Frore & Shane Morris (3)Blood Moon

Label:Spotted Peccary – SPM-9083
CD, Album
Style:Ambient, Tribal, Electro


1Lichen Patterns13:00
2Ritual Sequence9:58
5Night Rapture16:22

Companies, etc.


  • ArtworkDaniel Pipitone
  • Artwork, Photography By [Original Photography]Jourdan Laik
  • Didgeridoo [Didjeridoo], Udu, Frame Drum, Percussion [Electronic Percussion], Shaker [Shakers], Flute [Chromatic Flute, Navajo Cedar Flute], Synthesizer [Absynth And Reactor Synthesizers]Shane Morris (3)
  • Keyboards [Digial And Analog], Duduk, Singing Bowls, Mandolin, Flute [Anasazi Flute, Cane Flute], Electronic Drums [Electrical Drum Sequences]Frore
  • Mastered ByBen Cox


Frore is Paul Casper.

Packaging: 4-panel disc eco wallet
Total Time: 61:59
© & ℗ Brain Laughter, Inc.

Barcode and Other Identifiers

  • Barcode: 6 00028 90832 8
  • Matrix / Runout: TSI CA ST-1017434 Blood Moon

Other Versions (3)

View All
Title (Format)LabelCat#CountryYear
Blood Moon (5×File, MP3, Album, 320 kbps)Spotted PeccarySPM-9083US2015
Blood Moon (5×File, FLAC, Album, 16 bit)Spotted PeccarySPM-9083US2015
Blood Moon (5×File, FLAC, Album, 24 bit / 96k)Spotted PeccarySPM-9083US2015



  • Wuub's avatar
    Recommended now !
    • richardgurtler's avatar
      Frore & Shane Morris "Blood Moon" CD

      Shane Morris is already known for his numerous collaborative projects, among them his co-work with Mystified on "Inspired Evolution" trilogy is the most famous (released on Spotted Peccary during 2012-2014), while Paul Casper, the sole creator behind praised Frore project, celebrates here his debut in a cooperative effort. "Blood Moon" CD was released at April 3rd, 2015 on Spotted Peccary, just in time before the total lunar eclipse. The album is packaged, as usual for this sympathetic Californian label, in a catchy 4-panel disc eco wallet designed by label's visual masters, Daniel Pipitone and Jourdan Laik, who is also credited for the original photography. Mastering is handled by Ben Cox of Lotuspike clan.

      Equipped with wide range of electronics and acoustic instruments such as didgeridoo, duduk, various flutes, udu, frame drum, shakers..., Frore & Shane Morris fire up their journey with 13-minute "Lichen Patterns". Massively unfolding tides of drones are enigmatically merged with mesmerizingly circling Dreamtime artifacts, while subterranean organics and distant tribal beats gradually permeate and capture the front stage with its sharpened intensity. Masterful mix of primordial instrumentation with electronic enhancements spectacularly cascades and climaxes. Bravo, gentlemen, this is a truly mind-bending introduction!!! And don't forget to put your headphones on, a true sonic revelation awaits!!! "Ritual Sequence", clocking to 10-minute mark, safely keeps on exploring ancient terrains, again lushly flavored with powerfully shamanic percussive textures, which are precisely merged with sweeping atmospheric blankets. Some recognizable, yet ethereally embracing signatures sneak atop here and there, although the spectacle is also entered and highlighted by hauntingly evocative flute mastery. Wow, another top-notch tribal ambience!!! "Orison" glides through spellbindingly mysterious sceneries, masterfully bridging perplexing cavernous realms with ear-tickling dissonances, while intangible tribal groove rests above before fully awaking and stealing the ceremony. But the pinnacle is still to emerge, because shortly after that Paul rises his duduk, a traditional Armenian woodwind instrument, which immediately starts to reveal all its infinite magic. A jaw-dropping listening experience, magnificently expressive and monstrously rewarding!!! The use of duduk in ambient soundsculpting always leaves me breathless and "Orison" is no exception. Hats off to Paul & Shane, to me, an ultimate Hall of Fame composition!!! "Unfolding", another 13 minutes long track, opens with transcendent didge curlicues, while warmly cinematic washes gorgeously meander. Slowly arising tribal beats become more vigorous and mesmeric and exquisitely interact with utterly expansive panoramas. Crystalline tinkles and organic subtleties harmoniously augment the Southwest desert feel of this strongly evocative piece. Another large dose of aural elixir for my ears is delivered here!!! 16-plus minutes long closing composition "Night Rapture" unveils with mindscaping nocturnal sounds, but vivid electro-industrial-infused rhythms join the stage, soon meticulously coalesced with machinery-like clickety-claks. Mysterious atmo zones are activated as well and intriguingly undulate across robustly-driven ethno tribal adventures, reinforced by rawer flute pervasions and outbursts. During the closing three minutes overwhelming intensity evanesces into a gorgeously encircling still of the night. A grand finale!!!

      "Blood Moon" is astonishingly refreshing addition to the genre, each track is slightly different, yet the entire mood is impeccably compact and delightfully complex. This stunningly full-bodied collaboration splendidly amalgamates creative insignias of two highly crafted composers and instrumentalists and brilliantly intermingles the primordial with the current. "Blood Moon" is another monument in tribal ambient soundcarving, certainly one of the best releases of 2015!!! I even won't hesitate to use the word milestone, yes, that's how breathtaking is this album!!!

      Richard Gürtler (Jun 22, 2015, Bratislava, Slovakia)


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