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Videos (2)

Made In USA - Ugly Edits Vol. 1 album cover

Made In USA / Jill ScottUgly Edits Vol. 1

Label:Ugly Edits – UGE 001
Vinyl, 12", 33 ⅓ RPM, White Label, Unofficial Release
Genre:Electronic, Funk / Soul
Style:Deep House, Disco


AMade In USANever Gonna Let U Go (Theo Parrish Re-Edit)
BJill ScottSlowly Surely (Theo Parrish Re-Edit)


Barcode and Other Identifiers

  • Matrix / Runout (Side A): UGE 001-A PCMJR
  • Matrix / Runout (Side B): UGE 001-B PCMJR

Other Versions (1)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Slowly Surely (Theo Parrish Remix) (12", 33 ⅓ RPM, Single Sided, Promo, Unofficial Release)Not On Label (Theo Parrish)JST P 1UK2002


  • midnightrunner's avatar
    Edited 2 years ago
    There is a brand new, officially-sanctioned version of this Made in USA track that is a somewhat louder pressing, I must admit. I listened to the two side-by-side, with my lovely girlfriend, and she used her decibel-o-meter to determine as such. She is so beautiful and clever!!
    • JakeBillo's avatar
      The A side is getting an official reissue with the original Made in USA track on De-Lite!
      • MrMarple's avatar
        There are so many bad booties of this kicking around, be careful what you buy. A great release though!
        • cmacnulty's avatar
          Get the record now before Discogs blocks it for sale.
          • mblacket's avatar
            Edited 6 years ago
            Does anyone want to trade this for some Moodymann / Marcellus / Three Chairs / Boo Williams / Johnick or other Theo?
            Message me, if so.
            • dmp's avatar
              The track on side A is pretty much the same as "Juicy Sushi" of "On The Nest EP." from 1994 on DJ Harvey's Black Cock Records.
              • collectiverhythm's avatar
                LOVE this record. The Made In USA edit is fabulous - rough, rugged, and raw. The Jill Scott is in my top 5 of Theo's tracks. Very well done. A must!
                • OCCIDENTAL's avatar
                  Edited 17 years ago
                  The b-side is absolutely brilliant. Stirring and emotionally evocative with loose jazzy riffs and percussion (like most of his deeper tracks). I had a chance to talk with Theo at a Three Chairs gig in Chicago and this was the track I immediately talked about. It's that good. Too bad Jill Scott's people didn't use it. Their loss.
                  • dexterfeng's avatar
                    First saw these in Detroit at the Track Mode party, then they disappeared, except for in overpriced bidding wars on e-bay through-out the summer. Another pressing was issued late 2002 dropping the immediate collectability of this record. supposedly the volumes were repressed to get some money to move back to Detroit.
                    Out of the three ugly edits, this is the least user friendly one. I can't stand the b-side too fast, reminds me of some disco edits from 95 or so.