Release
Marketplace
27 For Sale from $19.90Statistics
Videos (8)
EditLists
Contributors
Danny Tenaglia + Celeda – Music Is The Answer (Dancin' And Prancin')
Label: | Twisted America Records – TW12-55443 |
---|---|
Format: | Vinyl, 12", Single, 33 ⅓ RPM |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | House, Garage House |
Tracklist
Other Side | |||
A1 | Music Is The Answer (Dancin' And Prancin') (Danny's Tourism Mix) | 14:10 | |
This Side | |||
B1 | Music Is The Answer (Dancin' And Prancin') (Fire Island's "La Música Es La Respuesta") | 11:35 |
Companies, etc.
- Produced For – Stay Tuned Productions
Credits
- Edited By – Konrad Correlli
- Executive-Producer – Kevin McHugh, Rob Di Stefano
- Lyrics By, Vocals – Celeda
- Mastered By – Rick Essig
- Recorded By, Engineer – Rob Rives
- Written-By – Victoria Sharpe
- Written-By, Producer, Edited By, Keyboards [Keyboard], Drum Programming – Danny Tenaglia
Notes
Taken from the Danny Tenaglia album Tourism.
Barcode and Other Identifiers
- Barcode (Scanned): 008815544313
- Barcode (Text): 0 08815 54431 3
Other Versions (5 of 39)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Music Is The Answer (Dancin' And Prancin') (CD, Single, Cardboard Sleeve) | Twisted America Records | TWD-49095 | Europe | 1998 | ||
Recently Edited | Music Is The Answer (Remixes) (12", 33 ⅓ RPM, Limited Edition) | Twisted America Records | TW12-55491 | US | 1998 | ||
Recently Edited | Music Is The Answer (12") | Nitelite The Club Records | CLUB 04-98 | Italy | 1998 | ||
Recently Edited | Music Is The Answer (Dancin' And Prancin') Remixes (12", 33 ⅓ RPM, Limited Edition) | Twisted United Kingdom | TW12-10042 | UK | 1998 | ||
Recently Edited | Music Is The Answer (Dancin' And Prancin') (12", 33 ⅓ RPM) | Twisted United Kingdom | TW12-10038 | UK | 1998 |
Recommendations
- The Aztec Mystic A.K.A DJ Rolando
- Wink*
Reviews
If it's on the UK release that may be because of the ultra-annoying habit of British record companies editing tunes so that they only contained a certain amount of music which was the maximum that could be included on a record to qualify for the pop charts back then. The ultimate triumph of marketing over the music?