Various – Not Necessarily "English Music"
Label: | Leonardo Music Journal – Volume 11, Electronic Music Foundation – EMF CD 036 |
---|---|
Series: | LMJ CD Series – 11 |
Format: | 2 x CD, Album, Compilation |
Country: | US |
Released: | |
Genre: | Electronic, Jazz, Classical |
Style: | Free Improvisation, Experimental |
Tracklist
1.01 | AMM– | Live At The Royal College Of Art | 6:24 |
1.02 | Max Eastley– | Wind Flutes Urban | 3:17 |
1.03 | Intermodulation– | Performants | 6:40 |
1.04 | Frank Perry– | Wedged Into Release | 3:27 |
1.05 | Michael Parsons & Howard Skempton– | Piece For Cello And Accordion | 2:50 |
1.06 | Daphne Oram– | Four Aspects | 4:51 |
1.07 | abAna– | The Judith Poem | 2:29 |
1.08 | Hugh Davies– | Music For Three Springs | 5:03 |
1.09 | Robert Worby– | Piano Musics I & II | 5:13 |
1.10 | Lol Coxhill & Steve Miller (3)– | Plum | 7:07 |
1.11 | Spontaneous Music Orchestra– | Search And Reflect | 6:09 |
1.12 | The People Band– | Part 3 | 6:42 |
1.13 | Evan Parker & Paul Lytton– | As It Were | 7:40 |
2.01 | John Stevens (2)– | Solo | 7:50 |
2.02 | Steve Beresford– | Toy Piano | 1:47 |
2.03 | Steve Beresford– | Voice | 1:43 |
2.04 | Cornelius Cardew & Jane Manning– | Battle March | 2:27 |
2.05 | Ron Geesin– | Duet For One-String Banjo And Water Cistern | 2:54 |
2.06 | Gentle Fire– | Group Composition VI (Unfixed Parities) | 4:31 |
2.07 | Rain In The Face– | Instant Composition No. 1 | 6:59 |
2.08 | Ranulph Glanville– | Nona Meyeah Teay | 3:35 |
2.09 | Derek Bailey– | Improvisation 5 | 7:43 |
2.10 | The Campiello Band– | Miserere | 4:47 |
2.11 | Mike Cooper– | Pharoah's March | 7:10 |
2.12 | A Touch Of The Sun– | Geese | 3:24 |
2.13 | The Scratch Orchestra– | Pilgrimage From Scattered Points On The Surface Of The Body To The Brain, The Inner Ear, The Heart And The Stomach | 7:15 |
2.14 | Frank Perry, Mongezi Feza & Chris McGregor– | Blowin' In The Wind | 7:06 |
Companies, etc.
- Copyright © – Leonardo/ISAST
- Phonographic Copyright ℗ – Leonardo/ISAST
- Manufactured By – Eva-Tone Soundsheets
- Printed By – Eva-Tone Soundsheets
Credits
- Coordinator [Project Coordinator] – Patricia Bentson
- Curated By, Coordinator [Coordinated By], Liner Notes – David Toop
- Design [CD Booklet] – Peter Soe, Jr.
- Engineer, Remastered By – Tom Erbe
- Photography By – Stuart Marshall
Notes
Subtitled "a collection of experimental music from Great Britain, 1960-1977".
Published in two editions:
Two CDs in a jewel case available from Electronic Music Foundation.
Two CDs mounted in the rear of Leonardo Music Journal Volume 11, published by The MIT Press, which includes: "Introduction - Not Necessarily 'English Music': Britain's Second Golden Age" by Nicolas Collins, "The Scratch Orchestra and Visual Arts" by Michael Parsons, "Cardew as a Basis for Discussion on Ethical Options" by Coriún Aharonián, "The New English Keyboard School: A Second 'Golden Age'" by Sarah E. Walker, "The Arrival of a New Musical Aesthetic: Extracts from a Half-Buried Diary" by Eddie Prévost, "Imaging Music: Abstract Expressionism and Free Improvisation" by Matthew Sansom, "Between Now and Then: The Auto-Interview of a Lapsed Musician" by Ranulph Glanville. "Plus ça change: Journeys, Instruments and Networks, 1966-2000" by Lawrence Casserley, "Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993" by Alvin Lucier, "Gentle Fire: An Early Approach to Live Electronic Music" by Hugh Davies, "Making It Up as You Go Along" by Stuart Jones, "Remembering How To Forget: An Artist's Exploration of Sound" by Robin Rimbaud, "AudiOh!: Appropriation, Accident and Alteration" by Janek Schaefer, "Rorschach Audio: Ghost Voices and Perceptual Creativity" by Joe Banks, plus Contributors’ Notes on the double CD from Max Eastley, Simon Emmerson, Frank Perry, Michael Parsons, Hugh Davies, Bob Cobbing, Lol Coxhill, Terry Day, Steve Beresford, Ron Geesin, Ranulph Glanville, Mike Cooper, Peter Cusack, and Bryn Harris.
Published in two editions:
Two CDs in a jewel case available from Electronic Music Foundation.
Two CDs mounted in the rear of Leonardo Music Journal Volume 11, published by The MIT Press, which includes: "Introduction - Not Necessarily 'English Music': Britain's Second Golden Age" by Nicolas Collins, "The Scratch Orchestra and Visual Arts" by Michael Parsons, "Cardew as a Basis for Discussion on Ethical Options" by Coriún Aharonián, "The New English Keyboard School: A Second 'Golden Age'" by Sarah E. Walker, "The Arrival of a New Musical Aesthetic: Extracts from a Half-Buried Diary" by Eddie Prévost, "Imaging Music: Abstract Expressionism and Free Improvisation" by Matthew Sansom, "Between Now and Then: The Auto-Interview of a Lapsed Musician" by Ranulph Glanville. "Plus ça change: Journeys, Instruments and Networks, 1966-2000" by Lawrence Casserley, "Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993" by Alvin Lucier, "Gentle Fire: An Early Approach to Live Electronic Music" by Hugh Davies, "Making It Up as You Go Along" by Stuart Jones, "Remembering How To Forget: An Artist's Exploration of Sound" by Robin Rimbaud, "AudiOh!: Appropriation, Accident and Alteration" by Janek Schaefer, "Rorschach Audio: Ghost Voices and Perceptual Creativity" by Joe Banks, plus Contributors’ Notes on the double CD from Max Eastley, Simon Emmerson, Frank Perry, Michael Parsons, Hugh Davies, Bob Cobbing, Lol Coxhill, Terry Day, Steve Beresford, Ron Geesin, Ranulph Glanville, Mike Cooper, Peter Cusack, and Bryn Harris.
Barcode and Other Identifiers
- Barcode: 6 53727 46772 6
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