Klaus Schulze – Blackdance
Label: | Brain – brain 1051, Metronome – brain 1051, Brain – 1051, Metronome – 1051 |
---|---|
Format: | Vinyl, LP, Album, Stereo |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Experimental, Ambient, Berlin-School |
Tracklist
A1 | Ways Of Changes | 17:50 | |
A2 | Some Velvet Phasing | 8:30 | |
B | Voices Of Syn | 22:30 |
Companies, etc.
- Recorded At – Delta Acoustic Studio
- Made By – Metronome Records GmbH
- Pressed By – Phonodisc GmbH
- Lacquer Cut At – Tonstudio Pfanz
Credits
- Bass Vocals [Bass Voice] – Ernst Walter Siemon
- Cover [Cover-Pictures] – Urs Amann
- Engineer [Toning] – Helly Pohl
- Mixed By – K. Schulze*
- Producer, Synthesizer, Organ, Piano, Percussion, Trumpet [Phase], 12-String Acoustic Guitar, Orchestra, Composed By – Klaus Schulze
Notes
First pressing with 'Metronome' wording across the green labels.
Released in a gatefold cover.
Recorded at Delta Acoustic Studio, Berlin
All music was played on Farfisa-Equipment
p. 1974
A Product of Metronome Records GmbH
Runout side A and B are etched.
Released in a gatefold cover.
Recorded at Delta Acoustic Studio, Berlin
All music was played on Farfisa-Equipment
p. 1974
A Product of Metronome Records GmbH
Runout side A and B are etched.
Barcode and Other Identifiers
- Rights Society: gema
- Matrix / Runout (Runout side A, variant 1): st-1051-A B2 2 0664.500 S12
- Matrix / Runout (Runout side B, variant 1): st-1051-B 0664.500 S2 PF C1
- Matrix / Runout (Runout side A, variant 2): br. 1051-A E 2 0664.500 S12
- Matrix / Runout (Runout side B, variant 2): st-1051-B 0664.500 S2 PF 1C
Other Versions (5 of 57)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Blackdance (LP, Album, Stereo) | Caroline Records | CA 2003 | UK | 1974 | ||
New Submission | Blackdance (LP, Album, Gatefold) | Virgin | L 35295 | Australia | 1974 | ||
New Submission | Blackdance (LP, Album, Test Pressing) | Virgin | 840045 | France | 1974 | ||
Recently Edited | Blackdance (LP, Album) | Virgin, Virgin | 840 045, XBLY 840.045 | France | 1974 | ||
Blackdance (LP, Album, Repress) | Virgin, Virgin | 840 045, XBLY 840.045 | France | 1975 |
Recommendations
Reviews
- It all sounds like the support band for Popol Vuh to me.
When's the headline act coming on? (looks at his watch) - I felt it important to listen to this album because of 'some velvet phasing'.i love this effect and had previously thought that Jarre had done it first.apparently not.though to be fair JMJ used it to greater effect in my view.nonethless, Klaus did it first.
- Edited 3 years agoFrom what Ive read most people write this off as boring, monotone and downright dark. While I think its progressively better that his first two drone like and experimental albums it was still relatively a new release in this soon to be pioneer of Germanic electronic space musicians catalog.
What the "open" ended ear received is three long hypnotic compositions ranging from slightly psychedelic i.e. Ways of Change with its conga and 12 string acoustic arpeggios combined with phased organ and analog synthesizer accompaniment. By the last track Voice of Syn you are shellacked with a male vocalist singing in what I imagine is German against heavily phased sweeping Farfisa organ and synthesized percussion.
The music IS minimalist and intentionally isnt based around three chord American blues rock music nor is it classical tho one can hear some morbid minor Wagner-esque organ like meanderings. Schulze was expressing the freedom not to conform to a particular style or the pressure to hook you the listener in with a ear-candy melody. Instead he chooses to use his primitive electronic instruments to create tone paintings with long broad strokes and darker hues like a long winter in the hinterlands. As a genuine artist he follows his own path and for that you cannot fault him.
BD was never a release I felt a major strong point in his catalog especially having been introduced to his music via Timewind. I enjoy its genuine departure from making music to conform to any popular trend, style or sound.That in my book is why I cherish all his earlier music! - I like this album... over the years I've grown to like it & appreciate it more & more... some fans like it others aren't to keen on it... but I feel it's a good album that gets downplayed a bit unfairly....
- Fairly boring piece imho where it sounds like he is only hitting the black note keys on his keyboard and here and there manages to play out of tune even. As another reviewer put it the poor relation to Timewind.
Release
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