Delia Gonzalez & Gavin Russom – Relevee

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Label:	DFA – DFAEMI 2159, DFA – 0946 3 60719 1 6, DFA – 360 7191
Format:	2 x Vinyl, 12", 33 ⅓ RPM
Country:	UK
Released:	May 2006
Genre:	Electronic
Style:	Techno, Minimal, Experimental

Tracklist

A	Relevee (Alternate Version) Producer [Assisted] – Eric Broucek Producer, Mixed By – The DFA Written-By – Delia Gonzalez And Gavin Russom*	6:54
B	Relevee (DFA Remix) Congas, Handclaps – Jonathan Galkin, Justin Miller Producer [Assisted] – Eric Broucek Remix – James Murphy, The DFA, Tim Goldsworthy Vocals – Key (3)	9:15
C	Relevee (Carl Craig Remix) Keyboards, Piano – Kelvin Sholar Remix – Carl Craig	11:01
D	Relevee (Baby Ford Remix) Remix – Baby Ford	10:13

Side A recorded at Plaintain Recording House, 2004.
Side D remixed at Ifach Studio London.

	Title (Format)	Label	Cat#	Country	Year
	Relevee (Remixes) (2×12", White Label, Promo)	DFA	dfaemiwl 5159	UK	2006
	Relevee (CD, Single, Enhanced)	DFA, EMI	DFAEMI 2159CD, 0946 360719 2 3	Europe	2006
New Submission	Relevee (CD, Single, Enhanced, Promo)	Astralwerks	none	Australia & New Zealand	2006
New Submission	Relevee (4×File, MP3, 225-252 kbps)	EMI	none	UK & Europe	2006

robhay Jan 12, 2013
Loved the original Delia Gonzalez & Gavin Russom release but wow, is the Carl Craig mix nice. Keeps a lengthy intro, true to the original synth production. Then the bass drum drops in with the Craig techno beat, then changes up to a jazzy piano for the outro. Perfect track composition and production.
MasonJunior Dec 13, 2011
I agree with the review already posted, I too bought this release for the Carl Craig mix which is excellent but the Baby Ford mix is a dubby brooding piece of minimal magic. It doesn't do an awful lot over the course of its ten minutes but listen to it on a good system / headphones and you can't help but be sucked in. One for the early hours.
Mark_Anthony Jan 26, 2011
Edited 13 years ago
A lot of people probably bought this for Carl's mix like I did, but it turns out that Baby Ford's remix is a sneaky killer. The BF remix is the essence of minimal. The listener is treated to a mega rumbling bassline, some percussion klikkety-klacking in the mid range, some efx sprinkles on top and that's about it. At some points there appears to be the ghost of kick drum but just when you think you've got a bead on it, it fades back into obscurity in similar manner that the kick does on the Gas "Nah Und Fern" tracks. Ominous brooding minimal mayhem. On a proper system this track would destroy the speakers and also the insides of the people standing nearby.