Nirvana – Nevermind
Tracklist
1 | Smells Like Teen Spirit | 5:01 | |
2 | In Bloom | 4:14 | |
3 | Come As You Are | 3:39 | |
4 | Breed | 3:03 | |
5 | Lithium | 4:17 | |
6 | Polly Cymbal [Uncredited] – Chad Channing | 2:57 | |
7 | Territorial Pissings | 2:23 | |
8 | Drain You | 3:43 | |
9 | Lounge Act | 2:36 | |
10 | Stay Away | 3:32 | |
11 | On A Plain | 3:16 | |
12.1 | Something In The Way Cello – Kirk Canning | 3:51 | |
12.2 | (silence) | 10:00 | |
12.3 | Endless, Nameless | 6:43 |
Companies, etc.
- Record Company – MCA
- Record Company – Bertelsmann Music Group
- Record Company – Sub Pop Records
- Distributed By – BMG Ariola
- Phonographic Copyright ℗ – The David Geffen Company
- Copyright © – The David Geffen Company
- Copyright © – Virgin Songs, Inc.
- Copyright © – The End Of Music
- Glass Mastered At – Sonopress – F-6493
- Recorded At – Sound City Studios
- Mixed At – Sound City Studios
- Mastered At – The Mastering Lab
- Published By – Virgin Songs, Inc.
- Published By – The End Of Music
Credits
- A&R – Gary Gersh
- Art Direction, Design – Robert Fisher (4)
- Bass, Vocals – Chris Novoselic*
- Drums, Vocals – David Grohl*
- Engineer [Assistant] – James Johnson (5), Jeff Sheehan
- Legal [Legal Affairs] – Alan Mintz, Ziffren, Brittenham & Branca
- Management – Danny Goldberg, John Silva (3)
- Management [For] – Gold Mountain Entertainment
- Mixed By – Andy Wallace
- Music By – Nirvana
- Photography By – Michael Lavine
- Photography By [Cover Photo] – Kirk Weddle
- Photography By [Monkey Photo] – Kurdt Kobain*
- Producer, Engineer – Butch Vig, Nirvana
- Vocals, Guitar, Lyrics By – Kurt Cobain
Notes
Track 12 contains a hidden track. 'Something In The Way' ends at 3:51 followed by 10 minute silence until the unlisted track 'Endless, Nameless' starts at 13:51. Total track length is 20:35.
Recorded and Mixed at Sound City, Van Nuys, CA
Mastered at The Mastering Lab, Hollywood, CA
Management for Gold Mountain Entertainment.
Published © 1991 Virgin Songs, Inc./The End Of Music. All rights controlled and administered by Virgin Songs, Inc. BMI.
℗ & © 1991 The David Geffen Company, an MCA Company
Produced by special arrangement with Sup Pop Records.
Released in standard jewel case.
Printed in Germany.
Made in Germany.
Label Code LC 7266 printed on bottom right of rear cover.
Recorded and Mixed at Sound City, Van Nuys, CA
Mastered at The Mastering Lab, Hollywood, CA
Management for Gold Mountain Entertainment.
Published © 1991 Virgin Songs, Inc./The End Of Music. All rights controlled and administered by Virgin Songs, Inc. BMI.
℗ & © 1991 The David Geffen Company, an MCA Company
Produced by special arrangement with Sup Pop Records.
Released in standard jewel case.
Printed in Germany.
Made in Germany.
Label Code LC 7266 printed on bottom right of rear cover.
Barcode and Other Identifiers
- Barcode (Text): 7 2064-24425-2 4
- Barcode (Scanned): 720642442524
- Label Code: LC 7266
- Price Code (D): QB
- Price Code (F): BM650
- SPARS Code: AAD
- Rights Society: BIEM GEMA
- Rights Society: BMI
- Mastering SID Code: none
- Mould SID Code: none
- Matrix / Runout (Variant 1): SONOPRESS F-6493 / GED24425 A 2
- Matrix / Runout (Variant 2): SONOPRESS F-6493-1/GED24425 A 2
- Matrix / Runout (Variant 3): SONOPRESS F-6493-1/GED24425 B1
- Matrix / Runout (Variant 4): SONOPRESS F-6493-1/GED24425 C1
- Matrix / Runout (Variant 5): SONOPRESS F-6493-1/GED24425 E
- Matrix / Runout (Variant 6): SONOPRESS F-6493-1/GED24425 B
Other Versions (5 of 783)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Nevermind (CD, Album, Mispress, DADC) | DGC, Sub Pop | DGCD-24425 | US | 1991 | |||
Recently Edited | Nevermind (LP, Album, Repress) | DGC, DGC | GEF 24425, DGC 24425 | Europe | 1991 | ||
Recently Edited | Nevermind (LP, Album) | DGC, DGC, DGC, Sub Pop | DGC 24425, DGC-24 425, GEF 24425-8 | Europe | 1991 | ||
Nevermind (CD, Album, ARC) | DGC, Sub Pop | DGCD-24425 | US | 1991 | |||
Recently Edited | Nevermind (LP, Album) | DGC, Sub Pop | DGC-24425 | US | 1991 |
Recommendations
Reviews
- Edited one year agoThis AAD is a superb sounding disc, beats my Pallas AAA Vinyl for dynamics. Make sure you see Sonopress in the runout.
- Was wurde nicht schon alles über dieses Meisterwerk der Musikgeschichte geschrieben? Kann ich da überhaupt noch etwas Interessantes zu beisteuern? Ich versuche es einfach mal: Auf diese Platte wurde ich zunächst auf dem Schulhof aufmerksam gemacht, denn dort unterhielt man sich über diese eine Band, die sich von allem bisher da gewesenen unterschied. Daher lieh ich sie mir von einem Schulkollegen, der eine Klasse unter mir war, aus. Es gab sogar Bedingungen dafür, nämlich bloß nicht länger als einen Tag und schon gar nicht übers Wochenende. Also, beim Erledigen der Hausaufgaben rein in den CD-Player und kurze Zeit später gebannt davor gehockt, denn dies war einfach eine Sensation. Diese Drums, diese Stimme, diese Gitarren. Einfach göttlich. Von diesem Zeitpunkt an musste ich auch ein Holzfällerhemd tragen und revolutionieren. Nach dem letzten Track „Something in the way“ musste ich mir dann als Stärkung etwas zu Essen in der Küche machen. Doch was war das? Was für Töne erklangen da aus meinem Zimmer? Dies war meine erste Begegnung mit einem Hiddentrack, und was für einen, denn „Endless, nameless“ stellte ein Zerstörungsszenario dar, welches Nirvana später immer am Ende ihrer Liveshows praktizierte. Der Tanzstil Pogen wurde ebenfalls durch diese Platte und durch das Video zu „Smells like teen spirit“ revolutioniert, denn nun pogten alle. Auch ich traute mich bei diesem Lied auf die Tanzfläche der Tanzschule Siebenhüner, dessen Inhaber diese Aggressivität schnell zu viel wurde. Das Ergebnis war, dass das Saallicht angemacht wurde und alle im Sitzen den Liedern von Nirvana lauschten. Die Obercoolen hatten für diesen Zeitpunkt sogar die Songbooks aus der Bravo dabei, um die Texte mitzusingen. Nur einmal, da sagte DJ Thomas „Mir doch egal, haut Euch doch die Köppe ein“ und spielte „Smells like teen spirit“ in voller Länge. Thomas war danach nie mehr gesehen. Deshalb ist er einer meiner Helden aus meiner Jugendzeit, genau wie Kurt Cobain, Dave Grohl und Krist Novoselic, sowie dem Produzenten dieses Albums: Butch Vig.
- this album changed the music landscape drastically and made Alternative Rock a household name
Sadly a lot of great 80s and early 90s bands and acts disappeared after the invasion of grunge. Suddenly acts like pearl jam, nirvana and stone temple pilots sold between 8-13 million cds each - I have this version on CD.
it seems this CD was Mastered At – The Mastering Lab and not at Masterdisk by Howie Weinberg.
Is there any difference in the sound??? - There is a “pre” and a “post” Nevermind in rock history. After its release, alternative rock abandons independent scene and faces the contradictions of this change. The everlasting clash of indie and mainstream music ends in September 1991, when Nirvana second album incorporates both these worlds. At the end of the 80s, major labels begin to take an interest in indie musical scene (demonstration of this new tendency is Geffen publication of Sonic Youth albums) and they realize that Seattle heavy and noisy music will be the “next big thing” to feed teenagers desires (Soundgarden and Alice in Chains albums were published by majors) and their dissatisfaction with “American dreams” and individualism of the 80s. In those days there was an increasing denial of synthetic emotions and hyper muscular rebellion, so Nirvana’s music could become a symbol of a cultural revolution. So it was, indeed!
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