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Northend* Featuring Michelle WallaceHappy Days

Label:Emergency Records – EMDS 6520
Format:
Vinyl, 12", 33 ⅓ RPM, Stereo
Country:US
Released:
Genre:Electronic, Funk / Soul
Style:Disco, Boogie

Tracklist

AHappy Days
FeaturingMichelle Wallace
7:55
BTee's Happy6:15
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Credits

Notes

©&℗ 1981 Emergency Records & Filmworks
Made in U.S.A.

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Matrix / Runout (A-Side Runout Etching): EMDS-6520-A MASTERING BY FRANKFORD/WAYNE NEW YORK Herbie :v) Looking Good Angie ✩ SMK
  • Matrix / Runout (B-Side Runout Etching): EMDS-6520-B MASTERING BY FRANKFORD/WAYNE NEW YORK Herbie :v) SMK

Other Versions (5 of 9)

View All
Title (Format)LabelCat#CountryYear
Happy Days (12", Single, 33 ⅓ RPM)Rams Horn RecordsRAMSH 12-3052Netherlands1981
Happy Days (7", 45 RPM)Rams Horn RecordsRAMSH 1052Netherlands1981
Recently Edited
Happy Days / Tee's Happy (12", 33 ⅓ RPM, Promo)Emergency RecordsEMDS 6520US1981
Recently Edited
Happy Days (12", 33 ⅓ RPM, Test Pressing)Emergency RecordsEMDS 6520US1981
Recently Edited
Happy Days (7", 45 RPM)Mercury6025 287Italy1981

Reviews

  • chrisnova777's avatar
    chrisnova777
    paul jacobs redid this track in 1996 to bring it back https://www.discogs.com/Paul-Jacobs-Happy-Days/release/42226
    • ballmouse's avatar
      ballmouse
      The melody on this track is reminiscent of that from The Beginning of the End's "When She Made Me Promise".
      • VortexBoy's avatar
        VortexBoy
        Does anyone know what the lyrics (or the chorus?) are near the end of the record?
        That's the lyrics that start with "These are....."
        I just haven't been able to work them out, even after all these years.
        • overlordr's avatar
          overlordr
          The "evolution" of these two tracks into "Holiday" by Madonna is obvious. One John Benitez apparently spun this frequently in a club Madonna spent a lot of time in in 1982, so Arthur Baker might have a bit of a beef with Jellybean. The flip side has most vocals missing (it resembles the A-side only right at the end) and plays up the great vibraphone and guitar work in the mix, which just builds and builds to the end--this is no mere dub mix. Flip it, play the B-side first, and you will doubly enjoy this hot disc.