Jesus Jones – Zeroes & Ones
Tracklist
| Other Side | |||
| A1 | Zeroes & Ones (The Prodigy Versus Jesus Jones Mix) | 5:41 | |
| A2 | Zeroes & Ones (Central Nervous System Mix) | 4:34 | |
| A3 | Zeroes & Ones | 3:24 | |
| This Side | |||
| B1 | Zeroes & Ones (Aphex Twin Reconstruction # 1 Mix) | 7:59 | |
| B2 | Zeroes & Ones (Aphex Twin Reconstruction # 2 Mix) | 5:50 |
Companies, etc.
- Published By – EMI Music Publishing Ltd.
- Copyright © – Food Ltd.
- Licensed To – EMI Records Ltd.
- Marketed By – EMI
- Manufactured By – EMI
- Remixed At – Earthbound Studios
Credits
- Artwork [Constructed By] – Stylorouge, London*
- Engineer – Richard Norris*
- Engineer [Mix Engineer] – Mike "Spike" Drake
- Engineer, Producer – Warne Livesey
- Written-By – Mike Edwards
Notes
On the cover artwork the release title and track titles are referred to as 'Zeroes & Ones'. The Aphex Twin mixes are referred to as 'Aphex Twin Reconstruction # 1 Mix' and 'Aphex Twin Reconstruction # 2 Mix'.
On the disc labels the release title and track titles are referred to as 'Zeroes And Ones'. The Aphex Twin mixes are referred to as 'Aphex Twin Reconstruction (1) Mix' and 'Aphex Twin Reconstruction (2) Mix'.
Food cat number variations:
12 FOOD 44 - Disc labels.
12FOOD44 - Rear artwork.
Label on B incorrectly state 45 rpm, as both sides are 33 rpm.
Track A1: Remix produced at Earthbound Studios.
Rear sleeve: ℗ and ©1993 The Copyright in this sound recording is owned by Food Ltd under exclusive licence to EMI Records Ltd.
B label: ℗ 1993 The Copyright in this sound recording is owned by Food Records under exclusive licence to EMI Records Ltd.
Printed in UK.
On the disc labels the release title and track titles are referred to as 'Zeroes And Ones'. The Aphex Twin mixes are referred to as 'Aphex Twin Reconstruction (1) Mix' and 'Aphex Twin Reconstruction (2) Mix'.
Food cat number variations:
12 FOOD 44 - Disc labels.
12FOOD44 - Rear artwork.
Label on B incorrectly state 45 rpm, as both sides are 33 rpm.
Track A1: Remix produced at Earthbound Studios.
Rear sleeve: ℗ and ©1993 The Copyright in this sound recording is owned by Food Ltd under exclusive licence to EMI Records Ltd.
B label: ℗ 1993 The Copyright in this sound recording is owned by Food Records under exclusive licence to EMI Records Ltd.
Printed in UK.
Barcode and Other Identifiers
- Barcode: 7 2438 80670 6 5
- Matrix / Runout (Etching A): 12 FOOD 44 A-1-1-1
- Matrix / Runout (Etching B): 12 FOOD 44 B-1-1-1
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Zeroes And Ones (12", 45 RPM, Promo) | Food | 12FOODDJX 44 | UK | 1993 | ||
Recently Edited | Zeroes & Ones (CD, Single, Stereo, CD2) | Food, EMI | CDFOOD44, 72438806702 7 | UK | 1993 | ||
Recently Edited | Zeroes & Ones (CD, Single, Stereo, CD1, Double CD Box) | Food, Food | CDFOODS44, 7243 8806712 6 | UK | 1993 | ||
Recently Edited | Zeroes & Ones (CD, Single) | Food | 7243 8 80709 2 8 | Netherlands | 1993 | ||
| Zeroes And Ones (12", 45 RPM, Single, Promo) | Food, Food | 12 FOOD DJ 44, 12 FOODDJ 44 | UK | 1993 |
Recommendations
Reviews
- Edited 10 months ago30 plus years since this was released, and only now am I being floored by the Prodigy remix which was brought to my attention courtesy of a DJ Producer old skool set.
As soon as I heard it I knew it had to be The Prodigy. It's not just that the production levels are off the scale, it's something about the way Liam could sit different elements on top of each other in such a coherent way. Like when that dark grinding bass synth is enhanced by the strings and playful bleeps. No-one else sounded like that at the time.
This would have sounded easily at home as one of the tracks on The Experience album, but at the same time you can also hear the future direction they where about to take with whole electronic/indie crossover thing. I can see this mixing well with the '93 output of artists like Njoi and Sub Love, who incidentally where also nearing the point of breaking away from the Hardcore scene to explore other musical avenues too. - Edited one year agoQuestion: Does anyone's Prodigy mix skip, like as though it's not pressed deeply enough or something? Mine's in good condition but does this (and has since the 90s)....
EDIT/UPDATE: Upgrading to Concorde Elites solved this issue as it turns out. Nightclub E's apparently insufficient for this (pressing/copy at least). - sit and listen.
beautiful production.
recommended tracks:B1 Zeroes & Ones (Aphex Twin Reconstruction # 1 Mix) Remix – Aphex Twin, The
B2 Zeroes & Ones (Aphex Twin Reconstruction # 2 Mix) Remix – Aphex Twin, The 
Edited 11 years agoIt's all about the Aphex Twin reconstructions..... silk purse/sow's ear.- Coming from someone who owns this release in both CD and Vinyl format; I much prefer the latter. The CD I found hard to get into (even The Prodigy Versus Jesus Jones Mix), which personally was the reason for buying it. However, listening to the vinyl release; after adding a little extra treble it produces a much warmer, more pleasant sound (firstly from the bass and secondly from the analogue technology - it's old yeah, but tried and tested technology!!). I even got into the Central Nervous System Mix, which took me back to my childhood musical roots: INDIE! This Prodigy remix grows on me the more I listen to it, but it is certainly not the strongest of Liam’s work.
I have heard Liam didn’t think much of his remix for The Time Frequency on their release "EP". "Retribution 93" (The Prodigy Meets TTF) was the mix he apparently disliked, but personally I rate it higher than this release because I love the faster pounding techno and hardcore breaks!
The Prodigy / Liam Howlett has astonishing rhythm and production skills that are hard, near impossible to rival. The rest of the gang help give the group an image and wicked live vibe! You simply can’t beat it!
Release
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