First ChoiceLet No Man Put Asunder

Label:

Salsoul Records – SG 397

Format:

Vinyl, 12", 33 ⅓ RPM, Single, Stereo

Country:

US

Released:

Genre:

Electronic, Funk / Soul

Style:

Disco

Tracklist

A1Let No Man Put Asunder (Vocal)
Engineer [Mix Engineer]John Potoker
Mixed ByShep Pettibone
7:25
A2Let No Man Put Asunder (Instrumental)
Engineer [Mix Engineer]John Potoker
Mixed ByShep Pettibone
A3Let No Man Put Asunder (Acappella)
B1Let No Man Put Asunder (Vocal)
Edited ByErasmo Rivera
Mixed ByFrankie Knuckles
7:00
B2Let No Man Put Asunder (Instrumental)
Edited ByErasmo Rivera
Mixed ByFrankie Knuckles

Companies, etc.

  • Phonographic Copyright ℗Salsoul Record Corp.
  • Produced ForMastermix Productions
  • Lacquer Cut AtSterling Sound
  • Pressed ByRCA Records Pressing Plant, Indianapolis

Credits

  • ProducerBaker-Harris-Young Productions
  • Written-ByB. Gray*, B. Hawes*

Notes

"A Shep Pettibone Mix" For Mastermix Productions
℗ 1977 Salsoul Record Corp.

Barcode and Other Identifiers

  • Rights Society: BMI
  • Matrix / Runout (Label side A): SG 397 A
  • Matrix / Runout (Label side B): SG 397 B
  • Matrix / Runout (Runout side A, variant 1): SG 397 A - 1 STERLING Λ4F
  • Matrix / Runout (Runout side B, variant 1): SG 397 B - 1 STERLING Λ2Q
  • Matrix / Runout (Runout side A, variant 2): SG 397 A - 1 STERLING ΛLB
  • Matrix / Runout (Runout side B, variant 2): SG 397 B - 1 STERLING Λ1D
  • Matrix / Runout (Runout side A, variant 3): SG 397 A -1 I STERLING Λ1F
  • Matrix / Runout (Runout side B, variant 3): SG 397 B -1 I STERLING Λ1F
  • Matrix / Runout (Runout side A, variant 4): SG 397 A -I STERLING A1D
  • Matrix / Runout (Runout side B, variant 4): SG 397 B -I STERLING A2A

Other Versions (5 of 49)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Let No Man Put Asunder (12", 33 ⅓ RPM)Rams Horn RecordsRHR 3218Netherlands1983
Recently Edited
Let No Man Put Us Under (7", 45 RPM, Single, Stereo)Rams Horn RecordsRHR 1218Netherlands1983
Recently Edited
Let No Man Put Asunder (12", 33 ⅓ RPM, Single, Promo, Stereo)Salsoul RecordsSG 397 DJUS1983
Recently Edited
Let No Man Put Asunder (12", 33 ⅓ RPM)Salsoul RecordsSG 9706Italy1983
Recently Edited
Let No Man Put Us Under (12", 33 ⅓ RPM, Single, Misprint, Stereo)Rams Horn RecordsRHR 3218Netherlands1983

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Reviews

  • miamiguy's avatar
    miamiguy
    Got this in a thrift in unplayed mint condition for 50 cents, not knowing what to expect. I'm not a Disco fan, but it's a good timeless dance track in general. Find of the month for me.
    • flow_with_me's avatar
      flow_with_me
      It is astonishing, how much much power this record has to offer! The bass kicks super fat, the mids are even a bit too sharp for my taste. On the equalizer I set the mids at 25%. Treble is at 50%. To me, those settings make it sound perfect!
      • REENO's avatar
        REENO
        All about the Shep mixes on this one. Frankie's mixes are solid here, but Shep obviously knocked it out of the friggin park.
        • Alain_Patrick's avatar
          Edited 18 years ago
          A ‘must-have’ in any DJ case and a ‘must-be’ on every ‘all time Disco list’, “Let No Man Put Asunder” was much more than a feminist anthem or underground Disco hit, as it represented a standard for a whole generation.

          The acappella of this timeless Disco classic is arguably among the most sampled ever in the history of the Dance Music, just like was the music from Kraftwerk or The J.B.’s.

          Shep Pettibone’s version for “Let No Man Put Asunder” on A side became an instant classic; the single also had a version by the Warehouse resident DJ Frankie Knuckles on the opposite side. The acappella and the fact that both versions were made by heros of the quality music scene from that time made this the most special release of this classic.

          Strange as it may seem, the credits for this tune point the production date on 1977, but this single in particular with its versions and acappella was only released years later, in 1983. This was therefore the first pressing with the quintessential acappella by the diva Rochelle Fleming, a true relic.

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