Photography By [Background] – Ron Slenzak
- Photography By [Lee Gross Assoc., Inc.] – Allen Pappe*
- Producer – Albhy Galuten (tracks: A1, D7), Barry Gibb (tracks: A1, D7), John Farrar (tracks: A3 to A5, B5, D4), Karl Richardson (tracks: A1, D7), Louis St. Louis (tracks: A2, B1 to B4, B6, C1 to C6, D1 to D3, D5, D6)
- Producer [Associate] – Neil A. Machlis
- Saxophone – Jerome Richardson, John Kelson, Jr.*
- Supervised By – Bill Oakes
- Trombone – Lloyd Ulgate*
- Trumpet – Albert Aarons*, Robert Bryant*
Notes
℗© 1978 RSO Records, Inc.
© MCMLXXVIII By Paramount Pictures Corporation
"CT/CTH" and leading "T" in runouts denotes a Columbia Records Pressing Plant, Terre Haute pressing.
Recorded at: Filmways/Wally Heider Recording Studios, United Western Studios and Hollywood Sound Recorders, Hollywood.
All songs except "Grease" mixed and re-mixed at Filmways/Wally Heider Recording Studios, Hollywood.
"Grease" mixed at Criteria Studios, Miami.
Mastered at A&M Records.
Manufactured & marketed by RSO Records, Inc.
Made/printed in U.S.A.
Design at Gribbitt.
© MCMLXXVIII By Paramount Pictures Corporation
"CT/CTH" and leading "T" in runouts denotes a Columbia Records Pressing Plant, Terre Haute pressing.
Recorded at: Filmways/Wally Heider Recording Studios, United Western Studios and Hollywood Sound Recorders, Hollywood.
All songs except "Grease" mixed and re-mixed at Filmways/Wally Heider Recording Studios, Hollywood.
"Grease" mixed at Criteria Studios, Miami.
Mastered at A&M Records.
Manufactured & marketed by RSO Records, Inc.
Made/printed in U.S.A.
Design at Gribbitt.
Barcode and Other Identifiers
- Other (Int. #): 2658 125
- Other (Ind. Int. # Record 1): 2479 210
- Other (Ind. Int. # Record 2): 2479 211
- Pressing Plant ID (Etched side A&B): CT/CTH
- Price Code (On spine, between cat# and title): 1298
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A label): (RS-2-4002 A)
- Matrix / Runout (Side B label): (RS-2-4002 B)
- Matrix / Runout (Side C label): (RS-2-4002 C)
- Matrix / Runout (Side D label): (RS-2-4002 D)
- Matrix / Runout (Variant 1 side A etched): RS-2-4002 AS CT
- Matrix / Runout (Variant 1 side B etched): RS-2-4002 BS CTH 4
- Matrix / Runout (Variant 1 side C etched): RS-2-4002-CS CT4
- Matrix / Runout (Variant 1 side D etched): RS-2-4002-DS CT-5
- Matrix / Runout (Variant 2 side A etched): T1 RS-2-4002 AS CT4 C
- Matrix / Runout (Variant 2 side B etched): T1 RS-2-4002 BS CT6 A
- Matrix / Runout (Variant 2 side C etched): T1 RS-2-4002 CS CT2 C
- Matrix / Runout (Variant 2 side D etched): T15 RS-2-4002 DS CS3 D
- Matrix / Runout (Variant 3 side A etched): T1 RS-2-4002 AS CT1 C11
- Matrix / Runout (Variant 3 side B etched): T1 RS-2-4002 BS CT3 C1
- Matrix / Runout (Variant 3 side C etched): T2-RS-2-4002-CS CT4 8B
- Matrix / Runout (Variant 3 side D etched): T1-RS-2-4002 DS CT2 D18
- Matrix / Runout (Variant 4 side A etched): T1 RS-2-4002-AS CT1 C10
- Matrix / Runout (Variant 4 side B etched): T1 RS-2-4002-BS CT4 C
- Matrix / Runout (Variant 4 side C etched): T1 RS-2-4002-CS CT3 B12
- Matrix / Runout (Variant 4 side D etched): T1 RS-2-4002-DS CT4 C11
- Matrix / Runout (Variant 5 side A etched): T1 RS-2-4002-AS CT1 |D
- Matrix / Runout (Variant 5 side B etched): T1 RS-2-4002-BS CT3 A|
- Matrix / Runout (Variant 5 side C etched): T1 RS-2-4002-CS CT1 ^
- Matrix / Runout (Variant 5 side D etched): T1 RS-2-4002-DS CT2 ^>
- Matrix / Runout (Variant 6 side A etched): T1 RS-2-4002 AS CT1 C
- Matrix / Runout (Variant 6 side B etched): T1 RS-2-4002 BS CT4 B3
- Matrix / Runout (Variant 6 side C etched): T1 RS-2-4002 CS CT1 C12
- Matrix / Runout (Variant 6 side D etched): T1-RS-2-4002 DS CT2 C13
Other Versions (5 of 393)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Grease (Bande Originale Du Film) (2×LP, Album) | RSO | 2658 125 | France | 1978 | |||
Grease (The Original Soundtrack From The Motion Picture) (2×LP, Album, Stereo, Gatefold) | RSO | 2658 125 | Germany | 1978 | |||
Recently Edited | Grease (The Original Soundtrack From The Motion Picture) (2×LP, Album, Gatefold) | RSO | 2479 210 | Germany | 1978 | ||
Recently Edited | Grease (The Original Soundtrack From The Motion Picture) (2×LP, Album, French Pressing) | RSO | RSD 2001 | UK | 1978 | ||
Recently Edited | Grease (The Original Soundtrack From The Motion Picture) (2×LP, Album) | RSO | 57158 / 1-2 | Spain | 1978 |
Recommendations
Reviews
- Brings me back to my childhood and doing choreographed routines to "Greased Lightning"! Sounds as good as I remember. Nice pressing. RIP ONJ, loved your voice.
- Bought one recently and quite impressed by the quality of the pressing. Gave the record a good amount of cleaning before playing. Expectation was low but pleasantly surprised by how good the Sha Na Na tracks are. Brings back good memories.
- Edited 3 years agoUntil 1978, the Broadway production of "Grease" was deemed definitive and impossible to improve upon. In its off-Broadway 1971 Chicago run, the lyrical content was more explicit and the secondary cast featured more heavily, with even minor characters performing their own numbers. Of these embryonic versions, none had the potential to top the Billboard chart, but as the show gradually became more popular, so too did the idea that "Grease" would translate well on the big screen, albeit with significant changes. Somehow, "Grease" was the exception to the rule that stage productions are by definition overblown and therefore do not require further exaggeration. In order to fully manifest the pastiche elements, magical realism and kitschy stylings of the context, "Grease" required heightened, bombastic performances by its cast, as well as more romanticized, fantastical plot elements. To endorse my claim that the musical, though acceptable and far less sanitized, was given new strength in its big screen adaptation, one need only heed the soundtrack, which almost surmounted its movie equivalent in terms of commercial success. As passionately, enthrallingly and seminally performed by John Travolta and Olivia Newton-John, blockbusters such as "Hopelessly Devoted to You," "You're the One That I Want," and "Sandy," were all specifically written for the film version to not only capitalize on the nostalgia cycle and Newton-John's star power, but also to reach a much broader audience than the stage production ever could. Save for two songs from the musical, most of the original score was used, with the instantly appealing Sandy and Danny duets ensuring that "Grease" would be regarded as much of a '70s pop culture phenomenon as disco.
Commencing the soundtrack itself (accordant with the film) is the illogical yet entirely compatible disco-flavoured Frankie Valli-Barry Gibb opening theme, which, along with the other vocal takes, was recorded prior or subsequent to audio-to-video synchronization, thus elucidating the sonic disparities of the compositions to their film counterparts. Now larger in scale and bolstered by smooth pop production, the big musical numbers were delivered as terrific group performances by the T-Birds and Pink Ladies, namely "Summer Nights," "We Go Together," and "Greased Lightnin'", all of which hold up just as well without visual accompaniment. Even Frankie Avalon's slick rendition of the Teen Angel piece "Beauty School Dropout", which plays up to Avalon's own teen idol heyday as well as the fantasy aspect of the film, is as integral to the soundtrack as Stockard Channing's stirring interpretations of Rizzo's solo numbers "Look At Me, I'm Sandra Dee" and "There Are Worse Things I Could Do". On the non-cast member front, the satisfactory contributions from '50s parody acts Louis St. Louis and Sha-Na-Na are also included, alongside instrumentals and background music insertions courtesy of Cindy Bullens, Jim Jacobs and Warren Casey. Perhaps casual fans of the movie and devotees of the musical will balk at the stylized enactments of '50s standards, but they are all part of the fun. Along with most of the incidental cuts, they are comprised for the purposes of completeness and to mirror the film somewhat. Those who can overlook ostentation and outdated themes and values will revel in the enthusiastic performances and gentle satire of the evergreens contained herein. After all, musicals are designed to uplift the viewer into a state of exaltation, not to be assayed. And in the case of the "Grease" soundtrack, naff cover tunes and all, letting the sound of sheer escapism wash over you is an experience like no other.
Rating: 5/5 - Edited 6 years agoI might be in the minority but I like the theatrical versions of the songs more than the soundtrack mixes.
The 40th Anniversary / 70mm mix is great. Hopefully someday they''ll release an album with the theatrical mixes of the main songs (I can do without all the Sha Na Na and ancillary tracks).
Release
For sale on Discogs
Sell a copy97 copies from $3.33
Statistics
Videos (9)
Lists
- Compilations by sandraodj
- Joutes 1996-2016 by Titi-Panzer
- Album/ Elpee by Tonnetje67
- Dreamcollection by ACDCBoy
- collection by jkoestline
- HCL Vinyl Collection: Soundtracks by HCLVinylRevival
- Mike's Vinyl Collection by Fredo08
- Album/LP by Treavdtol
- Soundtracks to movies I saw in the theater by JoshyR
- Movie Themes by CykoMF
- Soundtracks by TboneRekkids
- Classic Albums by KingKubrick
- Lista André by andre.pereira92
- The IDEAL record collection by LMgroove
- Floras Picks by Kodaisasleep
- Vinyl / Album, Compilation by MichaelBorstPh
- OG RECORD LIST by djsii_99
- Dupes / Unwanted by zzillizz
- Lo que aun no tengo y quiero by Momosuitaxx
- Records by RUBRecord1991
Contributors
Evilist, dmaxx, earshot, e-kartoffel, ccbebe, mwashil, asylum27, dalhembe, Kergillian, amad65, disneyfacts, ApeAstbury, swizzlevixen, CopperBlue, teatoe993, WeirDave, carolofharvest, snap07801, John_Hefele, Cornbread55, mikeyman66, Thao8382, thirdring, compwiz4u, rwalters0420, mattersfact2, Trixie69, Cezzar, electrophonic, Derekjmn, tonykendragioia, CR272