John Luther Adams – The Wind In High Places
Label: | Cold Blue Music – CB0041 |
---|---|
Format: | CD, Album |
Country: | US |
Released: | |
Genre: | Classical |
Style: | Contemporary, Modern, Post-Modern |
Tracklist
The Wind In High Places | |||
1 | Above Sunset Pass | 7:25 | |
2 | Maclaren Sunset | 4:56 | |
3 | Looking Toward Hope | 6:11 | |
Canticles Of The Sky | |||
4 | Sky With Four Suns | 4:24 | |
5 | Sky With Four Moons | 4:24 | |
6 | Sky With Nameless Colors | 4:26 | |
7 | Sky With Endless Stars | 4:32 | |
8 | Dream Of The Canyon Wren | 7:41 |
Companies, etc.
- Phonographic Copyright ℗ – Cold Blue Music
- Copyright © – Cold Blue Music
Credits
- Cello [The Northwestern Cello Ensemble] – Alexandra Ayeong Kim, Andrew Talle (2), Ari Evan, Austin Fisher (2), Ben Solomonov*, Brannon Cho, Brian Hoffman (5), Christina Kim (2), Christopher Gao, Emily Yoshimoto, Henry Myers (4), Ian Greenberg, Jake Muzzy, Jenn Miyahira, Ji-Hee Kim, Ji-Ye Kim, Johannes Gray, Jonathan Koh (2), Josiah Yoo, Juan-Salvador Carrasco, Krystian Chiu, Laura Ritchie (3), Martin Nocedal, Minna Chung, Nathan Mo, Nick Heinzmann, Nicky Swett, Oleksander Mycyk, Philip Boulanger (3), Richard Mazuski, Richard Narroway, Rosina Mostardini, Russel Houston, Sarah Beske, Sheng Wu, Soyoon Park, Sung Chan Chang, Tahirah Whittington, Thomas Mesa, Wick Simmons, Wyndham Tsai, Yifan Wu, Yong Park, Yoon Ju Kwon, Yuki Koyama (3)
- Composed By – John Luther Adams
- Design – Jim Fox (4)
- Directed By – Hans Jørgen Jensen (2) (tracks: 4 to 7)
- Edited By, Mastered By – Scott Fraser (tracks: 4 to 7)
- Ensemble – The Northwestern Cello Ensemble* (tracks: 4 to 7), The JACK Quartet (tracks: 1 to 3, 8)
- Photography By – Center for Land Use Interpretation (CLUI), Richard Friedman (4)
- Producer – Jim Fox (4), John Luther Adams
- Recorded By – Christopher Willis (tracks: 4 to 7), Ryan Streber (tracks: 1 to 3, 8)
Notes
The Wind in High Places: "I’ve long been enamored with the ethereal tones of Aeolian harps—instruments that draw their music directly from the wind. The Wind in High Places treats the string quartet as a large, sixteen-stringed harp. All the sounds in the piece are produced as natural harmonics or on open strings. Over the course of almost twenty minutes, the fingers of the musicians never touch the fingerboards of the instruments. If I could’ve found a way to make this music without them touching the instruments at all, I would have." (John Luther Adams)
Four Canticles of the Sky: "In the Arctic sky, the low angle of the sun and heavy ice crystals in the air often produce vivid halos, arcs, and sundogs. Sometimes these phenomena create the illusion of multiple suns. 'Sky with Four Suns' is a musical evocation of such an apparition, from sunrise to sunset. Similar visions also occur at night, which is the image behind 'Sky with Four Moons.' 'Sky with Nameless Colors' and 'Sky with Endless Stars' were inspired by the skies of the Sonoran Desert." (John Luther Adams)
Dream of the Canyon Wren: "For forty years the song of the hermit thrush has been for me the quintessential voice of my home in the boreal forest of Alaska. In recent years I’ve found a new home in the desert, where the song of the canyon wren evokes for me similar feelings of deep tranquility and longing." (John Luther Adams)
Recorded:
[1 to 3], [8]: 29 July 2014, at Oktaven Studio, NY.
[4 to 7]: May 2013, Evanston, IL.
Edited & Mixed: August 2014, at Architecture, Los Angeles
Presented in a six-panel digifile including texts in English by JLA.
Four Canticles of the Sky: "In the Arctic sky, the low angle of the sun and heavy ice crystals in the air often produce vivid halos, arcs, and sundogs. Sometimes these phenomena create the illusion of multiple suns. 'Sky with Four Suns' is a musical evocation of such an apparition, from sunrise to sunset. Similar visions also occur at night, which is the image behind 'Sky with Four Moons.' 'Sky with Nameless Colors' and 'Sky with Endless Stars' were inspired by the skies of the Sonoran Desert." (John Luther Adams)
Dream of the Canyon Wren: "For forty years the song of the hermit thrush has been for me the quintessential voice of my home in the boreal forest of Alaska. In recent years I’ve found a new home in the desert, where the song of the canyon wren evokes for me similar feelings of deep tranquility and longing." (John Luther Adams)
Recorded:
[1 to 3], [8]: 29 July 2014, at Oktaven Studio, NY.
[4 to 7]: May 2013, Evanston, IL.
Edited & Mixed: August 2014, at Architecture, Los Angeles
Presented in a six-panel digifile including texts in English by JLA.
Barcode and Other Identifiers
- Barcode: 800413004127
- Matrix / Runout: 8258 - CB0041 111914
- Mastering SID Code: IFPI LT05
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