Manic Street Preachers – Everything Must Go
| Label: | Epic – 483930 1 |
|---|---|
| Format: | Vinyl, LP, Album |
| Country: | UK |
| Released: | |
| Genre: | Rock |
| Style: | Alternative Rock, Britpop, Indie Rock |
Tracklist
| A01 | Elvis Impersonator: Blackpool Pier | 3:28 | |
| A02 | A Design For Life | 4:17 | |
| A03 | Kevin Carter | 3:25 | |
| A04 | Enola/Alone | 4:08 | |
| A05 | Everything Must Go | 3:41 | |
| A06 | Small Black Flowers That Grow In The Sky | 3:03 | |
| B07 | The Girl Who Wanted To Be God | 3:25 | |
| B08 | Removables | 3:31 | |
| B09 | Australia | 4:03 | |
| B10 | Interiors (Song For Willem De Kooning) | 4:17 | |
| B11 | Further Away | 3:38 | |
| B12 | No Surface All Feeling | 4:13 |
Companies, etc.
- Copyright © – Sony Music Entertainment (UK) Ltd.
- Phonographic Copyright ℗ – Sony Music Entertainment (UK) Ltd.
- Pressed By – Sony/CBS, Haarlem – 01 483930 20
- Recorded By – Sony Music Entertainment (UK) Ltd.
- Distributed By – Sony Music
- Recorded At – Chateau De La Rouge Motte
- Recorded At – Big Noise Recorders
- Recorded At – Real World Studios
- Mixed At – Chateau De La Rouge Motte
- Mixed At – Abbey Road Studios
- Mixed At – Battery Studios, London
- Mixed At – Swanyard Studios
- Published By – Sony Music Publishing
- Lacquer Cut At – Abbey Road Studios
Credits
- Arranged By [String Arrangements] – Martin Greene
- Bass, Backing Vocals – Nicky Wire
- Design, Art Direction [Direction] – Mark Farrow Design*
- Drums, Percussion, Trumpet [Trumpet Solo], Backing Vocals – Sean Moore
- Electric Guitar, Acoustic Guitar, Lead Vocals, Piano, Backing Vocals – James Dean Bradfield
- Electric Organ [Hammond Organ], Keyboards – John Green
- Harp – Julie Aliss
- Lacquer Cut By [Cut By] – Chris Blair
- Management – Martin Hall (5)
- Percussion – Martin Ditcham
- Photography By – Rankin (3)
- Sleeve Notes – Jackson Pollock
- Viola – Chris Pitsillides, Claire Orsler
- Violin – Anne Stephenson, Gini Ball, Sally Herbert
Notes
The record comes with a printed inner sleeve of album lyrics, artwork and album credits. Copies may come with a hype sticker applied directly.
A similar version is Everything Must Go except it has no picture inner sleeve, instead the lyrics and artwork are on a fold-out insert, plus it bears a different hype sticker.
All tracks recorded at Chateau De La Rouge Motte, France except No Surface All Feeling recorded at Big Noise Recorders, Cardiff. The Girl That Wanted To Be God recorded at Real World Studios, Wiltshire.
All tracks mixed at Chateau De La Rouge Motte except A Design For Life, The Girl Who Wanted To Be God, Further Away and Interiors mixed at Abbey Road London. Australia - Battery Studios, London. No Surface All Feeling - Swanyard Recording Studios, London. Cut at Abbey Road, London.
All songs recorded - Autumn 95-Winter 96.
All songs published by Sony Music Publishing.
© 1996 Sony Music Entertainment (UK) Ltd. ℗ 1996 Sony Music Entertainment (UK) Ltd.
Original sound recording by Sony Music Entertainment (UK) Ltd.
Tracks on the release are listed sequentially "01" to "12". Track timings printed on release.
On inner sleeve:
Inspiration - Tower Colliery, Cyon Valley, South Wales
Love to Philip and Richey, thanks to Martin and Rob
A similar version is Everything Must Go except it has no picture inner sleeve, instead the lyrics and artwork are on a fold-out insert, plus it bears a different hype sticker.
All tracks recorded at Chateau De La Rouge Motte, France except No Surface All Feeling recorded at Big Noise Recorders, Cardiff. The Girl That Wanted To Be God recorded at Real World Studios, Wiltshire.
All tracks mixed at Chateau De La Rouge Motte except A Design For Life, The Girl Who Wanted To Be God, Further Away and Interiors mixed at Abbey Road London. Australia - Battery Studios, London. No Surface All Feeling - Swanyard Recording Studios, London. Cut at Abbey Road, London.
All songs recorded - Autumn 95-Winter 96.
All songs published by Sony Music Publishing.
© 1996 Sony Music Entertainment (UK) Ltd. ℗ 1996 Sony Music Entertainment (UK) Ltd.
Original sound recording by Sony Music Entertainment (UK) Ltd.
Tracks on the release are listed sequentially "01" to "12". Track timings printed on release.
On inner sleeve:
Inspiration - Tower Colliery, Cyon Valley, South Wales
Love to Philip and Richey, thanks to Martin and Rob
Barcode and Other Identifiers
- Barcode (Text): 5 099748 393012
- Barcode (Scanned, EAN 13): 5099748393012
- Matrix / Runout (Machine stamped side A): 01 483930 20 1A1
- Matrix / Runout (Machine stamped side B): 01 483930 1B1
- Matrix / Runout (Hand-etched runout side A & B): A
- Matrix / Runout (Face label side A): 483930 1A
- Matrix / Runout (Face label side B): 483930 1B
- Other (Sony format code): VX
- Other (Code within a circle, rear sleeve): 58
- Rights Society: MCPS/BIEM/SDRM
- Label Code: LC 0199
Other Versions (5 of 45)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Everything Must Go (CD, Album) | Epic | ESCA 6446 | Japan | 1996 | ||
Recently Edited | Everything Must Go (CD, Album) | Epic, Epic | 483930 9, 01-483930-10 | Canada | 1996 | ||
New Submission | Everything Must Go (CD, Album, Promo) | Epic, Epic | SAMPCD 3396, 11-003396-10 | Europe | 1996 | ||
New Submission | Everything Must Go (CD, Album) | Epic, Epic | EK 67709, 67709 | Canada | 1996 | ||
Recently Edited | Everything Must Go (CD, Album, CD, ) | Epic | 483930 2 | Europe | 1996 |
Recommendations
Reviews
Edited 4 months agoI've owned this since new. Rarely listen to it because its so awful (the pressing, not the album) - but had another spin last night, listening on an all-tube set up, just to see.
Unlistenable! Brickwalled, strident, brittle, awful.
I don't know, of course, but I assume in part the problem begins with the multi-tracks and/or 2 channel master that was given to Chris Blair (RIP) to cut. Someone who has compared this original with a reissue (I haven't) might be able to advise whether a source is available that allows for improved mastering?
I'm not a fan of the whole Manics catalogue, but what I have heard does seem to suggest their releases (great music) haven't exactly been sonic masterpieces. I have an original 'Gold Against The Soul' - and the reissue - and both are substantially more listenable, as a recording/mastering, than 'Everything Must Go'. But then, it wasn't released directly into the middle of the loudness wars.
The 2LP 'This Is My Truth' reissue (which I know many wax lyrical about) sounds flat, soulless, and lifeless to me.
The Kevin Gray mastered reissue of 'Generation Terrorists' on Drastic Plastic sounds great; and - this surprised me - the recent remix/reissue 'Know Your Enemy' also sounds great.
This is the best sounding vinyl version. Ignore all that MOV audiophoolery bollocks.
As always, the originals tend to sound the best. Never more so than with Manic's albums.