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Contributors
Lnrdcroy – Ooze City
Label: | Mood Hut – MH011 |
---|---|
Format: | Vinyl, 12", EP |
Country: | Canada |
Released: | |
Genre: | Electronic |
Style: | House, Tribal, Acid, Deep House |
Tracklist
A | Ooze City | 9:48 | |
B1 | Aquabus (Plaza of Nations Dub) | 9:53 | |
B2 | Kali Yuga | 8:52 |
Companies, etc.
- Distributed By – Rubadub
- Mastered At – Ten Eight Seven Mastering
Credits
- Mastered By – Beau*
Barcode and Other Identifiers
- Matrix / Runout (Runout Side A): MH011 A BF8624 - 01 A1 BEAU @ TEN EIGHT SEVEN
- Matrix / Runout (Runout Side B): MH011 B BF8624 - 01 B1
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Reviews

For the trainspotters that may be interested:
At around the 5:44 mark in Oozecity, the drums cut out rather abruptly (although it "works"). This was because I accidentally knocked the AC plug out of the Roland R-70 and the machine shut down! I wanted there to be a break in that part of the track, in any case, but usually you don't have to unplug the machines to do that :)
I immediately turned the drum machine back on and thought quickly about how to get it back in sync in order to finish the recording. If you listen very closely during the break down before the drums fully come back in, you can hear at least one false start where I manually tried to tap sync the drums back in by the rhythm of the bassline. Anyway, when they come back in, it was just a fluke that the sync was bang on and that it didn't glide out of time by the end of the recording.
I now sing praise of 𝘮𝘶𝘭𝘵𝘪𝘵𝘳𝘢𝘤𝘬 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, though there is a particular fun in higher-stakes recording. You have to get it right and can't change the results too much later, but there is resolution in that. Many will attest.
Gear list for this record:
E-MU E6400 Ultra
Akai MPC 1000
AudioRealism Bass Line (VSTi)
Roland JD-800
Roland R-70
Lexicon PCM-80
DBX 166 Compressor
At around the 5:44 mark in Oozecity, the drums cut out rather abruptly (although it "works"). This was because I accidentally knocked the AC plug out of the Roland R-70 and the machine shut down! I wanted there to be a break in that part of the track, in any case, but usually you don't have to unplug the machines to do that :)
I immediately turned the drum machine back on and thought quickly about how to get it back in sync in order to finish the recording. If you listen very closely during the break down before the drums fully come back in, you can hear at least one false start where I manually tried to tap sync the drums back in by the rhythm of the bassline. Anyway, when they come back in, it was just a fluke that the sync was bang on and that it didn't glide out of time by the end of the recording.
I now sing praise of 𝘮𝘶𝘭𝘵𝘪𝘵𝘳𝘢𝘤𝘬 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨, though there is a particular fun in higher-stakes recording. You have to get it right and can't change the results too much later, but there is resolution in that. Many will attest.
Gear list for this record:
E-MU E6400 Ultra
Akai MPC 1000
AudioRealism Bass Line (VSTi)
Roland JD-800
Roland R-70
Lexicon PCM-80
DBX 166 Compressor

Edited 4 years ago
B side may be a little quieter...but that's what the channel gain knob is for on your mixer :)
Still not as quiet as Midtown 120 Blues :)
Still not as quiet as Midtown 120 Blues :)
I'm not against whining about pressing issues on principle, but if you think the quality of this one is "beyond a joke", perhaps you should stick to remastered deluxe edition Dire Straits records. Don't hesitate to buy this. Great music and an all around aurally pleasing record.
Pressing is a little quiet on the B Side but still sounds very nice.
Musically, I'm once again delighted, the EP is extremely solid and every track will make an impression : Aquabus starts of with the New Agey vibes that the producer excels at before shifting and delivering some premium hard hitting deepness with its proeminent kick and bass in a fashion that reminded me of Simoncino's work.
Kali Yuga is a mental, relentless tribal workout that'll leave any dancefloor exhausted
Ooze City starts off as a regular stomping acid track, guaranteed to put a satisfied grin on everyone's face, but breaks down into gorgeous atmospheric pads before coming back which makes for a very memorable shift.
Musically, I'm once again delighted, the EP is extremely solid and every track will make an impression : Aquabus starts of with the New Agey vibes that the producer excels at before shifting and delivering some premium hard hitting deepness with its proeminent kick and bass in a fashion that reminded me of Simoncino's work.
Kali Yuga is a mental, relentless tribal workout that'll leave any dancefloor exhausted
Ooze City starts off as a regular stomping acid track, guaranteed to put a satisfied grin on everyone's face, but breaks down into gorgeous atmospheric pads before coming back which makes for a very memorable shift.