Q (16) – Q
Label: | M.A.O. Records – MAOX 1002 |
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Format: | |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Synth-pop, Minimal |
Tracklist
A1 | Playback | 3:20 | |
A2 | Video Girl | 2:57 | |
B1 | Music's Gone | 3:00 | |
B2 | Sushi | 2:06 |
Credits
- Keyboards [Additional] – Jon Van Tongeren*
- Management – Peregrine Watts-Russell
- Percussion, Synthesizer, Bass, Electronics, Vocoder – Ross Wood
- Producer – Daniel R. Van Patten
- Producer, Guitar, Synthesizer, Bass, Electronics – Jon St. James
- Vocals – Stacey Swain
Notes
Management for M.F.C.
Special Thanks To: Tom Trapp, Keith Walsh, WMC Music, Roland, Sequential Circuits and Republic Airlines.
Additional inscribing on the runout grooves:
A-side: MOON AGE OBSESSION
B-side: PLEASE SEND ONE DOLLAR TO "JEFF'S BABY FUND" (address follows this inscription).
At the end of Sushi there is a sample of Q from James Bond saying "Try to be a little less than your usual frivolous self, 007" (taken from the movie Thunderball).
Special Thanks To: Tom Trapp, Keith Walsh, WMC Music, Roland, Sequential Circuits and Republic Airlines.
Additional inscribing on the runout grooves:
A-side: MOON AGE OBSESSION
B-side: PLEASE SEND ONE DOLLAR TO "JEFF'S BABY FUND" (address follows this inscription).
At the end of Sushi there is a sample of Q from James Bond saying "Try to be a little less than your usual frivolous self, 007" (taken from the movie Thunderball).
Barcode and Other Identifiers
- Matrix / Runout (A-Side): MAOX 1002 A JS KENDUN
- Matrix / Runout (B-Side): MAOX 1002 B JS KENDUN
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Q (12", 45 RPM, Test Pressing) | M.A.O. Records | MAOX 1002 | US | 1982 |
Recommendations
Reviews
- Edited 18 years agoThis record was way before its time. Expanding upon electronic foundations laid by Kraftwerk, Q created an impressive four-track release here that really shows off their talents in all areas of music production. The first track we hear is "Playback," which is really a music lover's anthem. It's a cleverly crafted allegory that relates the process of a recording a song to a romantic relationship, and it's quite difficult not to sing it in your head for quite a bit after you listen to it. It's also quite evident to fans of SSQ (which is what Q would become) that this track is a harbinger to "Big Electronic Beat." "Video Girl" is a total sign of the times, which isn't a bad thing at all. Songs like this were popping up everywhere in the early 80's, but few had the musical prowess found here. "Music's Gone" is a dark, compelling track that relates one's feelings after a relationship is over to that of a world with no music. Finally, "Sushi" closes the EP, a track that is quite unlike the other three. It's an upbeat, toe-tapping calypso track in which the singer decries her love for both sushi and a boy in a band. Again, it's tough not to sing along. True fans of electronic music will appreciate this record for its simplicity, its creativity, and the total apprecaition for music demonstrated by Q.
Release
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