Manic Street Preachers – Everything Must Go
Label: | Sony Music – 88985317831, Columbia – 88985317831 |
|---|---|
Format: | |
Country: | Europe |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Indie Rock |
Tracklist
| A1 | Elvis Impersonator: Blackpool Pier | 3:28 | |
| A2 | A Design For Life | 4:17 | |
| A3 | Kevin Carter | 3:25 | |
| A4 | Enola/Alone | 4:08 | |
| A5 | Everything Must Go | 3:40 | |
| A6 | Small Black Flowers That Grow In The Sky | 3:03 | |
| B7 | The Girl Who Wanted To Be God | 3:36 | |
| B8 | Removables | 3:31 | |
| B9 | Australia | 3:03 | |
| B10 | Interiors (Song For Willem De Kooning) | 4:18 | |
| B11 | Further Away | 3:39 | |
| B12 | No Surface All Feeling | 4:31 |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment UK Limited
- Copyright © – Sony Music Entertainment UK Limited
- Distributed By – Sony Music Entertainment
- Recorded At – Chateau De La Rouge Motte
- Recorded At – Big Noise Recorders
- Recorded At – The House In The Woods
- Recorded At – Real World Studios
- Mixed At – Chateau De La Rouge Motte
- Mixed At – Abbey Road Studios
- Mixed At – Battery Studios, London
- Mixed At – Swanyard Studios
- Remastered At – Metropolis Studios
- Lacquer Cut At – SST Brüggemann GmbH
- Published By – SM Publishing (UK) Ltd.
- Pressed By – MPO
- Exclusive Retailer – HMV
Credits
- Arranged By [String Arrangement] – Martin Greene
- Bass, Backing Vocals – Nicky Wire
- Design, Art Direction [Direction] – Farrow*
- Drums, Percussion, Trumpet [Trumpet Solo], Backing Vocals – Sean Moore
- Electric Guitar, Acoustic Guitar, Lead Vocals, Piano, Backing Vocals – James Dean Bradfield
- Electric Organ [Hammond], Keyboards – John Green
- Harp – Julie Aliss
- Lacquer Cut By – Kr*
- Lacquer Cut By [Original Cut] – Chris Blair
- Management – Hall Or Nothing, Martin Hall (5)
- Mixed By [Assistant At Abbey Road] – Guy Massey (tracks: A2, B7, A11)
- Music By – Bradfield*, Jones* (tracks: A2, A3), Wire* (tracks: A3, A4, A6, B8, B10 to B12), James* (tracks: A6), Moore*
- Percussion – Martin Ditchum*
- Photography By – Rankin (3)
- Producer – Dave Eringa (tracks: B12), Mike Hedges (tracks: A1 to B11)
- Remastered By – Tim Young
- Viola – Chris Pitsillides, Claire Orsler
- Violin – Anne Stephenson, Gini Ball, Sally Herbert
Notes
Initial copies were exclusive to HMV. The whole release run was limited to 1000 copies.
Powder blue heavyweight opaque vinyl. Copies might display a subtle marbled / fleck appearance.
Printed inner sleeve of top opening card, featuring full lyrics and credits.
There is a 6cm square hype sticker applied to the shrink-wrap. Also applied to the shrink-wrap may be one or more merchant retailing stickers.
Cut by Chris Blair - Abbey Road, London.
All songs recorded Autumn 95 - Winter 96.
All tracks mixed at Chateau De La Rouge Motte except
A2, B7, B11 mixed at Abbey Road, London, B9 Battery Studios, London
and B12 Swanyard Recording Studios, London.
All tracks recorded at Chateau De La Rouge Motte, France except
B12 recorded at The Big Noise Recorders, Cardiff and House In The Woods
and B7 recorded at Real World Studios, Wiltshire.
Love to Philip and Richey. Thanks to Martin and Rob.
℗ & © 2016 Sony Music Entertainment UK Limited.
"Made in the EU".
Powder blue heavyweight opaque vinyl. Copies might display a subtle marbled / fleck appearance.
Printed inner sleeve of top opening card, featuring full lyrics and credits.
There is a 6cm square hype sticker applied to the shrink-wrap. Also applied to the shrink-wrap may be one or more merchant retailing stickers.
Cut by Chris Blair - Abbey Road, London.
All songs recorded Autumn 95 - Winter 96.
All tracks mixed at Chateau De La Rouge Motte except
A2, B7, B11 mixed at Abbey Road, London, B9 Battery Studios, London
and B12 Swanyard Recording Studios, London.
All tracks recorded at Chateau De La Rouge Motte, France except
B12 recorded at The Big Noise Recorders, Cardiff and House In The Woods
and B7 recorded at Real World Studios, Wiltshire.
Love to Philip and Richey. Thanks to Martin and Rob.
℗ & © 2016 Sony Music Entertainment UK Limited.
"Made in the EU".
Barcode and Other Identifiers
- Barcode (Text): 8 89853 17831 5
- Barcode (Scanned): 0889853178315
- Matrix / Runout (Runout side A): MPO 88985317831 A Kr SST
- Matrix / Runout (Runout side B): 88985317831 B MPO Kr SST
- Matrix / Runout (Label side A): 88985317831 A
- Matrix / Runout (Label side B): 88985317831 B
- Rights Society: BIEM/GEMA
- Label Code: LC 12723
Other Versions (5 of 51)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Everything Must Go (CD, Album) | Epic | ESCA 6446 | Japan | 1996 | ||
Recently Edited | Everything Must Go (LP, Album) | Epic | 483930 1 | UK | 1996 | ||
Recently Edited | Everything Must Go (CD, Album) | Epic | 483930 9 | Europe | 1996 | ||
New Submission | Everything Must Go (CD, Album, Promo) | Epic, Epic | SAMPCD 3396, 11-003396-10 | Europe | 1996 | ||
| Everything Must Go (CD, Album) | Epic, Epic | EK 67709, 67709 | Canada | 1996 |
Recommendations
2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered
2016 UK, Europe & USVinyl —12", 45 RPM, Record Store Day, Single, Deluxe Edition, Limited Edition, Remastered, Special Edition
Reviews
- Also just confirming that good copies are out there. Mine is flat, centred, no skips and maybe 2 or 3 slight pops on the whole record. Sounds good too.
- Just bought a copy from eBay and wish I’d read these reviews first! Awful pressing…. Side A atrocious including skip to ADFL…
- Just checking in to report that I also got a good copy. Flat, centered, quiet. They do exist! ;)
well I guess I am the only one here who has a decent copy of this one, for me it sounds nice, no pops or clicks or noise and I love the marbled color of the vinyl.- Very bad pressing. Took it out of shrinkwrap and "design for life" has a skip in it. Whole side A is unbelievably noisey.
- Horrible pressing - how the hell this got past quality control I’ll never know. Side A sounds warped as hell. Side B marginally better.
Avoid. - Luckily, my copy from juno.co.uk is all fine: sound and everything else. I listened to this album a lot on CD when it first came out, and now I'm enjoying it again on vinyl.
- Side A on my copy sounds horrible. If anyone has a mint copy that was pressed correctly that they want to sell, please hit me up.
- Does anybody have a copy that sounds good? Or are all pressed as hell?
"Everything must go" - even off center. But that's lil bit too much. Can only listen to A Side after 6 beer. Quality control surely had the same amount.
Release
For sale on Discogs
Sell a copy10 copies from $97.77