Denzel + Huhn – Time Is A Good Thing
Label: | City Centre Offices – towerblockcd009 |
---|---|
Format: | CD, Album |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Abstract, IDM |
Tracklist
1 | Chicago | 3:36 | |
2 | Alto | 3:41 | |
3 | Coend | 4:35 | |
4 | A 54 | 6:29 | |
5 | Kinogat | 5:44 | |
6 | Ehe | 4:52 | |
7 | Melight | 4:28 | |
8 | Shaffel | 5:41 | |
9 | Rebirthsample | 2:02 | |
10 | Rye | 3:24 | |
11 | Faller | 5:57 | |
12 | Konide | 3:13 | |
13 | Cotier | 4:48 |
Companies, etc.
- Copyright © – City Centre Offices
- Phonographic Copyright ℗ – City Centre Offices
- Distributed By – Baked Goods
- Distributed By – Morr Music
- Published By – Copyright Control
- Recorded At – The Upperroom, Berlin
- Mastered At – Dubplates & Mastering
Credits
- Cover – Etuipop
- Mastered By – Loop-o
- Written-By, Producer – Denzel + Huhn
Notes
© & ℗ City Centre Offices 2002.
Distributed by Baked Goods (UK) and Morr Music (rest of the world)
Recorded at the Upperroom, Berlin.
Mastered & cut at d&m, Berlin 19.04.02
Issued in a 4-panel Digipak.
Incorrect durations on packaging: track 5: 5:38, track 8: 4:17. Durations for these two tracks in tracklist are from CD player.
Distributed by Baked Goods (UK) and Morr Music (rest of the world)
Recorded at the Upperroom, Berlin.
Mastered & cut at d&m, Berlin 19.04.02
Issued in a 4-panel Digipak.
Incorrect durations on packaging: track 5: 5:38, track 8: 4:17. Durations for these two tracks in tracklist are from CD player.
Barcode and Other Identifiers
- Matrix / Runout: HAND0208260
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Time Is A Good Thing (2×LP, Album) | City Centre Offices | TOWERBLOCK 009 LP | Germany | 2002 |
Recommendations
Reviews
- Edited 18 years agoMore IDM warmth from City Centre Offices, this time on the album, TIME IS A GOOD THING from Denzel + Huhn. From the melodic "Chicago" to the more blippy "Alto," this album seems to encompass many styles. But a slow ambience permeates the tracks, resulting in a relaxing, almost soporific effect. "Kinogat" swims in a moody atmosphere, while "Ehe" counts off time in an elegant digital clockworks. But many of the other tracks are a bit too spacy and seem to disappear into the aether. Part of that may be that the tracks themselves are very simple: a certain sound or chord is looped and given some accompaniment. The tracks are short, thankfully, so that the welcome isn't worn out. But some more development would be welcome in the future.
Release
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