The Future Sound Of London – Papua New Guinea
Label: | Jumpin' & Pumpin' – 12TOT 17R, Jumpin' & Pumpin' – 12 TOT 17R |
|---|---|
Format: | Vinyl, 12", 33 ⅓ RPM |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Breakbeat, Leftfield, Ambient |
Tracklist
| A1 | Papua New Guinea (12" Original) | 4:57 | |
| A2 | Papua New Guinea (Andrew Weatherall Mix) | 11:31 | |
| A3 | Papua New Guinea (Dub Mix) | 1:20 | |
| B1 | Papua New Guinea (Journey To Pyramid) | 5:25 | |
| B2 | Papua New Guinea (Monsoon Mix) | 4:49 | |
| B3 | Papua New Guinea (Graham Massey Mix) | 3:45 | |
| B4 | Papua New Guinea (Dumb Child Of Q Mix) | 4:20 |
Companies, etc.
- Phonographic Copyright ℗ – Passion Music Ltd.
- Published By – Skratch Music Publishing
- Produced At – Earthbeat Studios
- Recorded At – Earthbeat Studios
- Produced At – The Workhouse Studios
- Remixed At – The Workhouse Studios
- Produced At – Fon Studios
- Remixed At – Fon Studios
Credits
- Composed By – Brian Dougans, Garry Cobain
- Design, Artwork – Buggy G. Riphead
- Engineer – Yage
- Producer – The Future Sound Of London
Notes
℗ 1992 Passion Music Ltd
Recorded at Earthbeat Studios 1992
A2: Additional production & remix at The Workhouse
B3: Additional production & remix at Fon Studios
Garry Cobain is credited "Garry Cockbain" as composer on the labels, "Garry Cobain" on the outer sleeve.
Cat#s:
12 TOT 17R appears on sleeve
12TOT 17R appears on inner labels.
Vocal samples are taken from Dead Can Dance - Dawn Of The Iconoclast and Circuit - Shelter Me.
This exact release appeared with generic sleeves (no design cover) with labels bearing the same barcode.
Recorded at Earthbeat Studios 1992
A2: Additional production & remix at The Workhouse
B3: Additional production & remix at Fon Studios
Garry Cobain is credited "Garry Cockbain" as composer on the labels, "Garry Cobain" on the outer sleeve.
Cat#s:
12 TOT 17R appears on sleeve
12TOT 17R appears on inner labels.
Vocal samples are taken from Dead Can Dance - Dawn Of The Iconoclast and Circuit - Shelter Me.
This exact release appeared with generic sleeves (no design cover) with labels bearing the same barcode.
Barcode and Other Identifiers
- Barcode (Text): 5 013993 701705
- Barcode (Scanned): 5013993701705
- Matrix / Runout (Etched runout side A): 12-TOT 17-R A-1
- Matrix / Runout (Etched runout side B): 12-TOT 17 R B-1
Other Versions (5 of 52)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Papua New Guinea (12", 45 RPM) | Jumpin' & Pumpin', Jumpin' & Pumpin' | 12 TOT 17, 12TOT 17 | UK | 1991 | ||
Recently Edited | Papua New Guinea (12", 45 RPM, Promo) | Jumpin' & Pumpin' | 12TOT 17 | UK | 1991 | ||
| Papua New Guinea (CD, Single) | Jumpin' & Pumpin' | CDS TOT 17 | UK | 1992 | |||
Recently Edited | Papua New Guinea (CD, Maxi-Single) | ZYX Music | ZYX 6786-8 | Germany | 1992 | ||
Recently Edited | Papua New Guinea (12", 45 RPM) | ZYX Records | ZYX 6786-12 | Germany | 1992 |
Recommendations
Reviews
- As great single moments in dance music history (as we know it) go, this is among the greatest. The meeting of all the minds in any room or warehouse or field at that time will never forget that moment of collective ecstacy use. Still sounds as fresh as we wish we felt when that was still the future of the world.
Utterly transcendental, total craftsmanship, hairs everywhere standing up and you can dance like a mad person channeling ancient ancestors, courtesy of Dead Can Dance samples turned from goth into euphoric temple music. 
Edited one year agoThe '12" Original Mix' on this is the 'Dali Mix' as it was first released in 1991. Theres a good array of mixes to choose from on the re-release however the 'Monsoon Mix' is my second favourite. Its basically a rearrangement of the original with an ambient trance intro rather kicking straight into the beat. The 'Qube Mix' on the first 1991 release is often overlooked too.- I must say the Weatherall mix is class but the original mix for me is one of the best tunes I’ve ever heard.And like you guys on here I’ve heard thousands.Still have the old Technics 1210’s at 50 years old and still love banging this on today😂.Think I first heard it at Oz Discotheque Blackpool WOW 🙌🙌
- Ah man, the Weatherall mix is so good, so weird and yet perfect.
Of course the Original Mix will always be the one remembered from this EP and why not? It somehow succeeds in being both melancholy and uplifting at the same time. Then, just a few minutes away, there lies the Weatherall mix. Now I know the Guv'nor wasn't everyone's cup of tea - I get that, but to create such a masterful mix from that Original that not only stood on it's own feet, but for me, surpassed it is a feat of pure genius. I miss that guy.
The first time I heard this played was by DJ Sasha at Leeds Warehouse New Year’s Eve 1991/2 and every time I hear it I’m there again…- I am searching for this particular version of 1992 with the long Weatherall mix on it. Did it ever get an (absolutely needed) repress in more recent times? Without considering the 7'' with the edited version, I mean.
Of course, the original is a life changing record, essential and unbeatable! Praise FSOL for changing the entire electronic music scene! 
Edited 4 years agoI have to be honest here and say that this was one of those pivotal records (for me) that shaped my electronically charged life from the early 90's. I will never forget hearing the OG (for the first time) on a Parks & Wilson Eclipse cassette and thinking at the time.... Holy **** what is this... I need this... all before the days of a spoon fed Track ID lifestyle. Aah the glorious memories (and tapes)!!
Worth noting all versions are 125bpm too.
Edited 4 years agoWeatherall mix is the one for me and deffo a great track :).RIP your music will live on
Never liked this - it’s just a blatant rip-off of the mighty , Radio Babylon , by Meat Beat Manifesto, which is an absolute banger - this, on the other hand is completely shit IMO.
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