Matrix / Runout (Side A runout groove, etched, stamped - variant 1): EMDS-6542 -A RE MB MASTERING BY FRANKFORD/WAYNE NEW YORK HERbIE JR :v)
Matrix / Runout (Side B runout groove, etched, stamped - variant 1): EMDS-6542 -B RE MB MASTERING BY FRANKFORD/WAYNE NEW YORK HERbIE JR :v)
Matrix / Runout (Side A runout groove, etched, stamped - variant 2): [etched] EMDS-6542-A RE PR [stamped] MASTERING BY FRANKFORD/WAYNE NEW YORK [etched] Herbie Jr :v)
Matrix / Runout (Side B runout groove, etched, stamped - variant 2): [etched] EMDS-6542-B RE PR [stamped] MASTERING BY FRANKFORD/WAYNE NEW YORK [etched] Herbie Jr :v)
GIVE ME THE ELECTRO AND LET THE ELECTRO PLAY MAN HERBIE WAS THE MAN IN THE 80'S. SHANNON ,ETC,ETC,ETC,ETC,ETC,ETC,ETC,ETC,ETC,ETC, JUST LOVE IT AND I CAN'T BELIEVE NO ONE HAS COMMENTED ON THIS IN 10 YEARS , SHAME ON YOU ELECTRO LOVERS , LETS GET IT ALIVE AGAIN , HIP HOP BE BOP DON'T STOP!
That's another huge freestyle hit of the maiden of the genre. The piano sequence was used a year later by the boys of TKA on "Scars Of Love" (there are some similar effects and keyboards to the ones of her classic "Let The Music Play", from 1983. The dub version is particularly special, and much better to play for the nowadays eclectic dancefloors. The original version is also a good one, but seems more related to the romantic times of freestyle era (of the middle of the eighties most precisely), and, on the other hand, the dub version is less 'stuck in time'...