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Pleasure (4)Joyous

Label:

Fantasy – F-9526

Format:

Vinyl, LP, Album, Santa Maria Pressing

Country:

US

Released:

Genre:

Funk / Soul

Style:

Funk, Disco

Tracklist

A1Joyous
Written-ByMichael Hepburn
6:26
A2Let Me Be The One
Written-ByDan Brewster
5:11
A3Only You
Written-ByDan Brewster
3:20
A4Can't Turn You Loose
Lyrics ByBruce Smith (2)
Written-ByDonald Hepburn
4:14
B1Sassafras Girl
Written-ByDonald Hepburn
6:46
B2Tune In
Written-ByNathaniel Phillips
6:37
B3Dance To The Music
Written-ByMarlon "The Magician"*
4:50
B4Selim
Written-ByMichael Hepburn
3:48
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Companies, etc.

  • Produced ForAt-Home Productions, Inc.
  • Phonographic Copyright ℗Fantasy Records
  • Published ByFunky P.O. Music, Inc.
  • Published ByAt-Home Music
  • Mastered AtKendun Recorders
  • Pressed ByColumbia Records Pressing Plant, Santa Maria

Credits

  • Alto Saxophone, Tenor Saxophone, FluteHerman Riley
  • Art DirectionPhil Carroll
  • Baritone SaxophoneRobert Carr*
  • Bass, Backing VocalsNathaniel Phillips
  • CelloArmand Kaproff, Nathan Gershman
  • DesignJamie Putnam
  • DrumsBruce Carter
  • Engineer [Assistant]Jackson Schwartz
  • Engineer [Recording]Eddie Bill Harris
  • Engineer [Recording], RemixFrank Byron Clark*
  • Guitar, Backing VocalsMarlon "The Magician" McClain*
  • Keyboards, Backing VocalsDonald Hepburn, Michael Hepburn
  • Lead Vocals, Backing VocalsSherman Davis
  • Mastered ByGeoff Sykes
  • Photography ByPhil Bray
  • ProducerWayne Henderson
  • Tambourine, Bell Tree, Cowbell, Congas, Cuica, Percussion [Flexitone], Backing VocalsBruce Smith (2)
  • Tenor Saxophone, Soprano SaxophoneDennis Springer
  • TromboneMayo Tiano*
  • Trombone, Horns [Arrangement], Strings [Arrangement]Dan Brewster
  • TrumpetDennis Christianson*, Steve Madaio
  • ViolaAlex Neiman*, Allan Harshman, Pamela Goldsmith
  • ViolinBetty LaMagna, Bonnie Douglas, Dorothy Wade, Israel Baker, Janet Lakatos, Nathan Kaproff, Nathan Ross, Robert Sushel, Stanley Plummer
  • Violin, ConcertmasterPaul Shure

Notes

Published by Funky P.O. Music/At-Home Music

Barcode and Other Identifiers

  • Pressing Plant ID (Etched in runout areas): S
  • Rights Society: ASCAP
  • Matrix / Runout (Side A label): F-9526-A
  • Matrix / Runout (Side B label): F-9526-B
  • Matrix / Runout (Variant 1 Side A etched in runout): 1 S F-9526-A -1 [scratched out A] C A sm B²
  • Matrix / Runout (Variant 1 Side B etched in runout): 1 S F-9526-B -1B A sm A5
  • Matrix / Runout (Variant 1 Both sides, stamped in runout): KENDUN
  • Matrix / Runout (Variant 2 Side A etched, except KENDUN is stamped): 1 S F9526-A-1[scratched out A] C KENDUN A sm D S/T
  • Matrix / Runout (Variant 2 Side B etched, except KENDUN is stamped): 1 S F9526-B-1[scratched out A] C KENDUN B sm D S/T

Other Versions (5 of 15)

View All
Title (Format)LabelCat#CountryYear
New Submission
Joyous (LP, Album, Stereo)Bellaphon, FantasyBBS 2552Germany1977
New Submission
Joyous (LP, Album)FantasyAMI 9526Italy1977
New Submission
Joyous (LP, Album)FantasyVIP-6459Japan1977
New Submission
Joyous (LP, Album, Promo)FantasyVIP-6459Japan1977
Recently Edited
Joyous (LP, Album, Stereo, Pitman Pressing)FantasyF-9526US1977

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Reviews

  • unknowntapes3's avatar
    It's a kickass album. While Joyous is just a total scorcher, the record is very very strong throughout. From the tunes to orchestration to production, it's all so solid.
    • foogoo's avatar
      foogoo
      Joyous is one helluva track, you know they threw the kitchen sink at it, put in absolutely everything they could to blow your mind to the fullest extent possible, and it does, in spades.
      • acidbearboy's avatar
        acidbearboy
        My favourite pleasure track has always been Joyous. I love the way it kicks off with a boisterous sax solo, then drops into a funky little break before the trademark horns come in, followed by those smooth vocal harmonies. The first half of the track is a real nice little song. Then we hit the break again before the second half of the track starts - the business end. The guitar solo starts out innocently enough but quickly gathers steam and builds into an absolute monster. The disco-esque strings to end the track are the icing on the cake. It fades out so quick you just gotta play it again and again.

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