Canarios – Ciclos
Tracklist
Primera Transmigración (Paraíso Remoto) | (16:50) | ||
A.1 | Genesis | ||
A.2 | Prana (Grito Primario) | ||
A.3 | Primera Visión De Un Mundo Nuevo | ||
A.4 | Himno A La Armonía Magistral Del Universo | ||
A.5 | Primeros Pasos En Un Mundo Nuevo | ||
A.6 | Metamorfosis Extravagante | ||
Segunda Transmigración (Abismo Próximo) | (16:45) | ||
B.1 | Narración Extravagante | ||
B.2 | Primeras Preguntas En Un Mundo Nuevo | ||
B.3 | Canto Al Niño Neurótico | ||
B.4 | Himno Crítico A La Primera Adversidad | ||
B.5 | Desfile Extravagante | ||
B.6 | Proceso Alienatorio | ||
B.7 | Serenata Extravagante | ||
Tercera Transmigración (Ciudad Futura) | (17:47) | ||
C.1 | Pequeño Concierto Extravagante | ||
C.2 | Páginas De Plata De Un Diario Íntimo | ||
C.3 | Anti-Himno A La Programación Cibernética | ||
C.4 | Monasterios - Proceso Cibernético | ||
C.5 | Villancico Extravagante | ||
Cuarta Transmigración (El Eslabón Recobrado) | (21:53) | ||
D.1 | Hibernus | ||
D.2 | Crisis | ||
D.3 | Ballet De Las Sombras | ||
D.4 | Himno A La Armonía Implacable Del Fin | ||
D.5 | Vanessa (El Aliento De La Osamenta) | ||
D.6 | Nirvana Extravagante | ||
D.7 | Diálogos A Alto Nivel | ||
D.8 | Hiperdestrucción | ||
D.9 | Apocalipsis |
Companies, etc.
- Produced For – Ariola Eurodisc S.A.
- Published By – Arabella Ediciones Musicales, S.A.
Credits
- Adapted By (Text) [Adaptación Del Original Y Textos] – E. Bautista*
- Arranged By [Arreglos De Coros], Chorus Master [Dirección De Coros] – Alfredo Carrión
- Co-producer [Coproducido Por] – A. Morales*, E. Bautista*
- Drums, Electronic Drums [Control De Percusión Moog], Darbouka [Dharbuka], Idiophone [Flexotone], Percussion [Bambus, Caja Rumbera, Planchas De Acero], Rototoms [Roto-Toms], Gong [Gongs], Timbales [Timbaletas, Timbales Afinados], Tambourine, Maracas, Crotales, Glockenspiel, Cymbal [Crash, Cimbalos], Temple Block, Steel Drums [Tumbadoras], Triangle, Bells [Campanas Afinidas], Horn, Voice [Risa] – Alain Richard
- Electric Bass, Synthesizer, Theremin – Christian Mellies
- Electric Guitar, Acoustic Guitar [6 Corde], 12-String Acoustic Guitar, Vibraphone, Lyre, Epinette des Vosges, Effects [Echoplex, Phase Shifter], Vocals – Antonio García De Diego
- Electric Piano, Electric Organ [Organos Hammond], Spinet, Piano, Violin – Mathias Sanveillan
- Lyrics By – E. Bautista*
- Performer [Interpretado], Arranged By [Arreglado Por] – Canarios
- Producer [Producido Por] – A. Morales*, E. Bautista*
- Synthesizer, Keyboards, Sequencer, Electronics [Ribbon Controller, Digital Frequency Meter], Mellotron, Audio Generator [Osciladores Programados] – Teddy Bautista
Notes
Basado en «Las Cuatro Estaciones» de Antonio Vivaldi [Based on "The 4 Seasons" by Antonio Vivaldi]
On labels:
Intepretado y arreglado por Canarios
Adaptación del original y textos: E. Bautista
Producido por E. Bautista y A. Morales para Ariola-Eurodisc, S. A.
Coros arreglados y dirigidos por Alfredo Carrión
Ariola Eurodisc S. A.
Arabella Ediciones Musicales, S. A.
Inside booklet:
Intepretado y arreglado por: Canarios.
Adaptación original: E. Bautista.
Arreglos y dirección de coros: Alfredo Carrión.
Coproducido por: A. Morales y E. Bautista.
℗ 1974
Made in Spain
Gatefold cover with printed inner sleeves and 20-page booklet.
Catalog number variations are: 87905 XD on rear cover, 87905-XD on cover spine.
On labels:
Intepretado y arreglado por Canarios
Adaptación del original y textos: E. Bautista
Producido por E. Bautista y A. Morales para Ariola-Eurodisc, S. A.
Coros arreglados y dirigidos por Alfredo Carrión
Ariola Eurodisc S. A.
Arabella Ediciones Musicales, S. A.
Inside booklet:
Intepretado y arreglado por: Canarios.
Adaptación original: E. Bautista.
Arreglos y dirección de coros: Alfredo Carrión.
Coproducido por: A. Morales y E. Bautista.
℗ 1974
Made in Spain
Gatefold cover with printed inner sleeves and 20-page booklet.
Catalog number variations are: 87905 XD on rear cover, 87905-XD on cover spine.
Barcode and Other Identifiers
- Other (Cat#, record 1): 87.903 - XD
- Other (Cat#, record 2): 87.904 - XD
- Depósito Legal (Record 1): B. 20162-1974
- Depósito Legal (Record 2): B. 20163-1974
- Other (Imp. de Lujo a metálico): Permiso n.º 6649
- Rights Society: SGAE
- Matrix / Runout (Variant 1 - Side A runout (Stamped)): 87903-XC 1A△ =P 2FB
- Matrix / Runout (Variant 1 - Side B runout (Stamped)): 87903-XC-B1 2FB P = 8̶7̶9̶0̶3̶-̶X̶C̶ ̶2̶B̶△̶
- Matrix / Runout (Variant 1 - Side C runout (Stamped)): 87904-XC A/2△ - M 1FB 1
- Matrix / Runout (Variant 1 - Side D runout (Stamped)): 87904-XC-B2 2FB = I 2 8̶7̶9̶0̶3̶-̶X̶C̶ ̶4̶B̶△̶
- Matrix / Runout (Variant 2 - Side A runout (Stamped)): 87903-XC 1A△ = P 2 FB
- Matrix / Runout (Variant 2 - Side B runout (Stamped)): 87903-XC-B1 2FB H = 1 8̶7̶9̶0̶3̶-̶X̶C̶ ̶2̶B̶△̶
- Matrix / Runout (Variant 2 - Side C runout (Stamped)): 87904-XC A/2△ - M 1FB 1
- Matrix / Runout (Variant 2 - Side D runout (Stamped)): 87904-XC-B2 2FB = P 2 8̶7̶9̶0̶3̶-̶X̶C̶ ̶4̶B̶△̶
- Matrix / Runout (Variant 3 - Side A runout (Stamped)): 87903-XC 1A△ =A 2FB 1
- Matrix / Runout (Variant 3 - Side B runout (Stamped)): 87903-XC-B1 2FB O = 1 8̶7̶9̶0̶3̶-̶X̶C̶ ̶2̶B̶△̶
- Matrix / Runout (Variant 3 - Side C runout (Stamped)): 87904-XC A/2△ - A 1FB 1
- Matrix / Runout (Variant 3 - Side D runout (Stamped)): 87904-XC-B2 2FB = M 2 8̶7̶9̶0̶3̶-̶X̶C̶ ̶4̶B̶△̶
Other Versions (5 of 20)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Cycles (2×LP, Album, Stereo, Gatefold) | Ariola, Ariola, Ariola, Ariola, Ariola | 87 905 XDT, 87 903 XDT, 87 904 XDT, 89 088 XCT, 89 089 XCT | Netherlands | 1974 | ||
New Submission | Ciclos (I) (8-Track Cartridge, Album) | Ariola, Ariola | 91090S, 91.090 S | Spain | 1974 | ||
Needs Changes | Ciclos (II) (Cassette, Album) | Ariola | D-54967 | Spain | 1974 | ||
New Submission | Ciclos (I) (II) (2×Cassette, Album) | Ariola | D-54967 | Spain | 1974 | ||
New Submission | Ciclos (2×LP, Album, Repress) | Ariola, Ariola | 87905 XD, 87905-XD | Spain | 1974 |
Recommendations
Reviews
- Obviously it's a killer album. I wholeheartedly recommend it to all fans of 70's rock, especially those who love prog and symphonic.
- Hello! Can anyone that owns this record please confirm the Runouts matrix?
Disc 1, Side 1: 87903-XC 1A△
Disc 1, Side 2: 87903-XC-B1
Disc 2, Side 1: 87904-XC A/2△
Disc 2, Side 2: 87904-XC-B2 - I agree with the previous reviewer. There is so much going on here that it's hard to wrap your head around, but quite a bit of it is astonishing. Through headphones, it's a truly mindblowing experience. I find the Vivaldi elements to be downplayed in comparison to the inventive, full-on prog rock craziness.
- Canarios started off as your typical pop/rock band from Spain. They seemed most known in this early phase for the 1968 single "Get On Your Knees". But by 1970 the group disappeared, because Teddy Bautista apparently had to do military service. By 1974 he returned to music and Canarios returned, in a drastically different musical direction, to full-on prog rock. Serious prog rock, to say the least. It's like if Los Bravos (the only Spanish band in the 1960s I know to have a hit in the States with "Black is Black") disappeared for a few years then come back as a full-on prog band (which never happened, of course). So what they do here is take on Vivaldi's The Four Seasons in totally full-blown prog rock context you can imagine. Kinda like ELP did for Mussorgsky's Pictures at an Exhibition. This group went hog wild on synths and Mellotron, with various vocals of varying quality, including an Indonesian-born soprano, while Teddy Bautista's vocals himself certainly aren't the strong points. If you're familiar with the original, you'll find many familiar themes, but doing silly things (that even most other prog groups would never think of) like going into a barbershop quartet thing and singing how it's a plastic Christmas and then going into some silly bluesy guitar playing is something totally out of the question on the original. One part had a flamenco feel reminding me a tad of Triana (although this came out before Triana released their first album). There are also more experimental passages too and so much going on that it needs several listens and full attention. This is the kind of thing that would get classical purists running for the hill, but then this was meant for prog rock fans, the type that enjoyed ELP's Pictures at an Exhibition. Really strange album from a group that started as a standard pop rock group, and this album is the big reason Canarios is even known at all in prog circles. If you fancy Vivaldi's work in a prog setting, this come recommended.
Release
For sale on Discogs
Sell a copy23 copies from $11.25