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Contributors
Various – Aspen 5 + 6
| Label: | Roaring Fork Press – 5 + 6 |
|---|---|
| Format: | 5 x Flexi-disc, 8", 16 ⅔ RPM, 33 ⅓ RPM, Compilation |
| Country: | US |
| Released: | |
| Genre: | Electronic, Non-Music, Classical |
| Style: | Interview, Monolog, Spoken Word, Experimental, Poetry |
Tracklist
| A | Samuel Beckett– | Text For Nothing #8 |
| B | Naum Gabo (2) / Noton Pevsner– | The Realistic Manifesto |
| C | William S. Burroughs– | Nova Express (Excerpts) |
| D | Alain Robbe-Grillet– | Now The Shadow Of The Southwest Column |
| E | Morton Feldman– | The King Of Denmark |
| F | John Cage– | Fontana Mix-Feed, Nov. 6, 1967 |
| G | Merce Cunningham– | Space, Time And Dance |
| H | Merce Cunningham– | Further Thoughts |
| I | Marcel Duchamp– | The Creative Act |
| J1 | Richard Huelsenbeck– | Four Poems From Phantastiche Gebete |
| J2 | Marcel Duchamp– | Some Texts From À L'Infinitif |
Credits
- Compiled By – Brian O'Doherty (6)
Notes
A including box with 1 book, 5 x 8" flexi disc, 1 reel of 8mm film, 8 boards and 10 printed data.
This double issue was guest edited by Brian O'Doherty.
Includes contents sheet; book with "The Death of the Author" by Roland Barthes, "Style and The Representation of Historical Time" by George Kubler, and "The Aesthetics of Silence" by Susan Sontag; 16-2/3 rpm flexi with Samuel Beckett (read by Jack MacGowran) and Naum Gabo / Noton Pevsner; 33-1/3 rpm flexi with Williams S. Burroughs and Alain Robbe-Grillet; Tony Smith "The Maze" [8 boards to be cut and assembled]; 33-1/3 rpm flexi with Morton Feldman and John Cage performed by Max Neuhaus; 33-1/3 rpm flexi with Merce Cunningham; 33-1/3 rpm flexi with Marcel Duchamp and Richard Huelsenbeck; printed data by Douglas Macagy, Michel Butor, Dan Graham, Sol Lewitt, Mel Bochner [including 7 loose translucent sheets], Brain O'Doherty, Tony Smith, and Alain Robbe-Grillet; scores by Morton Feldman and John Cage; a reel of b&w regular 8 [which is different from Super 8] film with Hans Richter "Rhythm 21" (1921), Laszlo Moholoy-Nagy "Lightplay: Black-White-Grey" (excerpt) (1932), Robert Morris / Stan VanDerBeek "Site" (excerpt) (1964), and Robert Rauschenberg "Linoleum" (excerpt) (1967); and folder of loose advertisements [Artforum, Bolex, A Checklist of Something Else Press publications now available, and John Cage Silence / A Year From Monday].
Contained in two-part white box with minimal printing.
This double issue was guest edited by Brian O'Doherty.
Includes contents sheet; book with "The Death of the Author" by Roland Barthes, "Style and The Representation of Historical Time" by George Kubler, and "The Aesthetics of Silence" by Susan Sontag; 16-2/3 rpm flexi with Samuel Beckett (read by Jack MacGowran) and Naum Gabo / Noton Pevsner; 33-1/3 rpm flexi with Williams S. Burroughs and Alain Robbe-Grillet; Tony Smith "The Maze" [8 boards to be cut and assembled]; 33-1/3 rpm flexi with Morton Feldman and John Cage performed by Max Neuhaus; 33-1/3 rpm flexi with Merce Cunningham; 33-1/3 rpm flexi with Marcel Duchamp and Richard Huelsenbeck; printed data by Douglas Macagy, Michel Butor, Dan Graham, Sol Lewitt, Mel Bochner [including 7 loose translucent sheets], Brain O'Doherty, Tony Smith, and Alain Robbe-Grillet; scores by Morton Feldman and John Cage; a reel of b&w regular 8 [which is different from Super 8] film with Hans Richter "Rhythm 21" (1921), Laszlo Moholoy-Nagy "Lightplay: Black-White-Grey" (excerpt) (1932), Robert Morris / Stan VanDerBeek "Site" (excerpt) (1964), and Robert Rauschenberg "Linoleum" (excerpt) (1967); and folder of loose advertisements [Artforum, Bolex, A Checklist of Something Else Press publications now available, and John Cage Silence / A Year From Monday].
Contained in two-part white box with minimal printing.
