Various – WLLZ Motor City Rocks II
Label: | Starstream Record Co. – RTR-8324 |
---|---|
Series: | Motor City Rocks – 2 |
Format: | Vinyl, LP, Compilation |
Country: | US |
Released: | |
Genre: | Rock |
Style: |
Tracklist
A1 | Legacy (51)– | I Dont Believe It |
A2 | Cinema (24)– | Only the Angels Know |
A3 | Streetwise (6)– | Maybe Next Time |
A4 | Lifters (2)– | Boy Grows Man |
A5 | Natasha (18)– | Heroes |
B1 | D.B.Night– | I'm Hangin' |
B2 | Motor City Mutants*– | So American |
B3 | Cadillac Kidz– | Shoulder To Shoulder |
B4 | Dreamer (22)– | Criminal Action |
B5 | Matriarch (6)– | Fantasy Tonight |
Companies, etc.
- Recorded At – Gnome Sound
- Mastered At – Sterling Sound
Credits
- Illustration – Gary Grimshaw
- Mastered By – Greg Calbi
- Producer – Bruce Nazarian
Notes
Local Detroit Bands from 1983 on a radio station WLLZ compilation record.
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Reviews
- Edited 3 years agoThe second compilation from this Detroit radio station.
Standout artists: Legacy, Cinema, Lifters, Natasha, Dreamer, Matriarch
Track by track:
1. Legacy - "I Don't Believe It": Female-fronted AOR musically similar to early Journey. Nice shimmering keyboards during the verses too.
2. Cinema - "Only The Angels Know": Progressive rock with a haunting intro.
3. Streetwise - "Maybe Next Time": New wave/power pop.
4. Lifters - "Boy Grows Man": New wave that sounds like The Police (musically) meets Devo (vocally during the chorus).
5. Natasha - "Heroes": Female-fronted new wave/synth-pop in the vein of Oingo Boingo and Alien Heirs.
6. D.B. Night - "I'm Hangin'": Female-fronted hard rock from their EP. Lead singer/rhythm guitarist Debbie Darnell's vocals sound similar to those of Pat Benatar and Entourage's Robin Marshall.
7. Motor City Mutants - "So American": Power pop.
8. Cadillac Kidz - "Shoulder To Shoulder": Hard rock/power pop similar to Cheap Trick.
9. Dreamer - "Criminal Action": Upbeat AOR with stabbing keyboards.
10. Matriarch - "Fantasy Tonight": Pompy female-fronted AOR with a late '70s feel. It starts out slow, but kicks into an uptempo interlude in the middle.
Release
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