Nirvana – Nevermind
Label: | DGC – 424 425-1, Sub Pop – 424 425-1 |
---|---|
Series: | Back To Black |
Format: | Vinyl, LP, Album, Reissue, 180g |
Country: | Europe |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Grunge |
Tracklist
A1 | Smells Like Teen Spirit | 5:00 | |
A2 | In Bloom | 4:13 | |
A3 | Come As You Are | 3:38 | |
A4 | Breed | 3:03 | |
A5 | Lithium | 4:16 | |
A6 | Polly | 2:56 | |
B1 | Territorial Pissings | 2:22 | |
B2 | Drain You | 3:43 | |
B3 | Lounge Act | 2:35 | |
B4 | Stay Away | 3:30 | |
B5 | On A Plain | 3:12 | |
B6 | Something In The Way | 3:43 |
Companies, etc.
- Record Company – Sub Pop Records
- Phonographic Copyright ℗ – The David Geffen Company
- Copyright © – The David Geffen Company
- Recorded At – Sound City Studios
- Mixed At – Scream Studios
- Mastered At – Masterdisk
- Published By – Virgin Songs, Inc.
- Published By – The End Of Music
Credits
- A&R – Gary Gersh
- Art Direction, Design – Robert Fisher (4)
- Bass, Vocals – Chris Novoselic*
- Drums, Vocals – Dave Grohl
- Engineer [Assistant, Mixing] – Craig Doubet
- Engineer [Assistant, Recording] – Jeff Sheehan
- Legal [Legal Affairs] – Alan Mintz, Ziffren, Brittenham & Branca
- Management – Danny Goldberg, John Silva (3)
- Mastered By – Howie Weinberg
- Mixed By – Andy Wallace
- Music By – Nirvana
- Photography By – Michael Lavine
- Photography By [Cover Photo] – Kirk Weddle
- Photography By [Monkey Photo] – Kurdt Kobain*
- Producer, Engineer – Butch Vig, Nirvana
- Vocals, Guitar, Lyrics By – Kurt Cobain
Notes
Comes with printed inner sleeve
Includes a voucher for an MP3 version of the album downloadable from http://ulocker.udiscovermusic.com/back-to-black/
Management for Gold Mountain Entertainment
Published Ⓒ 1991 Virgin Songs, Inc./The End Of Music
All Rights Controlled and Administered by Virgin Songs, Inc.
Produced by special arrangement with Sub Pop Records
Ⓟ & Ⓒ 1991 The David Geffen Company, an MCA Company
Made in the EU.
Silver sticker Italian Rights Society SIAE on back cover.
Includes a voucher for an MP3 version of the album downloadable from http://ulocker.udiscovermusic.com/back-to-black/
Management for Gold Mountain Entertainment
Published Ⓒ 1991 Virgin Songs, Inc./The End Of Music
All Rights Controlled and Administered by Virgin Songs, Inc.
Produced by special arrangement with Sub Pop Records
Ⓟ & Ⓒ 1991 The David Geffen Company, an MCA Company
Made in the EU.
Silver sticker Italian Rights Society SIAE on back cover.
Barcode and Other Identifiers
- Barcode (Scanned): 720642442517
- Barcode (Text): 0 720642 442517
- Label Code: LC 07266
- Rights Society: BIEM/MCPS
- Rights Society: BMI
- Matrix / Runout (Side 1, Stamped): A33 9124 425 S1 320
- Matrix / Runout (Side 2, Stamped): A33 9124 425 S2 320
Other Versions (5 of 739)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Nevermind (CD, Album, Mispress, DADC) | DGC, Sub Pop | DGCD-24425 | US | 1991 | |||
Recently Edited | Nevermind (LP, Album, Repress) | DGC, DGC | GEF 24425, DGC 24425 | Europe | 1991 | ||
Recently Edited | Nevermind (Cassette, Album, Dolby HX Pro B NR) | DGC, Sub Pop | DGCC-24425 | US | 1991 | ||
Nevermind (CD, Album, Sonopress Pressing) | DGC, Sub Pop | GED 24425, DGCD 24425 | Europe | 1991 | |||
Recently Edited | Nevermind (LP, Album) | DGC, DGC, DGC, Sub Pop | DGC 24425, DGC-24 425, GEF 24425-8 | Europe | 1991 |
Recommendations
Reviews
Show All 39 Reviews- My copy sound fantastic, nice balanced sound, very crisp. Silent between tracks. I’m annoyed that the record is a bit warped. This is happening more and more often with new records that I buy.
- Edited one month agoThis reissue sounds great. I hate the inner sleeve. Upon removing the vinyl from it, the poly lined part came all the way out of the paper and it wouldn’t go back in straight. It frustrated me enough to just throw it out and use a regular paper inner. The vinyl isn’t concentric but it plays fine. Also the record was a little dirty but when cleaned, it had no surface marks.
- Edited 5 months agoI confirm, no "BG" etched on this vinyl and I don't care cause it sounds damn good enough to me. Bass and drums are not overpowered, it just sounds groovy as grunge should do. I don't like Back To Black pressings too much but glad to see they don't f...ked up all their releases :)
- Awsesome pressing, sounds very clear and with a great bass with out loosing the definition. Kurt vocals sound great.
- this pressing absolutely kicks ass, sounds amazing and deep when cranked loud and has minimal surface noise. i highly recommend it
- awesome pressing. a bit of hairline scratches due to the sleeve when i tried to pull it out because the sleeve was just stuck to the record and i pretty much ripped it out after trying to get it out carefully. taught me a lesson of cutting the sleeves with scissors instead of taking the record out just to avoid hairline scratches. sounds awesome though!
- This is an ok to good pressing but not as clear and detailed as the 2017 B2B one that was pressed from the Bernie Grundman pallas plates.. I have a fairly linear system and this just sounds too bassy on it - not saying its bad but once you compare to the other there jusy isn't any reason to listen to this issue.
- This is an ok to good pressing but not as clear and detailed as the 2017 B2B one that was pressed from the Bernie Grundman pallas plates.. I have a fairly linear system and this just sounds too bassy on it - not saying its bad but once you compare to the other there jusy isn't any reason to listen to this issue.
- Edited one year agoThe Universal "Back to Black" label is turning up a lot of reviews on this release page; perhaps reviewers are not checking matrix numbers and other specs before reviewing. From what I understand, this 2015 reissue/repress is from the 2001 "320" cut which had been remastered from the original tape. It tends to be darker sounding, with heavier bass than the BG cut. The BG cut that people are buying these days from big box stores, and on Amazon is most likely the 2017 Universal Back to Black version, and it should be reviewed and listed for sale on that page instead of this one. Unfortunately, the outer jackets for both this 2015 and other Back to Black reissues have been reported to be identical, with the only way to tell the difference between the "320" and the "BG" mastering by looking at the matrix numbers in the dead wax. Whether this is the case, reviews and sale listings on this page should all be for the "320" cut.
- Why is this version is being referred as a BG cut? It does not have his initials anywhere. The question is: is this version digital or analago?
Release
Marketplace
402 For Sale from $18.74Statistics
Lists
- Vinyl by IcarusXXV
- My 12" LP's by bobby1972
- ROCK by lasse123
- Summerhome Collection by mikewhalen108
- Rolling Stone's 500 Greatest Albums of All Time by rodolfocalizg
- Albums I've Listened To by SquigglyThing
- vinyl by youwontseeme
- ACTUAL COLLECTION by joeshmo1
- Physical Collection by maelredacted
- Vinyls that I own by Georgetown5000
- Priorities by misterjonas777
- Garage Line by Joe66
- Andy J. LP List by Mike_Crum
- war chief by warchiefrecords
- Vinyl 12 Inch Alben by DMeyer27
- My Rock Essentials by ConersVinyl
- I want it all by Nestor_fuentes
- Rock&Pop by LefterRecords
- Intercambio by jorgerifer
- B-Day by atairsaw
Contributors
7inchsingles.nl, REGE.SATANAS, LeeTee, marcelb7, fake_blues, mikeer, BornToDie, Andrew1240, kallangur-fiend, NatesDiscogs, juandaca, Hot_Snake, OlaDj, mox1985, music-hunter, Weedsgrowapace, Ioveless, zaq13qaz, Tefhaas, klonek, Tommysstash, burraga, chickenfree, LinusParkourTips, debcsipeter, jamesthedog, vpaluzga, peter0punk, 2092LPs