Charlemagne Palestine – Jamaica Heinekens In Brooklyn
Label: | Barooni – BAR 021 |
---|---|
Format: | CD, Album |
Country: | Netherlands |
Released: | |
Genre: | Electronic |
Style: | Field Recording, Experimental, Minimal, Ambient, Drone |
Tracklist
1 | Jamaica Heinekens In Brooklyn | 1:01:24 |
Companies, etc.
- Glass Mastered At – Sony DADC – A0100322282-0101
- Edited At – CEM Studio, Amsterdam
Credits
- Design Concept [Sleeve Concept] – Hans Althuis, Taluut
- Edited By, Recorded By [Uncredited], Engineer, Transferred By [Uncredited] – Radboud Mens
- Executive-Producer – Roland Spekle
- Programmed By [Syntho Programs], Edited By – Armeno Alberts
- Recorded By [Sony Dat Player, Small Stereo Microphone], Organ [Yamaha], Audio Generator [Serge & Rubery Oscillators With Bandpass Filtering], Synthesizer [Arp], Liner Notes – Charlemagne Palestine
- Technician [Technical Assistant] – James Rubery
Notes
Jamaica Heinekens in Brooklyn (1998) commissioned by the NPS, Hilversum.
"Begun in the spring of 1997, this work came out of the idea of traveling with an electronic drone on a ghetto blaster and re-recording it in different situations in many countries. After several months of unsuccessful experiments, I decided to record different soundscapes first and then to superimpose a drone later. [...] The most impressive, expansive and sonically interesting was the recording I made on the 5th of September 1997 on Eastern Parkway in Brooklyn during the Jamaica Day Parade. [...] The 60+ minute segment on this recording is played without any editing, but super imposed upon this extract I have composed three series of drone textures for Yamaha organs, 16 Serge & Rubery oscillators with bandpass filtering, and a thick Arp Synthesizer texture using oscillators, filters and other other sound modulation devices. All together this work creates a dialogue between pure and mixed electronics of my long continuum tradition and the real-time ambient sounds of a traditional urban ethnographic popular festival."
Post-production editing at CEM studios, Amsterdam.
Thanks to Piet Hein van der Poel, Co de Kloet, Michael Fahres and the NPS radio Hilversum, The Netherlands.
"Begun in the spring of 1997, this work came out of the idea of traveling with an electronic drone on a ghetto blaster and re-recording it in different situations in many countries. After several months of unsuccessful experiments, I decided to record different soundscapes first and then to superimpose a drone later. [...] The most impressive, expansive and sonically interesting was the recording I made on the 5th of September 1997 on Eastern Parkway in Brooklyn during the Jamaica Day Parade. [...] The 60+ minute segment on this recording is played without any editing, but super imposed upon this extract I have composed three series of drone textures for Yamaha organs, 16 Serge & Rubery oscillators with bandpass filtering, and a thick Arp Synthesizer texture using oscillators, filters and other other sound modulation devices. All together this work creates a dialogue between pure and mixed electronics of my long continuum tradition and the real-time ambient sounds of a traditional urban ethnographic popular festival."
Post-production editing at CEM studios, Amsterdam.
Thanks to Piet Hein van der Poel, Co de Kloet, Michael Fahres and the NPS radio Hilversum, The Netherlands.
Barcode and Other Identifiers
- Barcode (Text): 8 712526 000212
- Barcode (Scanned): 8712526000212
- Rights Society: STEMRA
- Matrix / Runout: Sony DADC A0100322282-0101 12 A0
- Mastering SID Code: IFPI L552
- Mould SID Code: IFPI 94K2
Recommendations
- 1996 NetherlandsCD —Album, Reissue, Remastered
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