Jethro Tull – Heavy Horses
Tracklist
| A1 | ... And The Mouse Police Never Sleeps | 3:11 | |
| A2 | Acres Wild | 3:22 | |
| A3 | No Lullaby | 7:54 | |
| A4 | Moths | 3:24 | |
| A5 | Journeyman | 3:55 | |
| B1 | Rover | 4:14 | |
| B2 | One Brown Mouse | 3:21 | |
| B3 | Heavy Horses | 8:57 | |
| B4 | Weathercock | 4:02 |
Companies, etc.
- Phonographic Copyright ℗ – Chrysalis Records
- Copyright © – Chrysalis Records
- Pressed By – Columbia Records Pressing Plant, Santa Maria
- Published By – Chrysalis Music Corp.
- Published By – Salamander & Son Music Ltd.
- Recorded At – Maison Rouge
Credits
- Bass – John Glascock
- Drums, Percussion – Barriemore Barlow
- Electric Guitar – Martin Barre
- Engineer – Robin Black
- Liner Notes – I. A.*
- Organ [Portative Pipe Organ], Keyboards, Arranged By [Orchestra] – David Palmer (2)
- Photography By [Back Cover] – Shona Anderson
- Photography By [Front Cover] – James Cotier
- Piano, Organ – John Evan
- Producer – Ian Anderson
- Songwriter [All Songs Written By] – Ian Anderson
- Violin [Solo] – Darryl Way (tracks: A2, B3)
- Vocals, Flute, Acoustic Guitar, Electric Guitar [Occasional], Mandolin – Ian Anderson
Notes
"S" in runouts denote a Columbia Records Pressing Plant, Santa Maria pressing.
Recorded at Maison Rouge Studio, Fulham, London, January 1978.
Jacket is textured and embossed like a picture frame around the photos front and rear. Includes custom color lyric inner sleeve.
Cat # CHR-1175 appears on the label.
Cat # CHR 1175 appears on the spine, back cover, top-right, and inner sleeve, bottom-right.
With thanks to Barley and Sir Jim courtesy of the Courage Shire Horse Centre.
Recorded at Maison Rouge Studio, Fulham, London, January 1978.
Jacket is textured and embossed like a picture frame around the photos front and rear. Includes custom color lyric inner sleeve.
Cat # CHR-1175 appears on the label.
Cat # CHR 1175 appears on the spine, back cover, top-right, and inner sleeve, bottom-right.
With thanks to Barley and Sir Jim courtesy of the Courage Shire Horse Centre.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Pressing Plant ID (In runout): S
- Matrix / Runout (Side A label): CHR-1175-AS
- Matrix / Runout (Side B label): CHR-1175-BS
- Matrix / Runout (Side A runout, variant 1): CHR-1175 A4 (SIDE ONE) A11 1S
- Matrix / Runout (Side B runout, variant 1): CHR-1175 B1 (SIDE TWO) A19 1S
- Matrix / Runout (Side A runout, variant 2): CHR-1175 A1 (SIDE ONE) A11 1S
- Matrix / Runout (Side B runout, variant 2): CHR-1175 B1 (SIDE ---) TWO) AA 1S
- Matrix / Runout (Side A runout, variant 3): CHR-1175 A3 (SIDE ONE) A10 1S
- Matrix / Runout (Side B runout, variant 3): CHR-1175 B1 (SIDE --- TWO) AA 1S
- Matrix / Runout (Side A runout, variant 4): CHR-1175 A2 (SIDE ONE) SX S1
- Matrix / Runout (Side B runout, variant 4): CHR-1175 B4 (SIDE TWO) SX A S2
- Matrix / Runout (Side A runout, variant 5): CHR-1175 A2 (SIDE ONE) `K⊞ B SX S1
- Matrix / Runout (Side B runout, variant 5): CHR-1175 B6 (SIDE TWO) SX 3 B `K⊞ A S1
- Matrix / Runout (Side A runout, variant 6): CHR-1175 A5 (Sideline) D SX / S
- Matrix / Runout (Side B runout, variant 6): CHR-1175 B5 (Sideline) XS 2 S
- Matrix / Runout (Side A runout, variant 7): CHR-1175 A3 (SIDE ONE ) A5 1S
- Matrix / Runout (Side B runout, variant 7): CHR-1175 B5 (SIDE TWO) A7 1S
- Matrix / Runout (Side A runout, variant 8): CHR-1175 A4 1(SIDE ONE ) SXT C20 K⊞ 2S
- Matrix / Runout (Side B runout, variant 8): CHR-1175 B1 (SIDE ̷O̷N̷E̷)̷TWO) C SXT 1S
- Matrix / Runout (Side A runout, variant 9): CHR-1175 A1 (SIDE 1) A4 1S
- Matrix / Runout (Side B runout, variant 9): CHR-1175 B6 (SIDE TWO) A1 1S
- Matrix / Runout (Side A runout, variant 10): CHR 1175 A1 (SIDE 1) XS/S
- Matrix / Runout (Side B runout, variant 10): CHR-1175 B2 (SIDE TWO) XS/S E
- Matrix / Runout (Side A runout, variant 11): CHR-1175 A4 (SIDE ONE) E Y/B 3 SX \ S
- Matrix / Runout (Side B runout, variant 11): CHR-1175 B5 (SIDE TWO) SX B 3 \ S
- Matrix / Runout (Side A runout, variant 12): CHR-1175 A1 (SIDE 1) SXT ⅄ q 1S
- Matrix / Runout (Side B runout, variant 12): CHR-1175 B3 (SIDE TWO) SXT ⅄ I 11 Ꞁ S
- Matrix / Runout (Side A runout, variant 13): CHR-1175 A5 (SIDE ONE) K⊞ 1S
- Matrix / Runout (Side B runout, variant 13): CHR-1175 B4 (SIDE TWO) A\\ K⊞ 1S
- Matrix / Runout (Side A runout, variant 14): CHR-1175 A4 (SIDE ONE) E ⅄/B 3 SX \ S
- Matrix / Runout (Side B runout, variant 14): CHR-1175 B4 (SIDE TWO) Sx \ S
- Matrix / Runout (Side A runout, variant 15): CHR-1175 A4 (SIDE ONE) SX F L/B \ S
- Matrix / Runout (Side B runout, variant 15): CHR-1175 B2 (SIDE TWO) A L/B TX 2 S
- Matrix / Runout (Side A runout, variant 16): CHR-1175 A1 (SIDE 1) SXT L/B P8 \ S
- Matrix / Runout (Side B runout, variant 16): CHR-1175 B5 (SIDE TWO) CII SXT e S
- Matrix / Runout (Side A runout, variant 17): CHR-1175 A4 (SIDE ONE) A 4 ⅄⊞ \S
- Matrix / Runout (Side B runout, variant 17): CHR-1175 B3 (SIDE TWO) A ⅄⊞ 2 \S
- Matrix / Runout (Side A runout, variant 18): CHR-1175 A1 (SIDE ONE) ⊞ E 2 1S
- Matrix / Runout (Side B runout, variant 18): CHR-1175 B2 (SIDE TWO) D ⊞ 1S
- Matrix / Runout (Side A runout, variant 19): CHR-1175 A1 (SIDE 1) SX ⅄⊞ E 1S
- Matrix / Runout (Side B runout, variant 19): CHR-1175 B4 (SIDE TWO) SX B ⅄⊞ 1S
- Matrix / Runout (Side A runout, variant 20): CHR-1175 A2 (SIDE ONE) 2TB B XS 15
- Matrix / Runout (Side B runout, variant 20): CHR-1175 B1 (SIDE O̶N̶E̶ TWO) D SX 15
Other Versions (5 of 142)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Heavy Horses (LP, Album) | Chrysalis | CHR 1175 | UK | 1978 | |||
Recently Edited | Heavy Horses (LP, Album, Stereo, Textured cover) | Chrysalis | 6307 622 | France | 1978 | ||
| Heavy Horses (LP, Album) | Chrysalis, Chrysalis | CHR 1175, CHR-1175 | Canada | 1978 | |||
Recently Edited | Heavy Horses (LP, Album) | Chrysalis | 6307622 | Colombia | 1978 | ||
New Submission | Heavy Horses (8-Track Cartridge, Album) | Chrysalis | 8CH 1175 | US | 1978 |
Recommendations
Reviews
Nice and crisp sounding recording. Lows might be a bit lacking, but mids and highs are well defined. Has a distinctly English sound to it. I don't know what specifically is done, but very different from records cut in American studios. And it's not just because Tull is an English band.- A little bit muddy sounding. Too much low end (but not in the "punchy" way) for my taste.
Beautiful sounding record. Found a mint copy of this at a local shop for $7 and it was worth every penny. Very warm and full sounding recording.
Release
For sale on Discogs
Sell a copy378 copies from $0.25
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