Tracklist
| A1 | Lily Of The West | 3:44 | |
| A2 | Can't Help Falling In Love | 4:17 | |
| A3 | Sarah Jane | 2:43 | |
| A4 | The Ballad Of Ira Hayes | 5:08 | |
| B1 | Mr. Bojangles | 5:31 | |
| B2 | Mary Ann | 2:40 | |
| B3 | Big Yellow Taxi | 2:12 | |
| B4 | A Fool Such As I | 2:41 | |
| B5 | Spanish Is The Loving Tongue | 4:13 |
Companies, etc.
- Mastered At – Customatrix
- Pressed By – Columbia Records Pressing Plant, Santa Maria
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Made By – Shorewood Packaging
- Phonographic Copyright ℗ – CBS Inc.
- Copyright © – CBS Inc.
Credits
- Cover [Front Cover Serigraph] – Richard Kenerson
- Photography By [Back Cover Photograph], Design [Album] – John Berg
- Photography By [Original Photograph] – Al Clayton (2)
- Producer [Original Recording Sessions Produced By] – Bob Johnston
Notes
"S" etched in runouts denotes Columbia Records Pressing Plant, Santa Maria, pressing. Remainder of runouts mostly stamped, plating letters etched.
Label typesetting variant to other issues. Pressing variant to Dylan (Terre Haute).
© 1973 CBS, Inc./℗ 1973 CBS, Inc.
Back cover: Shorepak™ U.S. Patent No. 3,301,467, denoting sleeve made by Shorewood Packaging.
Tracks B2 and B5 are P.D. (Public Domain).
Label typesetting variant to other issues. Pressing variant to Dylan (Terre Haute).
© 1973 CBS, Inc./℗ 1973 CBS, Inc.
Back cover: Shorepak™ U.S. Patent No. 3,301,467, denoting sleeve made by Shorewood Packaging.
Tracks B2 and B5 are P.D. (Public Domain).
Barcode and Other Identifiers
- Rights Society (A1, A2): ASCAP
- Rights Society (A4, B1, B3, B4): BMI
- Other (B2, B5): P.D.
- Matrix / Runout (Side A label): AL 32747
- Matrix / Runout (Side B label): BL 32747
- Matrix / Runout (Side A runout, variant 1): º P AL 32747-2E 1 S
- Matrix / Runout (Side B runout, variant 1): º P BL 32747-2A 1 S
- Matrix / Runout (Side A runout, variant 2): o P AL 32747-2E 1 S II B A̶
- Matrix / Runout (Side B runout, variant 2): o P BL 32747-2G 1S A3
Other Versions (5 of 84)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Dylan (LP, Album, Stereo, Terre Haute Pressing) | Columbia | PC 32747 | US | 1973 | |||
| Dylan (LP, Album, Stereo) | CBS, CBS | S 69049, 69049 | UK | 1973 | |||
Recently Edited | Dylan (LP, Album) | CBS | S 69049 | Europe | 1973 | ||
New Submission | Dylan (Cassette, Album) | CBS | 40-69049 | UK | 1973 | ||
Recently Edited | Dylan (LP, Album) | Columbia | PC 32747 | Canada | 1973 |
Recommendations
Reviews
- A really great album. I don’t care about the circumstances around the release, it’s still great. Good pressing as well.
one of my favorite dylan albums. so there you go.- I love this record. Even though Columbia released it as a spite record, it really swings and my copy sounds awesome!
The covers are freaking amazing! 
I adore this record. It's totally baffling to me that people can hate it - especially the hard-core Dylan fans who are otherwise fans of his early-70s New Morning-era sound. To be sure - this is no Highway 61. But these are interesting interpretations of several really great tunes. And I don't mean interesting in a backhanded complimentary way, it really is neat to hear how Dylan takes these songs. I also think his performances are very enjoyable. They're raw, but still the work of true professionals. It's like listening to a jam session of Dylan and his band. In many ways, it reminds me of McCartney's early solo/Wings stuff. It's laid back in a way that makes for a supremely enjoyable and relaxing listen.
Anyways, I think this pressing sounds totally fine. Nobody has ever loved this record enough to wear out their copy (lol), so it's easy to get a great sounding one for cheap.
while many share a negative opinion about this record, I’m part of the rare opposite. I think this album fits well in anyone’s growing Dylan collection, featuring mostly covers that deserve the light of day. “Ballad of Ira Hayes” & “Can’t Help Falling in Love” have a feel of him just having fun performing songs he enjoys. Obviously it’s not one of his best albums, but it deserves another listen from those who wrote it off.
