The Beginning (Vinyl, 12", 45 RPM, White Label) album cover

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Force (2) ‎– The Beginning

Label:
786 Approved ‎– 786-001
Format:
Vinyl, 12", 45 RPM, White Label, Stamped
Country:
UK
Released:
1991
Genre:
Electronic
Style:
Hardcore, Techno

Companies, etc.

Credits

Notes

Pressed at Damont Audio Limited.

On some copies the B side track is called "Tunnel Vision".

On some copies the artist is noted as "The Force" with a title of "In The Beginning" and a Cat# TOP3 on the sleeve.

Barcode and Other Identifiers

  • Matrix / Runout (Etchings side A): 786001 A¹ Damont Greeting's Pauls'
  • Matrix / Runout (Etchings side B): 786001 B¹ The Exchange Damont

Other Versions (2 of 2) View All

Cat# Artist Title (Format) Label Cat# Country Year
786 001 Force (2) The Beginning ‎(12", W/Lbl) 786 Approved 786 001 UK 1991 Sell This Version
786-001 Force (2) The Beginning ‎(12", W/Lbl, Sta) 786 Approved 786-001 UK 1991 Sell This Version

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tranzyd

tranzyd

November 25, 2018
edited 2 months ago
Agreed with previous reviewer, this tune was ruff in quality and sounded like it was recorded on an Amiga computer, but it was hard as nails on release, a little too much for some at the time. Tastes also changed and this one got forgotten. It did try to explore new areas of hardcore. The other side has a track that for me is a much darker heavier track similar to Nightmares on Wax, Aftermath (which is one of my favs)
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WN3_5AA

WN3_5AA

August 11, 2018
The term hardcore came about because of oldskool tracks like this...this is only cheap because its too hard for the generations that follow it. murda choon!
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PHUTURE303

PHUTURE303

May 22, 2011

All about the pure madness of side A for me even tho I like the B side too.
786 and Deja Vu were a no sell out label with some quality underground hardcore which have unfortanatly been pretty much forgot about now.
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steady-j

steady-j

May 15, 2005
edited over 13 years ago

The B Side "Tunnel Vision" is actually a (quite good) cover version of Nightmares on Wax' "Aftermath", and nothing like as noisy as the atonal, dischordant synths and hectic breakbeats of the A-side
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